(beat) The regular
rhythm of a piece of music.
The rhythms of a piece of music are based on a standard unit of time (known as a measure) that can be subdivided in many different ways.
Not exact matches
After all, the features that distinguish one
piece of music from another —
rhythm, harmony, melody — are intrinsically mathematical.
Mr. Weerasethakul's film is like a
piece of chamber
music slowly, deftly expanding into a full symphonic movement; to watch it is to enter a fugue state that has the
music and
rhythms of another culture.
If you're wondering why there are shouts
of jubilation from film buffs and aficionados
of pre-swing-era
music it's because the Criterion Collection has released a beautiful Blu - ray and DVD
of King
of Jazz (1930), The movie features Bing Crosby's first appearance onscreen, as part
of the
Rhythm Boys trio, jazz giants Joe Venuti and Eddie Lang, and a spectacular rendition
of George Gershwin's «Rhapsody in Blue» by Paul Whiteman, the orchestra leader who commissioned the
piece just six years earlier.
If you were listening to a
piece of groovy
music and were responsive to it, you wouldn't mind following its vibe, nodding at refrains, enjoying the use
of instruments, tempo,
rhythm — so why is it audiences get impatient when movies attempt to do the same thing?
For example the ability to focus listening on an individual pattern within a poly - rhythmic
piece of music (multiple
rhythms being played simultaneously) or developing the listening skills required to understand the feeling
of a
rhythm when hearing against a regular pulse.
New powers include the magenta
rhythm (Sonic becomes a
music note to bounce across predetermined gaps), indigo asteroid (Sonic becomes a levitating planet that can pull
pieces of the level and enemies into its gravity), and crimson eagle (Sonic can fly along new paths in the level).
Anna tends to have the most interesting chapters, as she's able to drive a car during a mini game in which I dodged obstacles and projectiles in synchronization with a
piece of classical
music — the result is a minigame that felt like a
rhythm game.
Whether looking at a landscape, an interior, figures walking on the street, a painting on the wall, or even listening to a
piece of music, I can quickly pick out the
rhythm, the dominant aspects
of the composition, shape, color, light, shadow, texture and so on.
«Got to Give it Up» was created in 1976, when copyright protection was limited to a musical work's «sheet
music», i.e., the written notes that identify pitches (melodies), cords or
rhythms of a song or musical
piece, and did not extend to live performance
of the
music.