Sentences with phrase «rich black paint»

In a rich black paint, the Touring looks like an entry - level mid-size luxury sedan, not a humble compact.

Not exact matches

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The paint process behind Brilliant Red Pearl and Majestic Black Pearl involves the use of successively tinted clear coats that result in a noticeably rich luster.

The new BMW X3 M - Sport package will be available in a rich Carbon Black metallic paint finish and will feature powerful 19» M light - weight alloy wheels and sports suspensions.

Featuring bespoke Carbon Black metallic paint especially formulated with a subtle metallic twist to create a deep rich patina.

Rich and varied paint options are a pleasant departure from the ubiquitous sea of silver, white and black.

The Carbon Black models featured bespoke Carbon Black metallic paint especially formulated with a subtle metallic twist to create a deep rich patina.

The vehicle also comes in a rich and sporty white paint with a contrasting Higloss - black - polished / Inox Lip version and stainless steel lowered center.

Changes to the Continental GT for 2015 include a new front bumper with a smaller radiator shell, redesigned fenders with a new vent with a metallic «B» adornment, new bright chrome fender badges for the V8 S and W12 models, redesigned boot lid, reshaped and widened rear bumper with full - width brightware, a new rear diffuser design for V8 S and GT Speed, new 20 and 21 - inch wheels (new 20 - inch 6 tri-spoke wheel for GT V8 and GT W12 with painted finish for V8 and bright machined for W12, 21 - inch seven - twin - spoke wheel in Graphite grey with bright machined spokes for Mulliner Driving Specification models, addition of 21 - inch five - spoke directional sports wheel for V8 S and GT Speed), three new body colours choices (Marlin (a rich metallic blue), Camel (a soft golden tone) and Jetstream (a light, bright metallic blue), new straight - fluting pattern for 4 seats with Mulliner Driving Specification (standard on GT Speed) includes a tightened «small - diamond» pattern on seat upholstery, redesigned driver controls, optional sports - orientated steering wheel, larger gear - shift paddles incorporating tactile knurled metal embellishers, new dials and graphics at driver's instrument panel, interior illuminated by LEDs, centre console with a new black gear lever surround, a new hidden storage compartment between rear seats capable of accommodating and charging electronic devices including iPads, optional semi-aniline hide for the seat cushions and backrests in the GT W12 and GT Speed, 2 new leather colours choices (Shortbread, Camel), new Alcantara headlining option (colour matched to all 17 of the available interior hide colours) for the GT V8 S, GT W12 and Speed coupe; optional on - board WiFi, increased engine power to 590 PS (434 kW; 582 hp) and 720 N ⋅ m (531 lb ⋅ ft) for the GT W12, 6 - cylinder deactivation for the GT W12.

Timeless and distinct, our Georgian - style Washington, D.C. accommodations are unique from any other upscale hotel in Washington, D.C. Sure to inspire and invite, our accommodations are appointed in rich tones of tan and sage, beds are elevated with crisp white linens, and ornate wooden headboards are hand - painted in black with gold detail.

He employs a rich array of singular hues in his paintings, including grays, blacks, blues, reds, and browns, which produce a broad array of visual effects ranging from the visceral to the sublime.

Mickalene Thomas's rhinestone - embellished, mixed - media paintings depict powerful black women against culturally rich backgrounds and also capture textured, enviable interiors and lush landscapes.

During the summer of 1966 Dan began his series of 100» square, bar paintings that were generally in two colors; fields of rich earthy colors and bars which were usually green, black, brown or gray.

Some mixed media paintings use rich blue and gold colors, not just his previous, propaganda - style palette of red and black.

, International Review of African - American Art 10, No. 2, Fall Lewis, Sarah, De (i) fying the Masters, Art in America, April, Cover Wiley, Kehinde, Top Ten, ArtForum, April Ross, Susan, The Kehinde Wiley Experience: White, NY Arts Magazine, 27 May Detrick, Ben, Paint it Black, Complex Magazine, April / May Yablonsky, Linda, Painting the Town, Time Out New York, 14 - 20 April Golfar, Fiona, A Season for All Women: Ilona Rich, British Vogue, April Abbe, Mary, Going for Baroque, Star Tribune, 18 February Wood, Eve, Kehinde Wiley Brooklyn Museum Review, Flash Art, January - February

Recognized for her large - scale, rhinestone - embellished paintings of powerful black women and pattern - rich interiors, this volume, produced conjunction with the exhibition «Muse: Mickalene Thomas: Photographs,» gathers the photography of Mickalene Thomas for the first time — portraits, prints and Polaroids — and features a nod to fellow contemporary African American photographers who inspire her.

«Making Wishes on Stars» by Ash Almonte is a mixed media painting on canvas measuring 60 inches tall by 48 inches wide, with rich shades of blue, violet, gold and black and featuring...

Mary Reid Kelley combines painting, performance and distinctive wordplay - rich poetry in graphically stylised black - and - white videos.

In the late 1940s, Ossorio developed wax - resist technique, building up a rich visual vocabulary in layers of wax, black ink, water - based paintings, and other drawing materials.

