He can even in the privacy of the Downing Street flat sing je ne regrette
rien in the bath should he want to like Norman Lamont apparently did.
Not exact matches
In fact Malcolm was the archetypal outsider, a peripatetic and restless individualist one of whose favorite sayings was
rien n'est beau que le vrai — nothing is beautiful but the true.
Malcolm insisted that he always loved truth —
rien n'est beau que le vrai — but he decided that «truth itself... is
in decidedly bad taste.»
As chancellor for three years
in John Major's government, Norman Lamont is best known for telling a journalist «je ne regrette
rien» when asked when asked what he regretted most.
«Voids are highly sensitive to dark energy,» says
Rien van de Weygaert of the University of Groningen
in the Netherlands.
«I remember very prominent cosmologists for a long time said, «Oh, voids, they're not important,»» says University of Groningen astrophysicist
Rien van de Weygaert, a pioneer
in the field of void research.
In 1999 Rien van de Weygaert of the University of Groningen in the Netherlands and Yehuda Hoffman of Hebrew University in Jerusalem argued that the Local Volume is caught in a cosmic tug - of - war between surrounding galaxy cluster
In 1999
Rien van de Weygaert of the University of Groningen
in the Netherlands and Yehuda Hoffman of Hebrew University in Jerusalem argued that the Local Volume is caught in a cosmic tug - of - war between surrounding galaxy cluster
in the Netherlands and Yehuda Hoffman of Hebrew University
in Jerusalem argued that the Local Volume is caught in a cosmic tug - of - war between surrounding galaxy cluster
in Jerusalem argued that the Local Volume is caught
in a cosmic tug - of - war between surrounding galaxy cluster
in a cosmic tug - of - war between surrounding galaxy clusters.
He also said he doesn't yet know whether his score will incorporate any sneaky themes or previous pieces, like he did with Edith Piaf's «Non, je ne regrette
rien»
in Inception, but he doesn't appear to rule it out.
The Reflektor Tapes - Kahlil Joseph, United Kingdom Return of the Atom (Atomin paluu)- Mika Taanila and Jussi Eerola, Finland / Germany Collective Invention (Dolyeon Byeoni)- Kwon Oh - kwang, South Korea Demon - Marcin Wrona, Poland / Israel Evolution - Lucile Hadžihalilović, France February - Osgood Perkins, USA / Canada Lace Crater - Harrison Atkins, USA My Big Night (Mi Gran Noche)- Álex de la Iglesia, Spain The Missing Girl - A.D. Calvo, USA Bang Gang (A Modern Love Story)- Eva Husson, France Full Contact - David Verbeek, Netherlands / Croatia High - Rise - Ben Wheatley, United Kingdom HURT - Alan Zweig, Canada Land of Mine (Under Sandet / Unter dem Sand)- Martin Zandvliet, Denmark / Germany The Promised Land (Hui Dao Bei Ai De Mei Yi Tian)- He Ping, China Sky - Fabienne Berthaud, France / Germany The White Knights (Les Chevaliers blancs)- Joachim Lafosse, France / Belgium Couple
in a Hole - Tom Geens, United Kingdom / Belgium / France The Hard Stop - George Amponsah, United Kingdom Eva Doesn't Sleep - Pablo Agüero, France / Argentina / Spain 25 April - Leanne Pooley, New Zealand 3000 Nights (3000 Layla)- Mai Masri, Palestine / France / Jordan / Lebanon / United Arab Emirates / Qatar The Apostate (El Apóstata)- Federico Veiroj, Spain / France / Uruguay Baba Joon - Yuval Delshad, Israel Campo Grande - Sandra Kogut, Brazil / France Cuckold - Charlie Vundla, South Africa The Fear (La Peur)- Damien Odoul, France Girls Lost - Alexandra - Therese Keining, Sweden Granny's Dancing on the Table - Hanna Sköld, Sweden A Heavy Heart (Herbert)- Thomas Stuber, Germany Hong Kong