Sentences with phrase «right colored pencils»

Pack - The right colored pencils can bring your creations alive.

Not exact matches

For dark skin (right): Try a teal pencil — the color pops in a gorgeous way.

With her earnings, she bought colored pencils at the school store and won the right to wear jeans to school on a Friday and to go on camping trips and on trips to Disney World and New York.

In both palette and style, Colón's colored - pencil and watercolor art, with gauzy textures and frequently used sepia tones, suggests the past, but his themes carry right into today's headlines.

Features: — Real - time cartoon effect — 12 effects: Cartoon, Color Drawing, Sepia, White Strokes, Dark Strokes, Colored Edges, Pencil Sketches and many more — Adjustable edge strength (slider on the right side of the screen)-- Adjustable color sensitivity / saturation (slider on the left side of the screen)-- Save images quickly by a single touch of a button — Supports auto focus (tap anywhere on the screen)-- Supports camera flash — Supports front camera (requires Android 2.3 +)-- App can be installed to SD — Saved images are stored to external storage under CartoonCamera fColor Drawing, Sepia, White Strokes, Dark Strokes, Colored Edges, Pencil Sketches and many more — Adjustable edge strength (slider on the right side of the screen)-- Adjustable color sensitivity / saturation (slider on the left side of the screen)-- Save images quickly by a single touch of a button — Supports auto focus (tap anywhere on the screen)-- Supports camera flash — Supports front camera (requires Android 2.3 +)-- App can be installed to SD — Saved images are stored to external storage under CartoonCamera fcolor sensitivity / saturation (slider on the left side of the screen)-- Save images quickly by a single touch of a button — Supports auto focus (tap anywhere on the screen)-- Supports camera flash — Supports front camera (requires Android 2.3 +)-- App can be installed to SD — Saved images are stored to external storage under CartoonCamera folder

1905, Japan Defeats Russia, Empire, graphite and colored pencil on paper, 16.06» x 21.875» (left), 8.25» x 10.75» (right), 2015.

colored pencil on canvas, 16 x 15-3/4» (40.6 x 40 cm) © 2018 Robert Ryman / Artists Rights Society (ARS), New York.

Marcel Duchamp, Boxing Match (Combat de Boxe), 1913, Graphite, colored pencils, and typing ink on ten strips of buff - colored wove paper adhered to brown paper, 16.5 x 12.25 inches, © Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp.

Mark Grotjahn Untitled (Solid Cream Butterfly Drawing in Two Parts), 2009 Color pencil on paper Left: 20 x 15 11/16 in; 50.8 x 39.8 cm Right: 19 15/16 x 15 15/16 in; 50.6 x 40.5 cm

Signed and dated in pencil lower left; Numbered lower right Edition: 175 (43/175) Four color screen print Reference: AAA Catalog 67 Adolph Gottlieb: The Complete Prints,...

Color screenprint on Nishinouchi Kizuki Kozo Paper with Deckle Edge 42 1/4 x 53 inches Edition of 65 Signed & Dated in Pencil «J Johns» 76» lower right.

Color Grano lithograph on paper 36 x 28 inches Edition of 99 Signed and dated «99» by Jeff Koons in pencil lower right recto Numbered by the artist lower left recto Pristine condition, Unframed

Color screenprint on Kurotani Hosho paper 24 x 19 inches Edition of 50 Signed & dated in pencil «J Johns 79 - 81» lower right Numbered in pencil lower left Printed By Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1981

Donald Judd - Untitled (Pencil Drawing on Yellow Paper), Pencil on colored paper, 14 1/2 x 17 1/8 in, 1976, MoMA Collection, © 2018 Judd Foundation / Artists Rights Society (ARS), New York

