Sentences with phrase «rhythmic editing»

Oursler's projections combine glass, clay, steel and other raw materials with a synthesis of performance language and rhythmic editing.
Finally Vessel, Jon Hopkins's track remixed by Four Tet with a video directed by Bison, combined glitchy syncopated sounds with a rhythmic editing using fractal anaglyphic images of dancer Claire Meehan's movements.
Griffith's rhythmic editing and use of location and depth of field is in full display in an early attempt at a «realistic» story; though for some reason one family displays the American Biograph logo in their home.
His version, as expected, is beautifully constructed, full of languid long shots and rhythmic editing.
These violent possessions lead to at least two exemplary set pieces, each of which is imbued with a kinetic sense of action and brisk, rhythmic editing.

Not exact matches

Eschewing dialogue for sultry crooning, the rhythmic production intercuts slow slices of action with fast - paced editing, providing a mere sample of the suspense of the finished product.
Jonathan Amos and Paul Machliss» editing entrances with rhythmic precision and the director's familiar energy and passion ensure the project steers as far away as possible from self - conscious affectedness, while barreling down the road with purpose and a great sense of humor toward something more pure and honest.
Free of scar tissue, Paul Hirsch's typically masterful editing has an inevitable - feeling economy and rhythmic flow.
Paced and edited like a telltale sports film, one enters Borg McEnroe expecting a run of the mill «inspired by true events story»; instead, what is found is a thoughtful, highly rhythmic character drama supported by sports content.
Levinson discusses shooting in sequence and its effect on the production, reshoots, casting some actors, decisions related to the rhythmic score, cinematographic choices, editing, improvs, and many other elements.
He invests many scenes from Henry V (1989) with cinematic sweep and rhythmic visual editing, but the emphasis seldom strays far from great actors engaging the text.
There's an urgent and palpable sense of Chazelle's need to tell this story that is thrilling (as is Tom Cross» rhythmic and dynamic editing).
The first exploration of this essential lineage encompasses dance, avant - garde composition, popular music and subcultures, and rhythmic video editing from the twentieth century to the present day.
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