Trilogy: Preschooled Preoccupied Preposterous - Christopher Doyle, Hong Kong Honor Thy Father - Erik Matti, Philippines In the Room - Eric Khoo, Hong Kong / Singapore Incident Light (La Luz Incidente)- Ariel Rotter, Argentina / France / Uruguay Let Them Come (Maintenant ils peuvent venir)- Salem Brahimi, France / Algeria A Month of Sundays - Matthew Saville, Australia One Breath (Ein Atem)- Christian Zübert, Germany Parisienne (Peur de rien)- Danielle Arbid, France Paths of the Soul (Kang Rinpoche)- Zhang Yang, China Sparrows - Rúnar Rúnarsson, Iceland / Denmark Starve Your Dog - Hicham Lasri, Morocco ~ The Steps - Andrew Currie, Canada Stranger (Zhat)- Yermek Tursunov, Kazakhstan Thank You for Bombing - Barbara Eder, Austria Truman - Cesc Gay, Spain / Argentina The Whispering Star (Hiso Hiso Boshi)- Sion Sono, Jap
in a Hole - Tom Geens, United Kingdom / Belgium / France The Hard Stop - George Amponsah, United Kingdom Eva Doesn't Sleep - Pablo Agüero, France / Argentina / Spain 25 April - Leanne Pooley, New Zealand 3000 Nights (3000 Layla)- Mai Masri, Palestine / France / Jordan / Lebanon / United Arab Emirates / Qatar The Apostate (El Apóstata)- Federico Veiroj, Spain / France / Uruguay Baba Joon - Yuval Delshad, Israel Campo Grande - Sandra Kogut, Brazil / France Cuckold - Charlie Vundla, South Africa The Fear (La Peur)- Damien Odoul, France Girls Lost - Alexandra - Therese Keining, Sweden Granny's Dancing on the Table - Hanna Sköld, Sweden A Heavy Heart (Herbert)- Thomas Stuber, Germany Hong Kong Trilogy: Preschooled Preoccupied Preposterous - Christopher Doyle, Hong Kong Honor Thy Father - Erik Matti, Philippines
In the Room - Eric Khoo, Hong Kong / Singapore Incident Light (La Luz Incidente)- Ariel Rotter, Argentina / France / Uruguay Let Them Come (Maintenant ils peuvent venir)- Salem Brahimi, France / Algeria A Month of Sundays - Matthew Saville, Australia One Breath (Ein Atem)- Christian Zübert, Germany Parisienne (Peur de rien)- Danielle Arbid, France Paths of the Soul (Kang Rinpoche)- Zhang Yang, China Sparrows - Rúnar Rúnarsson, Iceland / Denmark Starve Your Dog - Hicham Lasri, Morocco ~ The Steps - Andrew Currie, Canada Stranger (Zhat)- Yermek Tursunov, Kazakhstan Thank You for Bombing - Barbara Eder, Austria Truman - Cesc Gay, Spain / Argentina The Whispering Star (Hiso Hiso Boshi)- Sion Sono, Jap
In the Room - Eric Khoo, Hong Kong / Singapore Incident Light (La Luz Incidente)- Ariel Rotter, Argentina / France / Uruguay Let Them Come (Maintenant ils peuvent venir)- Salem Brahimi, France / Algeria A Month of Sundays - Matthew Saville, Australia One Breath (Ein Atem)- Christian Zübert, Germany Parisienne (Peur de
rien)- Danielle Arbid, France Paths of the Soul (Kang Rinpoche)- Zhang Yang, China Sparrows - Rúnar Rúnarsson, Iceland / Denmark Starve Your Dog - Hicham Lasri, Morocco ~ The Steps - Andrew Currie, Canada Stranger (Zhat)- Yermek Tursunov, Kazakhstan Thank You for Bombing - Barbara Eder, Austria Truman - Cesc Gay, Spain / Argentina The Whispering Star (Hiso Hiso Boshi)- Sion Sono, Japan
Reinforcing the sense that Cincinnati teenagers are the target audience is Bertolucci and Adair's almost abject reliance on every American cliche about the French they can summon up — all the way down to the pseudotriumphant use of Edith Piaf's «Non, je ne regrette
rien» (with its irrelevant lyrics) over the final credits — and their systematic elimination of all the atmospheric allusions
in the novel to Left Bank locations.
From Cavalcanti, the director of the classic French documentary «
Rien que les Heures, «this is a good British noir,
in the Carol Reed vein.
