Sentences with phrase «rich oil paintings»

Featuring his Tattooed Portraits, this second showing (see 2010) with the New York gallery draws on his day job as a successful tattoo artist for inspiration on a series of rich oil paintings including a huge 72 ″ x 108 ″ piece of Japanese tattooist Shige.
Now they have joined forces once more with This Is the Rope, in which Ransome's rich oil paintings complement...
Now they have joined forces once more with This Is the Rope, in which Ransome's rich oil paintings complement Woodson's gentle story of one family and their move north from South Carolina.
Highlights include the vibrant pastel on paper, Cakes, 1967, a monumental figurative painting, Girl in Striped Blouse, 1973 - 75, and a rich oil painting, Sunglasses,1983 - 85.
Fluorescent color and rich oil paint portray the chaos and nuclear explosion that is the Birth Of The Universe.

Not exact matches

If the Point Leo chardonnay is a watercolour, this is an oil painting, rich in swirling brushwork that evokes the wild coastline and wind in the forests of the Margaret River region.
Bobby Jones, Ben Hogan and Jack Nicklaus, among many others, have dined there, but what gives the room its air of rich history are the large oil paintings that adorn the walls.
Basic techniques in oil painting are widely available on the internet as tutorials (You Tube is great for these), you can buy DVD's and your local art society would be a rich source of advice and support.
The use of rich fields of colors that moved his art beyond Avery's influence, his oil paintings announced further development that led him to the co-founding group The Ten, with Ilya Bolotowsky, Ben - Zion, Adolph Gottlieb, Lou Harris, Ralph Rosenborg, Louis Schanker, and Joseph Solman, aiming to liberate American painting from literal content and established equality.
In that period I was beginning to consider painting with oil and both Jensen's scraped, palette knifed surfaces and the surfaces of Hartley's late works, painterly and sculptural also, even when relatively thin, were both helpful mentors in my transition to this difficult rich medium.
By building layer upon layer of close valued, luminous colored strokes of oil paint, across areas and vast fields of highly keyed, chromatically rich, and close valued color, Monet achieved a look and feel that goes well beyond conventional easel painting.
In these works, a luminous red and blue oval emerges from a rich impasto of ochre and gold oil paint.
Scully here leaves areas around his characteristic quadrilaterals free of paint, the contrast between the exposed metal and the rich oil helping to elicit a powerful emotional response from the viewer.
Dynamic flamenco dancers surface across the show, in exacting ink drawings, spirited silhouettes painted on cardboard, and glowing oil paintings rendered in rich, warm earth tones.
The thick textures and rich color of oil - stick drawing seem fully palpable in Thornton Willis's Untitled abstraction, and the multiple media of paint, paper, and pattern in Nancy Manter's Every Night offers the complexity of a master silkscreen.
The artist first applies thick layers of oil paint in various colors, including burnt sienna, green, blue, and yellow, onto a white painted background, then uses her body to vigorously mix and sculpt the material until the once - vibrant pigments meld into a rich gray tone.
Our oil colors are so vibrantly rich with pigment, so buttery smooth and consistent in their flow characteristics, that painting with them is a different experience.
Advancing de Kooning's belief that «flesh was the reason oil painting was invented», Saville works with a raw, instinctive impasto, layering texture and colour with rich gestural intensity.
For this show, Egan presents several oil paintings characterized by rich brushstrokes with subjects ranging from portraits of animals, to still - lifes of objects such as clothing, food, or furniture.
After I saw the oil fires burning in Kuwait in 1991, an Irish artist painted Fisk's Fires — a title I could have done without — in which she very accurately portrayed the bleached desert with the rich, thick, chocolate - tasting oil we tasted in the aftermath of the war.
From the epics of Peter Paul Rubens to the sublime graphics of Mondrian, Donato Giancola's oil paintings mine classical draftsmanship, narration, and aesthetics of composition to lay a foundation rich in historical associations.
Seen at ALAC are several of Selby's oil paintings, filled with muted rich tones that capture highly detailed yet still obscure subjects.
Using thinned - down oil paints, Reynolds attains the rich density of colour, but is able to capture the translucence and delicacy of her subject matter.
In the darker paintings, oil is applied to un-primed canvas resulting in a rich, build - up of colour shades.
The exhibition, featuring oil paintings with Güneştekin's signature rich colors and detailed, interwoven brushstrokes, will open Tuesday November 26, 2013 and continue through January 4, 2014.
Accompanying the oil paintings is a series of silverpoint pieces conceived in association with poet Ken Cockburn after the pair spent a day exploring the Ettrick Valley — a remote area in the Scottish Borders rich in literary, artistic and philosophical associations.
Indeed his recent paintings illustrate his propensity to foreground the properties of oil in rich, tactile, densely packed surfaces that nevertheless complement the detailed imagery of his work.
A rich range of greens, from turquoise to pond algae, predominates in the oil paintings of «Subtitles, «Hurvin Anderson's first solo exhibition at Michael Werner.
It offers a calm vista over the waters of the Venetian Lagoon in Northern Italy, dappled by bronzed clouds.One of a small number of limited edition prints available in the exhibition, oil - based ink has been used here to re-create the rich and dramatic palette which characterises Cuming's paintings.
Curated by our Chief Curator Rebecca Wilson, the exhibition, entitled «Domestic Fictions,» presents a new series of paintings which are as much about the «luscious butteriness of oil paint,» as Wood puts it, as they are rich narratives about an eclectic cast of characters.
By the same token, though, the rich blue palette (many of the paintings are simply titled «Night Studio») is visually hypnotic, and the heady scent of linseed oil (some are still wet) cuts directly to the heart.
Exhibiting primarily in Europe since 2007, the New York artist returns with a new body of oil paintings rich in color and complexity.
Donato Giancola's «Silent Tragedies» is a rich series of oil paintings set in a distant realm where mechanical meets Medieval.
Based on photographic source images, her immersive paintings of diverse scale have more recently moved into figurative works rendered in rich hues of oil paint.
I have always worked to capture the qualities of both color and light that have throughout history activated the surface of paintings... I am exploring how oil on canvas can tap into the rich resonance of luminosity or «glow»....
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