The bottom -
right image depicts the outlines of neurons only, with glial cells removed; the bottom — left cube visualizes all the axons, the parts of neurons that transmit signals.
Not exact matches
Appearing alongside frontbenchers Tom Watson and Angela Eagle, the Labour leader unveiled an
image depicting the
rights employees benefit from through the UK's membership of the EU.
The
image at
right depicts a cold jet of ethylene (a hydrocarbon similar to that found in automotive gasoline) combusting in hot air.
Three
images, left to
right, of the same thundercloud
depict a less - than -10-milliseconds-long sequence of events: (left) formation within the cloud of a small channel, or «leader,» of electrical conductivity (yellow line) with weak emission of radio signals (ripples), to (middle) a burst of both dark lightning (pink) and radio waves (larger ripples), to (
right) a discharge of bright lightning and more radio waves.
© Estate of John Whatmough — larger
image (Artwork from Extrasolar Visions, used with permission from Whatmough) Glowing red through gravitational contraction, the candidate brown dwarf companion to Proxima Centauri is
depicted with two moons (one eclipsing the flare star) with distant Alpha Centauri A and B at upper
right, as imagined by Whatmough.
Computer simulation
images depict the improvement of imaging capability of an interferometer at that time (left) and ALMA (
right).
The
image depicts an HIV - 2 virus (left) getting in contact with a dendritic cell (
right).
Cannon Beach Photo grants no
rights and makes no representations or warranties with respect to the use of any names, trademarks, service mark, logotypes, copyrighted designs or works of art or architecture
depicted in any
Image.
Depicting a passionate crowd of African Americans — their attitude suggesting the fervor of a civil -
rights era audience — Intentionally Left Blanc reverts in its exposed, «positive» format to an
image in which select faces are whitened out and erased, the exact inverse of the same view in its «negative» condition.
Charged with the emotion, the powerful
images in Time of Change: Civil
Rights Photographs, 1961 - 1965
depict the struggle for justice and equality during a time of Freedom Rides, protests, marches, and police violence.
Images (left to
right): Mouth mask probably
depicting the head of a rooster, Indonesia, Southeast Moluccas, Leti, Luhuleli, 19th century, wood, boar tusks, clam shell, mother - of - pearl, buffalo horn, resinous material, and pigment, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.; Ceremonial cloth (tampan), Indonesia, South Sumatra, Lampung region, Paminggir people, late 19th century, cotton, Dallas Museum of Art, the Steven G. Alpert Collection of Indonesian Textiles, gift of The Eugene McDermott Foundation; Protective figure (jaraik) in the form of an animal, Indonesia, West Sumatra, Mentawai Islands, Siberut Island, Taileleu village, c. 1930, wood, pigment, shell, metal, rattan strips, grass fibers, and monkey skull, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.; Male and female protective figures (pagar), Indonesia, North Sumatra, Lake Toba region, Toba Batak people, 19th century or earlier, wood, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc..
The Mexican artist Francis Alÿs transforms apparently simple
images into surprisingly powerful archetypes in works such as Untitled, 2001,
depicting a man walking with his
right index finger raised.
Beyond it are gyres of sky and cloud, to the
right a creeping vine falls and comes to rest along the bottom edge of the
image, compressing space and pushing it back, obscuring and
depicting at the same time.