I've often blogged about the importance of conferences, but usually I've talked about the fact that you meet editors and agents there, you learn how to behave like a professional, you get great training, and eventually you meet exactly
the right agent or editor and make exactly the right pitch at the right time and you get the break you need and suddenly you get published.
Not exact matches
For newbies you are
right as every new author needs to write, write, write for at least four years, time it takes to get a PhD in Letters before even submitting material to an
agent or editor, but once any writer KNOWS intuitively that his
or her novel is as good
or better than James Patterson (pretty easy to better this guy) and he
or she has had the novel vetted by a good independent
editor / ghost writer like myself, the ebooks are the way to go, period.
And if you want to traditionally publish, you'll be disappointed when
agents or acquisitions
editors reject your project because they feel the time is not yet
right.
-- Tips, steps, resources on traditional publishing: how to find the
right publisher, how to find a literary
agent; how to pitch an
agent or editor in person
or in writing;
Query letters are a one page - yes, that is
right, one page business letter that you are sending off to an
editor,
agent or publisher.
If we're traditionally published, we might have help from our
agent,
editor,
or publisher in coming up with the
right messaging for our story (
or we might not).
The more you know going in, the more prepared you'll be to talk intelligently with the
agent or editor, ask the
right questions, and look like the professional you are.
The key is sending the
right editor or the
right agent the
right book idea at the
right time.
Other times, they send the acquiring
editor or foreign
rights agent the information, and the money goes to a different address
or even a different company, which makes life loads of fun for all involved!)
Here are the pros of querying an
agent and /
or an
editor: The money flows
right to you with no upfront costs.
The popular game show for writers returns, so step
right up and pitch your novel, screenplay, memoir
or any other idea to our panel of
agents and
editors.
Each October, the world's largest annual trade fair for books draws thousands of publishers,
editors and
agents from around the world, who are all attempting to buy
or sell
rights in books that have sold strongly in their respective home territories.
1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the
Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an
Editor 3.2 Directory of Book
Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary
Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source
or Create Space?
If you've met the
agent at a writers» conference
or similar event,
or if another author
or editor has referred you, mention that
right up front.
Agents bring three basic experience sets to the table: Connections
or contacts with publishers»
editors Knowledge of writing, books, publishing, contracts, and selling subsidiary
rights Ability to work with both writers and
editors — to keep everything moving forward -LSB-...]
Finally, I must stress that the paths she enumerates are interesting but if the writing is not good enough for someone to pay you, either the writing is not ready (almost universally the case)
or it has not found the
right agent and
editor.