Thomas often
riffs on art history — unabashedly posing her subjects to reference iconic paintings by masters such as Manet or Ingres.
Charlie Tatum looks at how Mickalene Thomas
riffs on art history to let black women determine how their bodies are presented.
Throughout her work, Ms. Thomas
riffs on art history.
Not exact matches
Willie Cole, Deborah Grant, and Maureen Kelleher all
riff on folk
art and black
history, but one also invokes Judaism and one is white.
Maureen Kelleher, Willie Cole, and Deborah Grant all
riff on folk
art and black
history, but one also invokes Judaism and one is white.
Full of
riffs on subjects ranging from the use of neon in
art to the
history of the Venice Biennale, it's as much a social
history of the modern ‐ day
art world as it is a guide to Nauman's life and career.»
Priced from $ 50,000 to $ 200,000, they
riffed on popular culture and
art history with paintings depicting celebrity magazine covers and a black - and - white version of Edouard Manet's «Olympia» framed by white neon lights.
Titled «Memory as Medicine,» this near - two - decade survey (organized by Carol Thompson and Michael Rooks of the originating High Museum of
Art in Atlanta) featured thirty - one works
riffing on key chapters from the grand narrative of black
history, with frequent allusions to tribal West Africa, aptly demonstrating the artist's inspired ability to present his modern world as a continuum with his genetic past.