But the other half is killer: two magnificent female turns, one from Tracey Ullman as a nouveau
riche social climber, the other from Elaine May, raising pitch - perfect dumbness to high art.
Described by Tom Wolfe as «the folk heroes of every
social climber who ever hit New York» — Robert was a high school drop - out from the Bronx — the Sculls shrewdly recognized that establishing themselves as influential art collectors offered access to the upper echelons of Manhattan society in a way that nouveau
riche «taxi tycoon» did not.