Sentences with phrase «right audience for my work»

How to build a strong brand, and why having a clear identity can help you find the right audience for your work and grow your sales...
I hoped this would mean I'd get the right audience for my work, and buyers who would appreciate the difference in price between a handmade product compared to a manufactured one.
Sometimes we need to find the right audience for our work - like a writing club that focuses on the genre we're writing in.

Not exact matches

The Olympics are a great opportunity to engage a captive global audience that is hungry for games - related content, but to reach your target audiences, generate demand and grow revenue takes a bit of planning and working with the right localization service provider.
WHY IT WORKS: When you partner with [MY COMPANY NAME], you get the most efficient, effective, and affordable [PRODUCT or SERVICE] that [TARGET AUDIENCE] are looking for right now.
That doesn't always mean writing a large check, but it does require thinking through what the ideal outcome should be, the type of work involved and identifying the right audience for the artists who have a vested interest in making the project happen.
The growing tendency for niche printed content, like a magazine specifically aimed at content marketers, is a direct result of why content works: when it's done right, every single page should be relevant to the audience it's trying to reach.
The spin - off is that not only do I enjoy it and feel «right» when I am working creatively, but the people who are my audience also benefit by being able to laugh for a while, or quietly enjoying a painting.
What should you watch for and work on to help you more successfully engage your audience and deliver your message, beyond choosing the right words?
That post brought the importance of pH in facial cleansers to a mainstream audience and created such demand for low - pH cleansers that some brands — especially Korean beauty brands — now have whole product lines with their pH levels printed right on the packaging and worked into product names.
It works in similar ways as other apps (set your location and swipe right for yes and left for no), but it was the first to be 100 % dedicated to this audience.
With some of the cast talking directly to the audience to fill us in on what's going on, «I, Tonya» stars Margot Robbie as a 15 - year - old right up to her 25th year: credit the wig people and makeup artists for converting a classy - looking actress as a hardscrabble, working - class woman who had in at least one instance is looked over by as a representative of her sport because she does not radiate a wholesome, family manner.
While sequels like Iron Man 3 and Captain America: The Winter Soldier have overcome feeling like prequels to a different story audiences haven't seen yet, other entries into this super-powered universe, efforts like Thor: The Dark World, Avengers: Age of Ultron and Captain America: Civil War, struggled to come across as anything other than vehicles conceived and designed to get all of these characters into one place at the right time for this May's massive Avengers: Infinity War, none of them working outside of the larger story being told and as such aren't very entertaining or worth watching more than once.
And thus begins an epic saga, so weighed down by plot and gloomy set - pieces that Dawn of Justice becomes far more hard work for the audience than it has any right to be.
For decades, movie audiences have loved his work in films spanning just about every genre: Poltergeist, Stir Crazy, All The Right Moves, The Family Stone and The Proposal.
For my money, I'd say that Benjamin Bratt turns in the best work next to Cranston as one of Pablo Escobar's right hand men, and his character's dialogue with Mazur offers a lot to his character and even tests who the audience is supposed to side with.
We're used to the likes of Tina Fey and Ricky Gervais gleefully ripping the audience to shreds but in light of recent events this year's host, Seth Meyers, had his work cut out for him to strike the right tone.
A successful custom eLearning development project can only really be deemed as successful if it works for the audience, right?
New technologies are shifting the way people work: Microlearning gives just enough information to compel the right action for the moment; mobile learning makes it possible to treat your learners like customers and deliver them what they need, when they need it; and personalization allows to make your audience feel like their learning is custom - fit, not a mass - produced, one - size - fits - all training.
The AME for Visuals will work closely with newsroom editors, our Creative Director and distribution partners, to collaborate on visual and video opportunities that maximize our expertise in the field and our reach to the right audiences.
Offering your work unshaped by the local crowd, to the widest audience unconcerned with county lines, is the right path for many.
On the one hand, there should be more and better opportunities for writers to see their works produced and brought to an audience; maybe aspiring authors should start querying book app companies like Smashing Ideas and Padworx right alongside agents and publishers.
The biggest news, though, is that we're working with a number of major publishers (and important smaller ones) to provide a storefront that contains deluxe digital graphic novels aimed at the «real mainstream,» the audience for graphic novels that reads Maus or Fun Home or Dotter of Her Father's Eyes but would never think of going into a comic shop guarded by a dodgy life - size statue of She - Hulk... We think the immersive «lean back» experience that tablets provide, along with purchase ease - of - use and the ubiquitous availability that app stores provide, can, if handled right, create a sea change in the consumption of graphic novels — and, if we have our way, the whole thing will have absolutely * nothing * to do with superheroes.
Purchase incentives — if they're well - advertised and right for your target audiencework!
The right designer will work together with you to develop a cover that is a win / win / win: a win for you, a win for your audience, and a win for their portfolio.
Traditional PR may not have worked for me because a much more targeted audience is better, and a scattergun approach is not right.
Pocket Books, a well - known paperback division of publishing mainstay Simon & Schuster, operated as two separate imprints for years, Pocket Books and Pocket Star, in order to avail itself of the opportunity to place more authors» works in front of the right audiences.
JF: While we have a long standing tradition of not focusing on our competition, what I can say is this: books are in our DNA at Amazon, and we're constantly working to not only innovate on behalf of our book - loving customers, but also help authors find the right audience for their book.
The real goal, by whatever means you pursue it, is to get your work in front of the right audience and, we must hope, find some decent remuneration for all you've gone through to do that.
Some of the trip was spent on human rights work and promotion of my poetry book, but most was spent on networking, seeing friends and performing some new songs I'd cooked up over the past year for U.S. audiences.
With a dash of Wind Waker, a sprinkling of Shadow of the Colossus and just the right amount of Studio Ghibli thrown in for good measure, Tequila Works» serving certainly has the necessary ingredients to become something truly special, echoing some of the indie greats that have resonated with the PlayStation audience over the last few years.
Although she is known for a number of collaborations with ex-partner Ulay, the figure has unapologetically been a pioneer in her own right, inviting huge audiences to a multitude of controversial works, including The Artist is Present at MoMA, New York (2010).
The ACLCO is pleased to share its Annual Report, «Together Making the Equal Rights Dream a Reality» intended to showcase the fine work done in our community legal clinics for audiences such as local communities, community partners, funders, government and the broader justice sector.
We are developing a new solution that provides each of our 178 million Daily Active Users with their own Stories experience, leveraging the tremendous benefits of machine learning without compromising the editorial integrity of the Stories platform that we have worked so hard to build... We hope that showing the right Stories to the right audience will help grow engagement and monetization for our partners and for Snapchat.»
The way your work affects the bottom line (your personal brand, as we say) must be conveyed clearly and strongly, and to the right audience, in order for employers to take notice.
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