Color screenprint on 100 % rag paper 12 x 9 inches Edition of 300 Numbered by the Artist in pencil lower left recto Signed «Louise Nevelson» in Pencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Techpencil lower left recto Signed «Louise Nevelson» in Pencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & TechPencil lower right Stamped in black on verso» © Copyright 1973 By Louise Nevelson Printed At Styria Studio» Printer Styria Studio Publisher Experiments in Art & Technology

Set of four etchings with aquatint in colors on Somerset paper 26 1/4 x 19 1/4 inches each Edition of 73 Each signed & dated in pencil «J Johns» 87» lower right Each numbered in pencil lower right Printed by John Lund, Hitoshi Kido, Craig Zammiello, Keith Brintzenhofe Published by Universal Limited Art Editions, 1987, with their blindstamp

planographic color lithograph 33 x 42 1/2 inches Edition of 60 Numbered and titled lower left, «Woman in the Sun» Signed and dated lower right, «James Rosenquist 1991» Tyler Graphics Ltd., blind stamp, lower right Workshop number on verso in pencil, lower left: «TR91 - 1068» Published by Tyler Graphics Ltd, Mount Kisco, New York Literature Constance Glenn, James Rosenquist Complete Graphics 1962 - 1992, Rizzoli, NY, Catalogue Number 225.

Right: Carrie Gundersdorf, Four Sections of Saturn's Rings, 2013, colored pencil and watercolor on paper, 40 x 60 in.

What Red Lines Can Do (One Plate), 1970; Screenprint in colors (framed); Signed, dated and numbered SS 19/75; 38 1/2» x 26 1/8» (sheet); Literature: Harrison 24; Provenance: Private Collection, Ohio Signed, dated and numbered in pencil lower right recto «frankenthaler»70 SS 19/75».

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, very minor surface soiling, a few lightly skinned areas in the margins, one with a very pale moisture stain at the upper right margin edge, otherwise all in very good condition all P. approx. 4 1/8 x 18 1/4 in.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Framed color woodcut, «Cameo,» 1980, by Helen Frankenthaler (American, 1928 - 2011), pencil signed lower right, pencil numbered edition of 51, published by Tyler Graphics, paper: 42.1 «h x 31.9 «w, overall: 45.25 «h x 35.25 «w. Catalogue Reference: Harrison, 75

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

HELEN FRANKENTHALER (1928 - 2011) Variation I on «Mauve Corner» lithograph in colors, on Chatham British paper, 1969, signed, titled and dated in pencil, numbered 2/8 (there were also 2 artist's proofs), published by ULAE, West Islip, New York, with their blindstamp, with full margins, the orange attenuated, a foxmark in the right margin, framed Image: 16 7/8 x 13 3/4 in (429 x 349 mm.)

Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates on pink wove handmade paper, pencil signed and dated lower right, edition 13/58, printed by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w

Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23 colors on Torinko paper, pencil signed and dated lower right, edition 39/50, published by Pace Editions, Inc. (New York, NY), gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 8/46 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with wide margins, the paper slightly attenuated, a small purple stain in the upper right margin corner (possibly inherent in the paper), remains of old hinges at the reverse of the upper margin corners, otherwise in very good condition P. 8 3/4 x 19 5/8 in.

What Red Lines Can Do (One Plate), 1970; Screenprint in colors (framed); Signed, dated and numbered AP 55/22/24; 38 1/2» x 26 1/8» (sheet); Literature: Harrison 24; Provenance: Private Collection, New Jersey Signed, dated and numbered in pencil lower right recto.

Color lithograph and screenprint on 100 % rag paper 9 x 12 inches Edition of 300 Signed and numbered in pencil lower right.

