All the other
ridiculous action in The Island — including a fall from 70 stories up onto the streets of Los Angeles that our heroes walk away from — even approaches the barbell thing in all its manic glory.
Not exact matches
What they are threatened by are the
actions and atatudes [deliberate typo due to
ridiculous moderation AI] of those who do profess belief
in those deities, and feel justified by their beliefs and holy books to discriminate against those of differing beliefs.
our
actions have created soooo many terrorists
in muslim nations and even our own we will eventually be destroyed by them and it will be traced to how we reacted to 9/11 and
in future history books GWB will be identified as the president that caused the end of america... because of his
ridiculous faith... of course all faith is
ridiculous but making decisions based on it is the crime...
Not to mention, characterizing an entire state based on the
actions of a few people
in one local church is a bit
ridiculous.
talk about skewing the stats to fit your own conclusions... this is like a slap
in the face to every real Arsenal fan... have you no shame, have you no dignity, have you no sense of right from wrong... if you think everything was so well orchestrated why is everyone and their brother laughing at the way
in which we conduct business both on and off the field... either you're a paid hack or a delusional buffoon... regardless you can't be a genuine Arsenal fan because the difficulties facing this club having been going on for years and this latest episode
in our pathetic recent history is but a glaring reminder of how far we have fallen... I'm not going to waste my time discrediting every single
ridiculous statement you made
in your love letter to Wenger, but if you write another article I will gladly expose you for the fraud you truly are... this club is
in desperate need of a serious cleansing and for you to try and package this dog and pony show as a well - oiled machine is a direct insult to anyone who has supported this team during the supposed «lean» years... the deceptive and disrespectful manner
in which this organization has treated it's fans is an abomination to supporters everywhere and for you to even try to justify their
actions is akin to saying just shut - up and keep filling our pockets... so please crawl back under whatever stone you crawled out from under and think carefully before you spew this type of propaganda ever again
I agree on your sites policy of no swearing or personal abuse (although I have seen many a pro-wenger poster post non swear word insults at anti-wengerites and no
action was taken) but if a forum does not permit the views or statements of its posters because they are not
in line with the topic, well then that is simply
ridiculous and draconian!
even when he suffered a serious knee injury, instead of accepting the fact that he would never stick his legs into the spaces that were crucial for someone with straight ahead speed to succeed, the club actually contemplated giving him a chance to play up top where his lack of physicality, size and holding up play talents would been on display for all to see... these are not the
actions of a club that really cares about winning at the highest levels, but they are the
actions of a club that wasn't interested
in spending the necessary resources to purchases a world - class striker, which is usually the most expensive position on the pitch... instead we adopted the horrible phrase «like a new signing» and proceeded to allow this
ridiculous experiment to carry on, which ultimately caused some discomfort on the training pitch and inside the locker room as players battled for a position that shouldn't have been theirs for the taking
in the first place... don't get me wrong, I believe that Walcott is a talented player, who can help a team reach their goals, if their goals are relatively modest... just look at the teams who supposedly expressed interest
in his services and they weren't the kind of clubs who aspire to win at the highest levels... as for the reasons why he hasn't been bitching and moaning about moving on just look at the wage benefits he receives from our club and his obvious desire to enjoy the societal advantages that come with playing
in North London for a club with worldwide appeal... so instead of continuing to try to fix a coat with a broken zipper simply move on and buy a new and better coat
Picture this, we don't come out of the gate firing on all cylinders, Wenger speaks of how there wasn't enough time for the first - teamers to build chemistry, several key players aren't even playing because of Wenger's utterly
ridiculous policy regarding players who played
in the Confed Cup or the under21s and the boo - birds have returned
in full flight... if these things were to happen, which is quite possible considering the Groundhog Day mentality of this club, how long do you think it will take for Wenger to recant his earlier statements regarding Europa... I would suggest that it's these sorts of comments from Wenger which are often his undoing... why would any manager worth his weight
in salt make such a definitive statement before the season has even started... why would any manager who fashions himself an educated man make such pronouncements before even knowing what his starting 11 will be come Friday, let alone on September 1st... why would any manager who has a tenuous relationship with a great many supporters offer up such a potentially contentious talking point considering how many times his own words have come back to bite him
in the ass... I think he does this because he doesn't care what you or I think,
in fact he's more than slightly infuriated by the very idea of having to answer to the likes of you and me... that might have been acceptable during his formative years
in charge, when the fans were rewarded with an scintillating brand of football and success felt like a forgone conclusion, but this new Wenger led team barely resembles that team of ore... whereas
in times past we relished a few words from our seemingly cerebral manager,
in recent times those words have been replaced by a myriad of excuses, a plethora of infuriating stories about who he could have signed but didn't and what can only be construed as outright fabrications... it's kind of funny that when we want some answers, like during the whole contract debacle of last season, we can't get an intelligent word out of him, but when we just what him to show his managerial acumen through his
actions, we can't seem to get him to shut - up... I beg you to prove me wrong Arsene
James Hon, the co-director of the MinKwon Center for Community
Action, an organization that opposes tighter immigration enforcement, said he'd like to see programs like Stringer's, «rather than spending billions of dollars on more detentions and faster deportations for our immigrants as the Trump administration has proposed
in his recent budget, not to mention an even greater amount, billions more, for a
ridiculous wall.»
