Jumping from detailed but never less than compelling discussion of the logistics behind the cartel's operation to the story of the people involved, Winslow draws the reader in with
rich portraits not only of DEA agent Art Keller and Barrera but also of other cartel figures, journalists, and innocent victims.
Not exact matches
«And the idea that we didn't need that
rich portrait of society down to the neighbourhood level for good decision - making, that didn't sit well with Canadians.»
Moralioglu, a self - confessed classicist known for the
rich narratives behind his collections, bought the
portrait at an auction last month, and it couldn't be more indicative of the space he has carved out as a go - to for old - world elegance in a market that is increasingly crowded with an athletic, hyper - branded aesthetic.
But he also creates an indelible
portrait of a man who talked like a radical but lived like a
rich man (in the words of another character), and who was willing to risk much, but
not lose it all.
Though it's fascinating, Anderson doesn't just recap the horrors of the tour; he also offers
rich portraits of the men who saved a sport.
Left deliberately untitled, these works are
not portraits of single personalities but rather paintings, loaded with symbolism, acknowledging the
rich history of the creativity of women who have profoundly impacted literature, artistic practice, and cultural thought.
They weren't painting
portraits of
rich people, you know?
Inside you'll see LA swimming pools, palm trees, flowers, his dachshunds, the Grand Canyon,
portraits of
rich and
not rich friends, landscapes in the U.S. and Yorkshire, designs for opera sets.