Sentences with phrase «rich feel to the games»

Not exact matches

Yes, many fans will root for the owners, all while exclaiming that the players are greedy and playing a kid's game and have zero loyalty, even though the owners are far richer, kids are playing an adult's game, and those fans are mostly just trying to make themselves feel better about their love of laundry over the people wearing it.

It might have something to do with the jealousy he feels toward his older, richer and even more competitive venture - capitalist brother, Brooks (Kyle Chandler, giving good swagger), who pulls up in a shiny red convertible one night and invites Max, Annie and their buddies to a very special game night at his house the following week.

The new levels feel rich and generous, and will absolutely reinvigorate the game for anyone who played it to death at indie gaming events.

While it boasts some of the richest, most believable character interactions in the series, and draws the game to a fairly satisfying conclusion, it's pacing suffers from the frequency of such events, and so the episode can feel like a bit of a slog to get through.

Sure, there are plenty of ways to make money in the world of the original game, but the benefits of getting rich felt superfluous, and character development could have a far more lasting impact.

This is a Mario game where ambition and talent come together to make a rich and rewarding experience from start to whenever you feel like you've explored enough.

While there are still a few brown deserts, including a visit back to a location from the original game, for the most part you'll be exploring snowy ravines, lush wildlife preserves, acid swamps and more, making Pandora feel like a much richer place to explore and enjoy.

In a way, Ascendancy feels like a game of two three distinct parts, with the first devoted to the exploration of a rich galaxy brimming with potential and some light skirmishes, the second being an almost cold - war situation with everyone eyeing each other up and the final portion coming down to warfare and betrayed alliances.

Ultimately, Tritton's Ghost Recon: Future Soldier headset is not going to make me abandon my Turtle Beach PX5, and if it comes down the choosing betweem then I'd urge to toward Turtle Beach's offering simply because the sound produced feels richer and it provides a lot more options to tweak the audio, something which I appreciate a lot, which also makes it more useful for listening to music as well as films and games.

The game's predecessor had felt like a revelation in the way it married its embarrassment of racing riches with a primitive online system designed to reward nothing more than gross participation and commitment, and I gave it both.

Boat story time was my favorite part of the game along with just taking in the immersive visual backdrops, imo its more like an interconnected hub world where everything looks and feel much grander in scale then it really is and its done very well in that aspect GOW is essentially to different games at the same time, a great storytelling quiet time with rich lore on the one side and brutal precise hard hitting combat on the other, mixed up with perfect pacing and a couple of epic cliffhangers at the endd

I've also had almost a decade of experience creating games of this nature, and feel confident I have learned what I need to to make an incredible side - scroller experience rich with Zelda - like mechanics and inspiration.

The jolt of annoyance you feel at these rude restarts dissipates as you begin to learn the level like a musician would learn a piece of music (and although it's a fair game, it's also rich in frustration).

They had a strong team of programmers and visual artists with rich expertise in real - time strategies to contribute to our games, so it felt like the logical choice.

Also, armed with such knowledge, you begin to see hints of it in everything around you, making the whole game feel rich with meaning and subtext.

Game designers can always feel free to ignore the Tauriqs and Anitas of the world, but the games we make are typically richer from giving it the consideration.

I'm happy to finally have an official English release of Gundam Versus in my hands, but confused as to why it feels less feature rich than the last game.

Sure, there are plenty of ways to make money in the world of the original game, but the benefits of getting rich felt superfluous, and character development could have a far more lasting impact.

The story and characters are so rich that you feel compelled to play through the game for their sake.

The addition of drop - in, drop - out multiplayer will make a big difference when you're stuck in jail and need a fellow prisoner to help you out, making what felt like a solitary experience in the first game into a more rich and engaging sequel.

Feel free to rattle off some of the other games, and or developers that offer rich storytelling by using the comment section below.

The embarrassment of riches was bountiful, and while just thinking about the sheer number of hours it would take to 100 % all these games is making me feel ill right now, that's my problem.

Traditional game design is to simple to support something that is supposed to feel rich, depth - full, and dynamic that is the ARG game experience.

We know inimitable developer Naughty Dog is at the helm, after all, which in turn means we can reasonably expect to be enjoying another rich and engrossing narrative when we finally get our hands on the game, filled to bursting with incredible characters, high - octane action set - pieces, and zombified fungus mutants inspired by a BBC nature documentary; set within a post-apocalypse that never feels tired and derivative.

It's super rare for a game to provide such a lasting and rich feeling of peace and tranquillity for such an extended amount of time.

There is so much rich detail packed into Horizon's world, and Aloy is such splendid company that returning to the game feels like more time spent with a good friend than it does trophy chasing.

From this author's perspective, games like The Witcher 3 managed to build a world so rich that its main narrative almost felt seamless when hopping between sidequests.

This might be largely due to Hi - Rez Studios other title SMITE having so much lore and rich backstory for each god released in the game, whereas Paladins just feels lacking in this department in comparison.

Forza Motorsport 5 is a beautiful driving simulation, but the zombie thriller Dead Rising 3 struggles to match the fun of its predecessors, and the graphically rich but interactively limited Ryse: Son Of Rome feels like a Zach Snyder action movie in search of a game.

Factor in a rich, RPG - like story mode, plenty of online options, and heaps of fan service moments both in and out of battle, and FighterZ is the ultimate game for anyone who wants to feel like a Saiyan.

«We're trying to make something that sits between the two: the rich audio storytelling of a radio drama, and the feeling of participation that you get from a game,» Henry Cooke, senior producer for BBC Research & Development, told The Verge about the project.

Some PS4 games support 3D audio; if you are playing such games, you can listen to and feel an incredibly rich audio experience.

When listening to music or playing high - calibre games, sound is quite loud and rich, and I didn't feel the need to reach for my headphones all the time.