Sentences with phrase «right editor for a book»

Finding the right editor for your book can be challenging, but if you approach it from a professional mindset and follow the suggestions in this article, you should be able to find someone who can make your book shine.

In a previous post titled, Six tips for finding the right editor for your book, I outlined some ideas on how to find the best editor for your book, but in this post I want to identify and explain the different type of editing you might need for your book.

How to select the right editor for your book?

How to Hire an Editor: The Indie Author's Guide to Finding and Working with the Right Editor for Your Book shows authors new to the publishing process how to make sure their manuscripts receive the editorial attention they deserve, even with a self - publisher's unique production schedule, budget constraints, and publishing goals.

There is some great info here, including a list of different types of editing and how to find the right editor for your book.

How to Hire an Editor: The Indie Author's Guide to Finding and Working with the Right Editor for Your Book

Not exact matches

Right - wing media has also succeeded in baiting the former New York Times public editor into reprimanding a reporter for a harmless joke, broken major stories about the administration, and continued to harass Clinton on her book tour.

Recently retired Christianity Today editor Harold Lindsell, in his much publicized book The Battle for the Bible, chronicles certain of the tensions presently shaking the evangelical world.1 He would have us know that many «evangelicals» have forfeited their right to use that title any longer.

Shortt, the religion editor of the Times Literary Supplement, has written an important and powerful book which coincides with the Catholic Church's increasing and necessary push for a greater protection of the rights of Christians.

Your first step in connecting with an editor is to find the right editor for you and the book you've written.

Peer review, critique groups, freelance book doctors, etc., can all help if you're lucky enough to find the right people, but I don't think there's any substitute for what an in - house editor with a vested interest in your project can bring to the table.

I tell people there are two ways to design a book editor, which for objectivity sake I'll call the right way and the wrong way.

Literary Agent Undercover is only for authors who understand the benefits of traditional publishing: no financial risk because someone else is paying for the privilege of publishing your book; a higher quality product thanks to a top - notch editor and cover designer; more profit due to better sales, distribution, and publicity; subsidiary rights opportunities like merchandising, translations, TV, feature film, etc; increased credibility and more book reviews; and the ability to spend more time writing, promoting, and doing what you love.

But by having a shorter portion edited first, you will get a decent feel for whether someone is the right editor for you, and will be able to be confident in his or her work on your entire book.

I know it would make the Guide longer, but there must be a way to show readers that a listing appears elsewhere in the book, or could appear elsewhere (and in what chapters) but editors decided to list each resource only once for space reasons, right?

We have a level of trust and confidence between our companies that should allow us to overcome the inevitable language barrier by letting Rosinante's editors select, present, and recommend the right books for these non-Danish speaking agents to work with.

A good editor will be able to guide you to choose which editing services are right for your book.

Finding the right nonfiction editor for your book isn't as simple as going to a website with a list of names and picking one out of a hat.

They think an editor will work for a share of their royalties, because their book is such a wonder, movie producers will be lining up for the rights, and publishers will be printing hundreds of thousands of hardbacks for the first print run for an unknown novelist.

So, before you start looking for that stellar editor with just the right price, let your book sit.

She self - published her first book, Mousetrapped: A Year and A Bit in Orlando, Florida, after feedback from agents and editors suggested that while it was an enjoyable read, there was just no market for a tale involving a twenty - something Irish girl, Walt Disney World, Space Shuttle launches, Bruce Willis and the Ebola virus — and at the time, they were right.

That grammar slip right there is EXACTLY why I use two editors for all my books.

Great discounts with self - publishing services, printers, designers, editors, proofreaders, PR and marketing agencies, rights managers and also for key literary and publishing events like London Book Fair and Book Expo America.

Are you looking for the right editor or designer for your book?

For instance, with a young adult or children's book, the editor would help to ensure that the vocabulary is at the right level for the age of the readeFor instance, with a young adult or children's book, the editor would help to ensure that the vocabulary is at the right level for the age of the readefor the age of the readers.

For authors who plan to hire a freelance editor, there are some important tips to learn about selecting the right editor for you and your boFor authors who plan to hire a freelance editor, there are some important tips to learn about selecting the right editor for you and your bofor you and your book.

This includes finding and submitting to the right agent, editing, how the agent determines the best houses to submit work to, what the editors look for when they receive a submission, how the process of contracting for a book works, basic information on royalties, who has the responsibility for different parts of the process, time frames, the non-writing parts authors will deal with, marketing, and many other aspects of being traditionally published.