Actress Marion Cotillard
in «Two Days, One Night» = non, je ne regrette
rien Felicity Jones
in «The Theory of Everything» = whatevs Julianne Moore
in «Still Alice» = sure Rosamund Pike
in «Gone Girl» = seeing it this weekend, I promise Reese Witherspoon
in «Wild» = okay
(Jean - Charles Fitoussi, 2017) Tarrafal (Pedro Neves, 2016) Readers (James Benning, 2017) On An Unknown Beach (Adam Luxton, Summer Agnew; 2017) Félicité (Alain Gomis, 2017) Abschied von den Eltern (Astrid Johanna Ofner, 2017) Arrière - saison (Jean - Claude Rousseau, 2016) Journal d'un disparu (Emmanuel Ostrovski, Joseph Rottner; 2017) Delta (Oleksandr Techynskyi, 2017) Tiers Sola (Tiziana Panizza, 2017) You yi nian (Another Year, Shengze Zhu, 2017) Self Portrait: Birth
in 47KM (Zhang Mengqi, 2017) Pomiedzy slowami (Urszula Antoniak, 2017) Je ne me souviens de
rien (Diane Sara Bouzgarrou, 2017) Luz Obscura (Susana de Sousa Dias, 2017) People Pebble (Jivko Darakchiev, Perrine Gamot; 2017) Postcards from the Verge (Sebastian Mez, 2017) Xiongnian zhipan (We the Workers, Huang Wenhai, 2017) Al bab al sabea (Ali Essafi, 2017) Du zi cun zai (Lone Existence, Sha Qing, 2016) Opuntia (David Fenster, 2017) Ri Chang Dui Hua (Small Talk, Hui - chen Huang, 2016) BalikBayan # 1: Memories of Overdevelopment Redux VI (Kidlak Tahimik, 1979 — 2017) Tarpaulins (Lisa Truttmann, 2017) Long Strange Trip (Amir Bar - Lev, 2017) Ouăle lui Tarzan (Tarzan's Testicles, Alexandru Solomon, 2017) Tahqiq fel djenna (Merzak Allouache, 2017) Farpões, Baldios (Marta Mateus; 2017) Shakkei.
Similar sentiments are expressed
in other languages such as «tout savoir est ne
rien savoir» (to know everything is to know nothing - French), and apprendiz de todo, oficial de nada (Spanish).
Wangechi Mutu Non je ne regrette
rien, 2007 Ink, acrylic, glitter, cloth, paper collage, plastic, plant material and mixed media on Mylar 54 1/2 x 92 1/2
in.
Non Je Ne Regrette
Rien, 2007; ink, acrylic, glitter, cloth, paper collage, plastic, plant material, and mixed media on mylar; 54.5 x 92.5
in.
In the specific case of the work you quote, Je ne regret pas de
rien, I elaborate an ironic discourse on power, desire and death.
2015 Last Year
in Marienbad: A Film as Art, Kunsthalle Bremen, Bremen Presque
rien, Marian Goodman Gallery, Paris Vista Guiada: artista, museo, espectador, MUSAC, Léon The Way We Live Now, Modernist Ideologies at Work, Harvard University Contruire un collection, Villa Paloma, Monaco
In the words of songwriter Charles Dumont, «Non, je ne regrette
rien!»
With offices centrally located
in Livermore, California, the team of attorneys, staff, investigators and experts at
Rien, Adams & Cox, LLP provides vigorous, creative and passionate representation
in the criminal courts throughout the San Francisco Bay Area and Central Valley.
To date,
rien de
rien, as we say
in the other national language.
The authors want to thank
Rien Billet, Julie Bondroit, Kim Trippas, and Inge Vervoort for their help
in the data collection.
In «Love the House You're In: 40 Ways to Improve Your Home and Change Your Life» (Roost Books, $ 18), Rien writes: «Forget about what others think, what goes with it or its monetary value... The most enjoyable way to buy art is to buy it for love, without knowing whether you have a place for it or how it will work in your house.&raqu
In «Love the House You're
In: 40 Ways to Improve Your Home and Change Your Life» (Roost Books, $ 18), Rien writes: «Forget about what others think, what goes with it or its monetary value... The most enjoyable way to buy art is to buy it for love, without knowing whether you have a place for it or how it will work in your house.&raqu
In: 40 Ways to Improve Your Home and Change Your Life» (Roost Books, $ 18),
Rien writes: «Forget about what others think, what goes with it or its monetary value... The most enjoyable way to buy art is to buy it for love, without knowing whether you have a place for it or how it will work
in your house.&raqu
in your house.»