Color screenprint on Kurotani Hosho paper from 16 screens 22 1/4 x 18 1/4 inches Edition of 100 with 10 artist's proofs Signed and dated in pencil «J Johns» 79» lower right Numbered in pencil by the artist from the edition of 100 lower left Printed by Kenjiro Nonaka, Hiroshi Kawanishi, Takeshi Shimada Published by Jasper Johns and Simca Print Artists, Inc., 1979

Color intaglio (spitbite, aquatint) on Magnan Pescia soft white paper 21 x 16 inches 11 3/4 x 8 inches (image size) Edition of 30 with 8 artist's proofs Signed and dated in pencil «Jasper Johns» 12» lower right, numbered lower left Printed by Doug Bennett and John Lund Published by LeRoy Neiman Center for Print Studies, Columbia University

This crayon, graphite pencils, ink, oil stick, colored pencil, tape, and cut and torn papers is comprised of the sketch of six vertical strips arranged laterally from left to right that make up the simple, but captivating design only Twombly could create.

Limited - edition of 300 and numbered lower left Hand - signed «Max» in colored pencil lower right Framed dimensions: ~ 30 high x 40 wide inches

HELEN FRANKENTHALER Dream Walk (W.C. 60) lithograph in colors, 1977, on pale mauve handmade paper, signed and dated in pencil, numbered 46/47 (there were also 12 artist's proofs), with the Tyler Graphics blindstamp, with full margins, a soft crease at the bottom right margin corner, otherwise in very good condition, framed S. 26 x 35in.

Helen Frankenthaler Causeway (Doctors of the World Collection) 2001 Color etching and aquatint on paper # 18 of 100 Published by John Szoke Editions, New York Signed and dated with edition in pencil lower right sheet; printer blind stamp lower left Image: 21.5» x 31.5»; Sheet: 28» x 37.5»; Frame: 32.125» x 42.5»

Helen Frankenthaler (American, b. 1928) Card offset color lithograph from aluminum plates edition 85, publishers logo (lower left), signed in pencil «Helen Frankenthaler» (lower right) 10 x 12 inches.

HELEN FRANKENTHALER (B. 1928) I Need Yellow (Harrison 40) lithograph in colors, 1973, on White Chatham British handmade paper, signed and dated in pencil, numbered 27/29 (there were also 5 artist's proofs), with the ULAE blindstamp, West Islip, with full margins, pale scattered foxing, a diagonal crease (inherent in the paper manufacture) at the lower right margin edge, otherwise in very good condition, framed L. 17 x 11 1/2 in.

HELEN FRANKENTHALER Nepenthe (W. C. 41) etching and aquatint in colors, 1972, on Arches, signed and dated in pencil, numbered 22/50 (there were also 10 artist's proofs), published by John Berggruen Gallery, with full margins, extremely pale light - staining, a soft crease at the top right margin corner, mat staining on the reverse, otherwise in good condition S. 22 x 30in.

HELEN FRANKENTHALER Air Frame, from New York Ten (H. 6) screenprint in colors, 1965, on Arches, signed and dated in pencil, numbered 196/200 (there were also 25 lettered hors commerce), published by Tanglewood Press, New York, the full sheet, minor soft scuffing in the lower right corner, a few tiny ink losses at the sheet corners, mat staining on the reverse, otherwise in very good condition, framed S. 22 x 17 in.

Helen Frankenthaler MONOPRINT II (HARRISON 77) Color monotype, 1981, on Japan, signed, titled, dated 11 Feb 81 and inscribed 2 White / Black C - Mix D / Black D - Mix B in pencil, published by Tyler Graphics, Mount Kisco and with their blindstamp, some rippling, two pinholes at top sheet corners (one with an associated 1/4 inch tear), a 1/8 tear at top right sheet edge, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame).

Pencil signed lower right, un-numbered, small typeset reads «Leo Castelli Gallery and Total Color»

Jackson Pollock (1912 — 1956), Untitled [Drawing for P.G.], ca. 1943, pen and black ink and wash, green ink wash, red colored pencil, and orange watercolor pencil © 2017 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York.

Either I felt like someone drew all over the slab with a pencil, or the coloring wasn't right for our home.

Now, all of my favorite paint pens, fancy markers, paint brushes and colored pencils are right on my desk where I can easily use them.