Sentences with phrase «rhythmic structures of»

Highlife uses the melodic and main rhythmic structures of traditional music, but is played with Western instruments, in recent time many pundits have expound that any musician who can not play live are not greats and this has compelled many young musicians to reconsider their acts and start collaborating with bands and band groups alike.

Overdependence on the rhythmic structures of the music rather than on the text is a problem exclusive to more recent styles of music.

In the Children's Garden, the consistent rhythmic structure of the day is geared to the developmental needs of young children.

This is surprising since it is originally responsible for the rhythmic structure of the words,» study leader Gesa Hartwigsen explains.

«If the anterior inferior frontal gyrus itself is impaired, its failure can hardly be compensated and its tasks are not taken over by another part of the language network, making it much harder to analyse the rhythmic structure of a word, that is to say its syllables.»

Her practice investigates power relations, popular culture and gender politics, juxtaposing the rhythmic structuring of sound as a tactile material within the social construction of esoteric ideology.

Not exact matches

* There are common verbal devices used for structuring memory, such as: thinking memorable thoughts; use of mnemonic, heavily rhythmic and balanced patterns; use of frequent repetitions or antitheses, alliterations and assonances; use of epithetic, formulaic, proverbial sayings; use of standard thematic settings

The text of the Mass has its own innate rhythmic structure and it is this that Gregorian chant facilitates.

But that authority probably will be due to the rhythmic and tonal structure of the sermon as much as anything else.

A macro-organism is indeed a nested structure of small components with coordinated rhythmic activities, but the notion of «society» does not do justice to its goal directedness.

To understand this evocative force, researchers in many fields, including information science, neural perception, and signal processing, investigate music's underlying structure, examining features such as the tone, timbre, and auditory and rhythmic features of a piece.

In summary, this symposium features recent empirical findings and theoretical insights that highlight the importance of rhythmic structure, temporal predictions, and hierarchy in auditory, speech, and linguistic processing.

*** Includes 129 original reading passages and comprehension questions *** *** Includes 30 fluency passages *** *** Includes 11 Reading Posters *** - character, setting, realism and fantasy, main idea and details, cause and effect, author's purpose, compare and contrast, sequence, plot, theme, and drawing conclusions *** Includes four level charts for teachers, parents, or students, so that they can keep track of their progress *** *** Includes a roster - words correct per minute for each student / child for fall / winter / spring *** Skills addressed in this resource: # 1 - think and search # 2 - author and me # 3 - analyze text structure # 4 - identify setting # 5 - identify character # 6 - identify plot # 7 - make and confirm predictions # 8 - cause and effect # 9 - compare and contrast # 10 - retell # 11 - classify and categorize # 12 - alliteration # 13 - rhyme and rhythmic patterns # 14 - onomatopoeia # 15 - similes # 16 - repetition and word choice # 17 - sensory language # 18 - study skills # 19 - text features # 20 - genres This is GREAT practice for testing while also providing a lot of fluency practice!

Robert Colescott is «a proud instigator who fearlessly tackled subjects of social and racial inequality, class structure, and the human condition through his uniquely rhythmic and often manic style of figuration.»

Engaging with post-structuralist critique, Cox utilizes both the repetitive structure and the rhythmic effect of poetry [2] to explore the language of painting.

In many ways, a tree's inherent structure is analogous to the way in which Mitchell composes her paintings: beginning from an anchored core, her physical gestures create an armature of rhythmic potential, allowing for an expressive lyricism that attempts to, as she says, «define a feeling.»

«Yuen's paintings work on us like a silent ululation, a harmony of opposites, a pulsation of a hidden, yet informed rhythmic structure.»

This is evident in the understanding of the buildings as undressed cubic volumes of geometry, descendants from sculptural minimalism; also, in the exploration of color and their application in visual rhythmic structures that invokes the legacy of the pictorial constructivist tradition, but from a clear awareness of the use of the camera as a working tool.

Over the past 30 years James Hugonin has become known for his unusually deliberate and determined way of making paintings: completing on average just one painting a year and always following a structure of small marks of colour across an underlying grid, each mark shifting slightly from its neighbour and building to a rhythmic whole.

Recent selected group exhibitions include: Basic Structures of, Austrian Cultural Forum, London, UK; FACE TO FACE: A Selection of International Emerging Artists from the Ernesto Esposito Collection, Palazzo Fruscione, Salerno, IT (both 2016); A Natural Syntax for Rhythmic Forms and Semiotic Variations, BID Project, Milan, IT; Madrugada: Louisa Gagliardi, Fay Nicolson, Tomorrow Gallery, NY, USA; Jacopo Miliani, Fay Nicolson, Jackson Sprague, Frutta, Rome, IT; Elapse / End, MAISTERRAVALBUENA, Madrid, ES; As it seems, COSAR HMT, Dusseldorf, DE; Palourde Cuites, Christopher Crescent, Brussels, BE; Exquisite Collapse, blip blip blip, Leeds, UK; The Decorator and the Thief -LRB-...), NGCA & Priestman Gallery, Sunderland, UK (all 2015); ACCORDION, Laura Bartlett Gallery, London, UK; before breakfast we talked about the furthest visible point before it all disappeared, Tenderpixel, London, UK; Textile Languages, Thalie Art Project, Brussels, BE (all 2014); Open Cube, Mason's Yard White Cube, London, UK (2013).

The gallery called the painter «a proud instigator who fearlessly tackled subjects of social and racial inequality, class structure, and the human condition through his uniquely rhythmic and often manic style of figuration».

Importantly, the heavy influence of music is evident not only in the soundtracks and Adkins» selection of musicians and composers as some of his subjects, but in the structure and composition of the videos — the rhythmic interactions between images in double - and triple - channel works, the cadence of interposed blank spaces, and the recurrent vibrating stereoscopic imagery that pulsates with life.

Rhythmic and lyrical, with a combination of pre-ordained structure and improvisation inspired in part by his love of jazz, the square - format paintings arrange rectangles of vivid, single colors in a deliberately irregular grid, with the close - fitting, many - hued «bricks» or «tiles» stacked vertically and arrayed in horizontal bands.