Sentences with phrase «right number of paintings»

«There is the right number of paintings in this body of work that you can really develop a market, because he was prolific.

Not exact matches

As with New York, the decision to open up shop in Miami was strategic: According to Gibbon, Miami has the greatest number of e-commerce sellers per capita in the U.S.. Additionally, the launch will occur right before Miami's Art Basel festival — just in time to ship those paintings and sculptures to buyers» homes.

Coupled with the agreements made with the state's Indian tribes to share revenue and gain exclusivity rights for their casinos, the deck is being staked in favor of the amendment: A committee with the potential to raise funds quickly, a numbered analysis of the benefits and language that paints a glowing picture of expansion.

In Dark Places, writer / director Gilles Paquet - Brenner has gotten the first part right (kind of) but totally bungled the second, resulting in a boring, soulless, paint - by - numbers mystery that never clicks or finds its footing.

According to The News Wheel, the special edition Lancer will slot right above the ES trim (the Lancer's base model) and will boast a number of unique features, such as black painted exterior finished on the upper front grille garnish, roof, door mirrors, fender garnish, and the 16 - inch wheels.

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Getting a book in front of the right agent, followed by the right publisher, isn't exactly a paint - by - numbers kind of operation.

I appreciated that right from the start, a huge number of paint jobs are available to select for your craft.

There are a number of sculptures in amongst the paintings which, although interesting in their own rights, feel eclipsed by the painted works.

(251.1 x 251.1 cm) Medium: Oil on canvas Credit Line: Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest), the North Carolina Museum of Art Guild, and various donors, by exchange Object Number: 96.2 Culture: German Signed: Verso, right center: Richter 1985 Inscriptions: Verso, near top left: 577 - 2 Classification: Paintings Department: Modern

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Signed lower right, «J.Dupré»; painted circa 1855 and bearing label, verso, from San Francisco Museum of Fine Arts (Accession Number: 35.1038) Provenance: Collection of the San Francisco Museum of Fine Arts A delicately - painted landscape showing a...

Here, we can see evidence of this in a number of places, most ominously in the right portion of the canvas as Still creates a fracture of red paint that sits amid neighboring passages of dark blacks and grays.

For six decades, Jasper Johns has been Internationally recognized for his iconic images of Targets, Maps, Flags, Numbers, Crosshatch, and Alphabets, right after the Museum of Modern Art acquired Jasper Johns» breakthrough American Flag painting in 1958.

Artist: Helen Frankenthaler (1928 - 2011); Title: «Thanksgiving Day»; Medium: Painting on tile; Year or Era Produced: Dated 1973 on reverse; Signature: ÿLower right and on reverse; Approximate Measurement: 13.5» x17.5» x 0.75»; Approximate Weight: 12 Lbs; Frame: Unframed; Note: Original artwork, Original 1976 Andre Emmerich Gallery Inc. receipt with a value of $ 2,800.00 accompanies this lot, Receipt reads «Number 4 in anedition of 71», Exhibited, Ceramic Tiles by Helen Frankenthaler, The Solomon R. Guggenheim Museum, New York, May 2?

Artist: Helen Frankenthaler (1928 - 2011); Title: «Thanksgiving Day»; Medium: Painting on tile; Year or Era Produced: Dated 1973 on reverse; Signature: Lower right and on reverse; Sight Area Approximate Measurement: 13.5» x 17.5» x 0.75»; Approximate Weight: 12 lbs; Frame: Unframed; Note: Original artwork, Original 1976 Andre Emmerich Gallery Inc. receipt with a value of $ 2,800.00 accompanies this lot, Receipt reads «Number 4 in an edition of 71», Exhibited, Ceramic Tiles by Helen Frankenthaler, The Solomon R. Guggenheim Museum, New York, May 2 — June 1, 1975, Reverse reads «Number 4 / Edition of 70»

MIMOCA, Marugame, Japan 2005 Ernst van Alphen, Art in Mind: How Contemporary Images Shape Thought, Chicago: University of Chicago Press Carol Kino, «And then her number came up», New York Times, 27 March 2005 Massimo Gioni, «Marlene Dumas, ton visage demain: your face tomorrow», Artpress, November 2005 «The power 100», ArtReview, November 2005 2004 Robert Enright, «The fearless body», Border Crossings, no. 91, 2004 Dumas, Marlene, «The right to be silent (a conversation on elitism and accessibility)», Frieze, January / February 2004 2003 Emma Dexter, «Painting fear», Modern Painters, Autumn 2003 2002 Valerie Breuvart (ed.)

In fact, right now there are eleven Monets on view at the DAM — an unprecedented number for Denver — with eight of them being paintings, and all but two of those are in this show.

Continuing in a largely abstract style, in the 1960s Lewis painted a number of works dealing explicitly with issues of race and civil rights.

(There are serious marketing possibilities here, people: very very large number of wavelengths, naming rights for sale... Do I have to paint you a picture?)

Jason, I always think of painting as part of lightening and brightening, which puts it right up there at number 2!

«So, right there, alongside the buyer, I pull up the two listings on my RPR app, go over each home's basic characteristics like number of bedrooms and square footage; and even get into upgrades, taxes, mortgage info, schools, area amenities and more, which paints a much larger picture for them.»

Buying the right type of paint in the first place may have a number of benefits.