Twentieth Century Fox takes issue with the protest, saying there is a «big distinction» between rodeos and the professional bull
riding events depicted in the Nicholas Sparks adaptation
The display ends with Hamed Ewais's Le Guardien de la vie (1967 - 8), a large - scale oil painting that
depicts a fighter, weapon in hand, while underneath him everyday
events such as a wedding taking place and a child
riding a bike are shown, suggesting the possibility of societal renewal following the collapse of the Pan-Arab ideal after the Six - Day War in 1967.