In her texturally rich paintings, Mickalene Thomas examines the popular characterization of black female identity, celebrity, and sexuality.

Shown only in black - and - white, the images paint a picture of the rich photographic community practicing together at the Lexington Camera Club between 1954 and 1974.

The rich texture, suggestiveness and reserve of Mulligan's photographs connect them to a small gray fiber piece by Sheila Hicks and Margaret Lee's sculpture and painting rendered in a black and white polka dot pattern.

Andrea Büttner (2009 - 11)-- Part of Andrea Büttner's work created for her Max Mara Art Prize exhibition, The Poverty of Riches, and titled Untitled (Paintings)(2011) was included in the Whitechapel Gallery's landmark exhibition Adventures of the Black Square in 2015.

He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth.

Wiley's large paintings place contemporary black men into the rich tradition of European royal portraiture.

Some of the paintings were done in a predominantly subdued palette of whites, ochres, and blacks — a palette shared by another famous Abstract Expressionist Franz Kline, while others were much more vibrant reds, blues and rich browns.

Mickalene Thomas uses her texturally rich paintings to investigate the widespread characterization of black female identity, celebrity and sexuality.

It just makes little sense grouped together, particularly when shoehorned into Food Channel - worthy declarations of relative «sweetness» to which, for example, Cecily Brown's rich, viscous, post-abstract expressionist painting The Park in the Dark (2012) is reduced in the press materials (where it is taken to «illustrate the allusion'to the black - cake custom).

Through a rich and varied practice, that included vivid installations, painting and prints, she celebrates Black creativity and highlights racism through satire.

«Both the color black and the number 13 are rich with cultural and historical meaning, so in these paintings the wealth of connotations is fused with a reflection of mood, emotion, and rational concepts on a simultaneous level... Jutta Koether emerged from the art scene in Cologne at the time when Martin Kippenberger and the German «Neue Wilde» painters, such as the artists of the group «Muelheimer Freiheit», first received international attention.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Viewers will find a rich trove of references in these emotionally charged paintings, with motifs from the artist's personal lexicon of reexhibitions images including bones, cats, cages, feet, bloodshot eyes, black and white striped fur, and pink flesh.

A painter, sculptor, and printmaker, Sultan is regarded for his ongoing large - scale painted still lifes featuring structural renderings of fruit, flowers, and other everyday objects, often abstracted and set against a rich, black background; but he is also noted for his significant industrial landscape series that began in the early 1980s entitled the Disaster Paintings, on which the artist worked for nearly a decade.

Recently, his paintings have grown darker and richer, their surfaces black but subtly layered with his signature scrawls and scrapes.

This small black and yellow Pumpkin edition is made from painted resin and possesses the same rich, textured quality found in Kusama's two - dimensional renderings.

Known for her rich, detailed, emblematic portraits of bold black women that reference pop culture and art history, Ms. Thomas has been on something a meteoric ride ever since snagging an M.F.A. in painting from Yale in 2002.

He piles up rich palimpsest of paint over black grounds or snazzy oranges that are structured with architectonic solidity» (W. Wilson, «N.Y. Subway Graffiti: All Aboard For L.A.,» Los Angeles Times, Apr. 16, 1982, n.p.).

In the exhibition Bootleg Baby, content - rich icons such as Moors, Black Power figures, consumer logos, blackface children, cheap signage, graffiti, and celebrities are layered one upon another in paintings that are stacked and hinged on the walls as charms.

Recognized for her large - scale, rhinestone - embellished paintings of powerful black women and pattern - rich interiors, Mickalene Thomas has also pursued photography throughout her career, since her MFA days at Yale.

The mother and daughter on horseback, their quiet faces implacably black against the blue and white of the sky; the marchioness in her chair (the walls in the gallery have been painted the same rich red as the room in this painting); and Selective Histories, a wry close - up of a wall of heavily framed paintings, hung salon - style and surrounding a tribal mask.

In Black Is a Color, Elvan Zabunyan develops a rich approach to explore the practice and contribution of black American artists to contemporary art history in its various forms of representation, including sculpture, painting, photography, video and performBlack Is a Color, Elvan Zabunyan develops a rich approach to explore the practice and contribution of black American artists to contemporary art history in its various forms of representation, including sculpture, painting, photography, video and performblack American artists to contemporary art history in its various forms of representation, including sculpture, painting, photography, video and performance.

This wet room mixes painted panelling, rich wood and black - grouted metro tiles to create a chic statement.

I am picking the Lily Scroll Allover Stencil and doing the exact same thing with the top yet painting the legs and chairs a glossy rich black.

If painting your walls black is a bit too risky, consider a rich steely grey in its place.

The house's exterior was transformed with a rich slate - grey paint colour, new black - framed windows and cedar accents.

A black - and - white color scheme anchors the space and allowed Duffy to sprinkle in pops of rich blue via a Pakistani rug from Moattar and Benjamin Moore's Prussian Blue paint on the bathroom cabinets.

«Cabinetry painted in this warm rich black gives a kitchen impact but, at the same time, feels neutral.»