Not exact matches
Kik offers
richer engagement
than you'd get on a broadcast - based platform like Facebook or Twitter — the
comedy video website Funny or Die, for example, has had conversations with 1.5 million chatters on Kik, and users send an average of seven messages to a brand per chat.
In this divine
comedy a poor woman's farthing cast inconspicuously in the temple chest may be worth more
than all the benefactions of the
rich.
Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed script;
rich, dynamic characters; and, as promised, the world's cutest cat (other
than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable
comedy.
Debut writer - director Chris Kelly, a writer on «SNL,» digs in rather
than relying on contrived, movie - ready set pieces (as in the similar «The Hollars»), making this gay «Garden State»
rich with naturalistic
comedy as well as beautifully touching moments.
An enchanting riff on friendship and the late -20-something rite of passage into true adulthood, while the buoyant
comedy does focus on those who still don't have their shit together, it is however, leagues more
rich and emotionally layered
than the average arrested development dilemma that seems to characterize 20 / 30 - something
comedies of late.
I understand this may be largely a matter of categorization, but it doesn't matter: Elf is a funnier,
richer, and all - around better film
than most of the
comedies I've seen in the past 16 years.
Rohmer's style is both more lush (shot in
rich colors by Nestor Almendros) and less intimate
than his previous romantic
comedies, directed in painterly compositions from a removed distance.
With a premise that would probably have worked better on a TV sitcom
than as a major motion picture, The Cookout is a well - intentioned attempt to make a heartfelt family
comedy showcasing the
rich variety of African - American archetypes.
Reese Witherspoon deserves
richer projects
than this shiny but empty domestic
comedy, inauspiciously directed by the daughter of Nancy Meyers.
For director David Gordon Green, who cut his teeth on
rich character studies like George Washington, Undertow, All the Real Girls and Mud, this moves closer to those films
than his recent forays into flops like Our Brand is Crisis or wild
comedy like Pineapple Express and Eastbound and Down.
Despite a performance from Melanie Lynskey who is as cute as she was in her first role in 1994 as a girl with a
rich fantasy life in Peter Jackson's «Heavenly Creatures,» the
comedy is slight, perhaps to be appreciated more on the small screen
than in the movie house.
«Safety Not Guaranteed» is an amalgamation of everything that's great about independent filmmaking — from its hugely original script to its wonderful cast of characters — but the one thing that it does better
than anything else is create a cinematic experience that's
rich in both
comedy and emotion.
- Helen Simonson, author of Major Pettigrew's Last Stand «With a deft, sure touch, Ann Leary moves easily and confidently between
comedy and pathos, painting a
rich portrait of a wealthy, eccentric Connecticut family whose conflicts and loyalties are far more complex
than they first appear.