Sentences with phrase «rich narrative world»

«We look forward to working with the team as they deliver a new interactive way for fans and gamers to experience the rich narrative world of Batman.»

Not exact matches

To this rich heritage of insight the Hebrews added their unique facility in narrative and produced the first real history that the world knew.

His flowing narrative is rich in stories of his fieldwork round the world (he is an evolutionary biologist at the University of York, UK).

Moralioglu, a self - confessed classicist known for the rich narratives behind his collections, bought the portrait at an auction last month, and it couldn't be more indicative of the space he has carved out as a go - to for old - world elegance in a market that is increasingly crowded with an athletic, hyper - branded aesthetic.

For while it is technically a sequel, taking place in the same world as Scott's film and extending the narrative to thirty years later, Blade Runner 2049 at the same time wants to provide a sumptuously studied remake of Blade Runner, copying countless elements from it in order to evoke rich sense - memories of the original film.

These elements work well throughout the narrative and help create a rich, detailed and brutality honest world to captivate us.

Teaching Nonfiction Writing K - 3, Tony Stead shows you how to open the door to the rich world of nonfiction writing that goes beyond «what I did» narratives and animal reports.

«A rich destination with a deep cultural narrative, our newest resort property will provide guests with first - hand luxury experiences and unexpected discoveries in a captivating part of the world,» said Mitzi Gaskins, vice president, luxury brand management and guest experience at Marriott International.

1 Narrative Adventures We Seek Airports and Sunsets Always Wanderlust American Travel Blogger As We Travel Backpacking Addictz Backpacking Travel Blog Backpacking Worldwide Beachcomber Pete Be On The Road Bucket List Journey Chuck and Lori Curious Nomad Destination Unknown Don't Forget To Move enSquaredAired Everything Everywhere Finding The Freedom Flashpacking Travel Blog Fleeting Life FlipNomad foXnoMad Gastronomic Nomad Globe Nomads Go Curry Cracker Grace on Pace Happy Frog Travels Holiday Nomad KarolinaPatryk Travel Blog Landings and Takeoffs Le Monde — A Poetic Travail Mach World My Name Is Rich Nomadic Levi Nomadic Notes Nomadic Samuel Off The Beaten Trails Outbound Adventurer Pandora Journey Pau Travels Photo Tour Travel Places People Stories Rishi Sankar: Ah Trini Travelogue Runaway Guide The Globetrekker Salt and Sandals Shiny Visa SilviuFlorinS.com Smiling Faces Travel Photos Tales From Over The Horizon That Backpacker — Audrey Bergner That London Guy The Journeys of C The Lost Passport The Road To Anywhere The Travelling Squid Travelling King Travelling With Me Travel Spots Travel The World For Free Travel World Heritage Venturists Wander Pig What Way Today

Unbound Creations is an independent game studio focusing on crafting rich, believable worlds, immersive gameplay, and strong narrative experience.

2K has officially revealed Mafia III, the next installment in the popular series known for immersing players into a world of organized crime through rich narrative storytelling and beautifully crafted game worlds.

Like its spiritual predecessor (Planescape: Torment), the game will feature a great emphasis on storytelling, with a rich personal narrative and complex character interaction that will paint a vivid image of the complex world created by Monte Cook.

What it presents is a wonderful, rich cinematic world onto which I will impose characters in a narrative which are not suggested by the game itself.

Divinity Original Sin 2 is a high fantasy RPG that has received critical acclaim for its immersive world, intricate roleplay mechanics, and rich narrative.

From this author's perspective, games like The Witcher 3 managed to build a world so rich that its main narrative almost felt seamless when hopping between sidequests.

Whether or not you're a fan of Assassins Creed the fact remains that no other game franchise this generation has given its players so much freedom in such rich and detailed worlds, while simultaneously delivering a powerful, meticulously thought - out narrative.

Our rich, narrative - driven, action - packed campaign and engaging and innovative multiplayer experience immerse players into the boots of a soldier fighting for freedom in a world on the brink of tyranny.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

In the same statement, Cassel Oliver said, «There are artists from myriad social and cultural backgrounds who are not fully represented in today's art world, and we need to ensure their stories are part of the rich narratives we bring to life in our museum.

«There are artists from myriad social and cultural backgrounds who are not fully represented in today's art world, and we need to ensure their stories are part of the rich narratives we bring to life in our museum.

Toulouse based artist 100TAUR portrays mythical monsters in a surrealist dark enchanted world with colourful details rich in narrative.

Thomas suggests a subtler world, rich with nuance and precision, with enough room to insert our own narratives.

Nonetheless, it's an easy and free way to experience game history in an old - school World War II game rich with narrative about, well, shooting Nazis in the face.

Its narrative is slowing emerging from polarizing mainstream media stories such as its use by either dark web criminals or of tech nerds striking it rich, (with the Big Bang Theory episode taking the latter approach) that now it can't be denied that a wider narrative is emerging as Bitcoin sparks innovation in the general Fintech sector and gains a grudging acceptance by the traditional investment world not wanting to see a good opportunity go to waste.