The party said it is a waste of time, scarce national resources and
ridiculous shadow - chasing, the
action of the Independent National Electoral Commission INEC
in declaring one Yahaya Bello, purported to be of the All Progressives Congress (APC), and who did not participate
in the overall election, as Kogi state Governor - elect.
«If the Buhari administration could take tough
action against the extremist religious groups
in the northern parts of the country to preserve national security, it is
ridiculous to accuse the President of sending soldiers to the Southeast because he hates the Igbos.
It should have been taking decisive
action but engaged instead
in systematic understatement of the danger: it has made
ridiculous assertions that the U.S. should not do anything that China does not agree to do and has stubbornly insisted that no
action should be taken to improve climate change «if it hurts the economy.»
Despite a monotonously fashionable mise - en - scene, Lyne generates some genuine erotic tension between his two stars; you believe
in their obsessive relationship, even as most of the
action and staging registers as
ridiculous.
For «Mission: Impossible,» director Brian De Palma (an odd choice, considering all the gory films
in his mostly R - rated filmography, most famously «The Untouchables») also has three elaborate
action set - pieces — a suspenseful caper set at a posh party, an intense break -
in at CIA headquarters
in Langley, Va., and a
ridiculous but nonetheless thrilling chase on top of a bullet train that is speeding from London to Paris.
He makes movies crammed with
ridiculous situations, absurd
action, and dialogue that frequently sounds like it was written
in English, translated to his native French, and then translated back into English.
This allows for plenty of
ridiculous -
in - a-good-way
action scenes, the best of which finds her levitating a group of armed assailants so they can not harm her.
Unfortunately, their playful camaraderie isn't exploited nearly as much as it could be, because while the movie is incredibly lively
in its opening and closing minutes (including one of the most
ridiculous action sequences ever filmed), that sense of high - energy fun is absent for most of the middle section, when it starts to take itself too seriously.
I have no idea but it's a gaping plot - hole that is only used to explain Milla Jovovich's character's later intentions as well as set
in motion the
ridiculous action - packed finale.
Lots of over-the-top
action, and just zany things, like the lazer room / zombie dogs
in the first one, the
ridiculous nemesis mutant and zombie children
in the second one, and the zombie crows
in the 3rd one.
As well as being copiously stuffed with a
ridiculous number of mind - twisting puzzles, the Switch version features touchscreen controls for maximum intense finger
action in handheld mode.
Even before its late detour into
action movie silliness (including a
ridiculous badass set piece that belongs
in a James Bond movie) Sicario feels like a film whose immaculate craft disguises its hollow center.
If you haven't played the original Dishonoured - and please do, as it is another great game - the franchise is orientated around the first - person, stealth -
action genre,
in which you are given a
ridiculous amount of freedom to approach a mission any way you want.
The script is bad, the plot is
ridiculous, the drama is flat and even the big - budget
action sequences that take us snowboarding on vertiginous slopes, rock climbing up steep granite faces and big wave riding
in the middle of the ocean fail to quicken the heart beat.
The original was a hit, likely thanks
in part to the cast and the mix of
ridiculous action and comedy and the follow - up seems to be following
in the same footsteps.
They're about taking your current IQ, cutting it
in half, and allowing yourself guilt - free enjoyment of that dumb comedy,
action sequel - to - a-sequel-of-a-reboot or
ridiculous and glorious - looking film about a prehistoric shark.
Indie director David Gordon Green, an out of left field choice if ever there was one, successfully married hilarious pot culture humour with splendidly
ridiculous action, and gave us a great pairing
in Seth Rogen (admittedly doing his usual Seth Rogen thing, basically his cop from Superbad
in a suit) and James Franco, the latter of which had me laughing hard pretty much anytime he was on - screen.
Dead Rising 3 was a launch title for the Xbox One, the third entry
in the often
ridiculous and mostly entertaining zombie - smashing
action game series from Capcom.
It's a
ridiculous sounding supernatural
action flick starring Jeff Bridges and Ryan Reynolds about a recently slain cop who joins a team of undead police officers working for the Rest
in Peace Department and tries to find the man who murdered him.
