We loaded up one of our favorite acoustic tracks, «Out of the Woods» by Nickel Creek, and blossoming forth from the little globes were
rich guitar strums, smooth mandolin, and full vocals, all delivered with an impressive amount of power and breadth.
Not exact matches
The Taylor 314
guitar incorporates a grand auditorium style design that has the width and depth of a dreadnought shape yet offers powerfully
rich tones that will blow you away when you
strum it the first time.
But there's a very crisp, bright sound happening here as well — the higher - register percussion, the acoustic
guitar strums, and even the tape hiss all get some boosted presence, lending everything a very sculpted sound —
rich and bright.
Just as ideal are the high - mids and highs that lend some treble edge and crispness to Callahan's
rich baritone vocals and the attack of the
guitar strumming.
This mix sounds more crisp and bright than anything else, with Callahan's
rich baritone receiving some definition in the high - mids and the
guitar strums and higher percussive hits benefiting from the excellent high - mid and high frequency clarity.
Callahan's baritone vocals actually sound less
rich than they typically do — there's a solid high - mid presence that brings out their treble edge, and the general sound is crisp and bright, with some nice anchoring in the deep lows, so both the thump of the drums and the bright
guitar strums stand out nicely.
Callahan's
rich baritone gets a pleasant low - mids presence, however, and there's excellent definition in the high - mids and highs, lending his voice some crackle and added treble edge to the
guitar strums.