But I'd like to ask you how do we find the right editor for the kind of book we're doing.

Part three covered how to select the right editor, how to ensure you remain consistent throughout your manuscript and the importance of indexing for a nonfiction book.

Long - term, one - on - one work with an experienced writer and editor to plan book concept and focus, with the right measure of market strategy; writing and editing of several drafts with a final manuscript prepared for publication.

I guess if every book was available in electronic format with no DRM [Digital Rights Management; the ability to choose on which devices you can read and share a book — Books Editor] for reasonable prices ($ 10 max for new / bestseller / omnibus, scaling downwards for popularity and value) it just wouldn't be worth the time, effort and risk to find, download, convert and load the book when the same thing could be accomplished with a single click on your Kindle.

Stay tuned for the next half of self - publishing tips, including finding the right editor, book designer, formatter, and marketing that book!

Each October, the world's largest annual trade fair for books draws thousands of publishers, editors and agents from around the world, who are all attempting to buy or sell rights in books that have sold strongly in their respective home territories.

1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create SpaFor Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Spafor Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Spafor Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Spafor self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Spafor Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?

The Frankfurt Book Fair New York Inc. is a business office of the Frankfurt Book Fair as well as a liaison office for American editors, German rights directors, editors, and translators.

For the American book publishing industry, the Frankfurt Book Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many forFor the American book publishing industry, the Frankfurt Book Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many fobook publishing industry, the Frankfurt Book Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many foBook Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many forfor publishers, editors, librarians, book subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many fobook subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many fobook content in all its many forms.

Through our coaching progam, we will establish a blueprint for the writing of your book, select a great title, pick the right topic, identify your target audience, employ professional editors / writers, market your book, connect with publishers where possible, plus more!

Alan, I agree, my editor is a copy editor, and again, I think he was the right choice for me for this book, so no regrets.

And then I remembered, I had an agent, a great agent, I wrote great books (so all the rejecting editors told me) and yes, you are right, self pub has given my stories a voice and an ear and the chance to be read, when they otherwise would have still been gathering dust on my hard drive, yet, on the other hand this is hard, REALLY HARD, it is SO hard to find your way to a readership as a SP, with limited funds (dwindling)... and the glimmer of trad pub — with their power to splash your name around established circles of readers, and their ability to secure a great number of reviews where, as a self pub, doors have been slammed in my face — becomes temptingly shiny again, (it's like childbirth, you forget all the painful stuff with time)... and it all gets very tempting... almost tempting enough to consider sacrificing one work JUST one artistic premise for the trade off of visibility... and then perhaps, just perhaps THEN, my SP efforts will finally sprout wings... but then I hear you and other say, it wasn't worth it, you'd never do it again, and I sigh... And then I wake up the next morning and think of packing it all in, and going to work for Walmart and steady shitty pay... lol And then along comes this blog post.

Since the production editor has worked side by side with the author to produce the book, that person is perfect for helping to convey the right vision to the designers and strategists working on the various elements that will help deliver your book to market.

THE 2018 FACULTY Gregory M. Britton, Editorial Director, The Johns Hopkins University Press Matt Conmy, Territory Manager, Northeast Library Market, Rittenhouse Book Distributors Margaret Cummins, Executive Editor, Wiley Meredith Howard, Promotions Director, Columbia University Press Henry Krell, VP, Production, Springer Tara Smith, Production Manager, ASME Press Puja Telikicherla, Digital Publishing & Rights Manager, Georgetown University Press REGISTRATION FEES $ 175.00 AAP Member $ 225.00 AAP Non-Member Cancellation Policy: Full refund for cancellations on / before June 1st, 2018.

The Children's Books Salon was devised as a way for the visiting international publishing professionals to meet their counterparts in the United States, to learn about new authors, and to find out more about what the Stateside editors are looking for in buying rights.

The issue I see plenty of authors run into is booking all these services right up front, because they don't want to be waiting for an editor when they are ready to move forward.

The Frankfurt Book Fair New York Inc. is a business office of the Frankfurter Buchmesse as well as a liaison office for American editors, German rights directors, editors, and translators.

«If we do everything right, it becomes very easy for the book to soar — and it becomes easy for me as an editor to point to that success.»

Ms. Gima has served as a writer and editor for Nolo.com and for the legal publisher, Matthew Bender, editing numerous titles from fighting your traffic ticket to knowing your rights as a tenant, and co-authoring three books, including Nolo's Pocket Guide to California Law, The Trademark Registration Kit and Domain Names: How to Choose & Protect a Great Name for Your Website.