As it stands, The Commuter is just another forgettable notch
in Neeson's geriatric
action movie phase defined by jarring editing and risible
action that can't strike a passable balance between taking itself seriously and being utterly
ridiculous.
Perhaps even the world was not ready for Last
Action Hero (it is underrated and unfairly maligned
in my opinion) and there needed to be a the
ridiculous number of comic - book fantasies (and Coen Brothers and Wes Anderson films) to get to this point.
We do meet a group of mutants
in the film, but with the exception of the pivotal role of Mystique (Jennifer Lawrence), the rest of the mutants (good and bad) are mostly just there to fill out the
action scenes — or
in the case of Emma Frost (January Jones), fill out some
ridiculous outfits (which the film does manage to justify... sort of).
Plus, Undead Nightmare is just
ridiculous fun, as it takes the framework introduced
in Red Dead Redemption, and turns it into a survival
action game filled with zombies.
Even if you have a film that is not taking itself seriously and knows it's not taking itself seriously, you still need to throw
in some sort of realistic element so that the characters reasoning and
actions don't become too foreign and
ridiculous.
All -
in - all, it's a watchable, but greatly flawed film that gets more
ridiculous in the
action department as the film draws close to the end.
Certainly Bruce Willis cracks wise
in all of his
action vehicles, but when it came down to business, he was a convincing tough guy; Affleck, on the other hand, has a look of smug bemusement on his face most of the time, as if to knowingly mock the
ridiculous affair.
That they're brokering a deal for cellphones
in an
action movie makes the scenario that much more
ridiculous juxtaposed with the Mametian monologues the salespeople deliver as their dynamic unravels, leaving their investor on longer and longer holds.
In a year without a true stand - out live -
action comedy The World's End fits the bill nicely and the
ridiculous robots and ever - increasing inebriation our core characters allows for the kind of drunken rants, bizarre discussions, and questionable choices that provide several of the year's biggest laughs.
Say what you will about the lack of plausibility involved
in the story, as well as the
ridiculous physics, it delivers pretty much on every intended level
in terms of sheer
action, thrills, humor, violence, and titillation.
Eventually, the movie arrives at the
ridiculous point where the
action is cutting between two battles
in two separate locations, all the while keeping track of a critical surgical procedure
in the enlightened nation of Wakanda.
The
action scenes are wonderfully
ridiculous, performed as an odd combination of street - brawling and wrestling that's as fast - paced as you could possibly imagine; these five ordinary blokes being surprisingly competent fighters is the kind of incongruity that The World's End revels
in.
This movie is
ridiculous, but
in watching it, you realize that it's been a long time since a live -
action summer movie had the nerve to be
ridiculous.
See over two hours of previously unavailable trailers for some of the most
ridiculous films
in history: thrill to the
action of BLACK FIST, IRON MASTER, and KILL!
The tidal wave of
action in the film's final act is rightly
ridiculous at times (is anything more
ridiculous than an ape riding a horse, brandishing machine guns
in both hands?)
Granted, the setup is
ridiculous, as it's hard to imagine the villains would have the resources to track down Neeson's character, let alone know when he's
in a different country (a U.S. - based story would have been much more exciting), but it's one of those details you just have to ignore
in order to enjoy the movie for the
action fantasy that it is.
Although the bone - crunching
action is thrillingly, sometimes terrifyingly rendered, one moment
in particular positively glories
in the self - sacrificial heroics, over-employing slow - mo and rendering a poignant moment utterly
ridiculous.
The smaller moments of humor work better here than they usually do
in this series, but that's because director James Wan recognizes that the real jokes are
in the stupendously
ridiculous action sequences (How else — other than Wan's decided sense of humor — do we explain that the skydiving cars land
in a perfect single - file line?).
In the third act, Pineapple Express becomes a mirror image of the Hollywood Die Hard action formula, simultaneously reveling in ridiculous violence, and also commenting upon i
In the third act, Pineapple Express becomes a mirror image of the Hollywood Die Hard
action formula, simultaneously reveling
in ridiculous violence, and also commenting upon i
in ridiculous violence, and also commenting upon it.
Instead, it's a romantic comedy where the two love interests just so happen to be real - life
action heroes, and while the scenes between Pine and Hardy
in the field are a lot of fun, the main plot involving Reese Witherspoon dating both men at the same time is beyond
ridiculous.
But he is absolutely bland
in every scene
in which he has to talk (though it's not completely his fault — the soap - opera script is written at a bad, junior high school level) and quite unconvincing
in the mindless
action sequences filled with
ridiculous mid-air, slow - motion sword play.
In Science Fiction, the story and
action have to be plausible, so you don't leave the reader thinking, «That can't possibly happen, it's
ridiculous,» which makes it just a little bit harder task, but one I enjoy doing since I love sci - fi myself.