Sentences with phrase «right paint on the walls»

Not exact matches

At right is a living room scene: a couch, coffee table, big oil painting of an Oriole on one wall, a Barcalounger.

It curved left, then more left, before eventually striking the left field wall right at the yellow painted foul line on the padding of the fence.

But Schneiderman, who has spent the campaign trying to paint Donovan as soft on Wall Street and too far right, appeared to have effectively mobilized Democratic voters, especially women who worried about Donovan's stance on reproductive rights.

Remember white cabinets and storage can look good, but only if they are paired with the right shade of paint and tiles on the wall.

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Get your paint chips, get a test swatch on your wall, and find just the right color to suit your style.

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The mural is painted on the east wall of the Facing History office at 115 Huling Avenue, where it is seen by hundreds of thousands of visitors to the National Civil Rights Museum and South Main District every year.

For those who would like to immerse themselves more in the history of Mesoamerica, there are more amazing archaeological sites in Chiapas that can be visited from Palenque: Toniná and Bonampak with its unique wall paintings as well as Yaxchilán, right on the banks of the Rio Usumacinta, Mexico's largest river.

On the wall to the right of the large window hangs an oil painting of Principe Leopoldo d'Medici in its original frame, circa 1560.

You will see the hostel on the right hand side with colourful artwork painted along its exterior wall).

The spear soldier on the right side can be defeated by first climbing up the stairs, and then walking along the wall in painting form.

I have just tried Mockups online, the ones I had I have purchased them ready to download and on the online version, you can give the size of the painting so it fits exactly with the right proportion on the walls.

The yellow wall behind her and the other two at this gathering, where the woman in the middle is pouring tea for the gentleman on the right, is decorated with generic abstract paintings.

Installation shot showing portfolio on tables and Jeffrey Steele paintings on walls, left: Syntagma Sg IV 117, right: Syntagma Sg 116, both 1991, pencil and oil on canvas, 122 x 122 cm.

Work perceived as trending that sold out the first day included pop comments on Pop (Sylvie Fleury's life - size crushed car that she painted with pink nail polish and posed against a wall caked with makeup; impeccable fabrication (Anish Kapoor's shiny discs that danced down every aisle); mannequin sculptures (Chicago imagist Karl Wirsum's robotic stick figures); body fetish (Guillaume Leblon's truncated ceramic legs and Jonathan Monk's kicking ones, Naotaka Hiro's body casts of himself made with his right hand).

A really strong painting, it would be nice if the museum saw fit to put some more lights on it, though the lower light on the right hand side and the fact that the painting is right off the escalator, in the hallway, means one comes upon it, the way you discover something powerful in the subway or on a street wall.

This [large grid sculpture to the right of us] is a series, maybe the last of that series, of what I called «Falling Grids,» where I set up a grid of string and poured paint over it with multiple layers and hung it on the wall.

White Painting [two panel] is on the wall at right and several Elemental Sculptures appear in the background.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Rail: I remember the Austrian filmmaker Peter Kubelka once argued that cave painting should be considered as sculpture, or at the very least painted sculpture, because the maker of the images must have felt the irregularities in the cave's walls, especially in certain projected and rounded, smooth areas that might proffer the body of the bison to be painted right on top.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

In this installation view of the exhibition Robert Rauschenberg (May 7 — September 7, 1999), Untitled [black painting with portal form] is seen at right on the back wall.

Ligon's own conceptual painting Untitled (I Am Not Tragically Colored)(1990) hangs on the wall to the left, and his Malcolm X, Sun, Frederick Douglass, Boy with Bubbles (version 2) # 2 (2001) to the right.

«Um, painting is that stuff that hangs on the wall, right?

Lovely architectural photos from Kira Lynn Harris also verge into abstraction, as do Julie Mehretu and her faded landscape paintings, which can recall Gary Simmons and his memories drawn right on the wall.

So I built armatures on the walls so drip paintings are not like before painted hanging right on the wall.

When they hang a Currin on the wall, they are given permission — more than that, they are given the right — to appreciate this oilcloth horror as a painterly painting as exquisite as a Velázquez, or to enjoy it as an incompetent high - kitsch send - up of classical painting, or to assess its value as social commentary, or to laugh at it as a piece of Dadaist stupidity - for - stupidity's - sake.

Their unity in that installation was based on three factors: their identical dimension; their unusual installation on two walls in one straight line; and finally the black lacquered wedge that spans eleven paintings on the right.

Mr. Negroponte's recent work uses pre-mixed hardware store paint and pieces of discarded cardboard that are stacked, superimposed — «just like laying bricks right on top of each other,» according to the artist — and affixed to the wall with pushpins.

A lump of dried, varnished elephant dung forms one bared breast, and the painting is displayed leaning against the gallery wall, supported by two other lumps of elephant dung, decorated with coloured pins: the pins on the left are arranged to spell out «Virgin» and the one on the right «Mary».

Spines and covers form wall - to - wall painting - like works mounted on canvas or adhered directly to the wall (Unbound, Jaded and Don't Feel Right).

The one on the right, of an installation of wall paintings at the Whitney Museum of American Art, was by Librado Romero / The New York Times; it was not from the museum.

Here McGee has installed a tight - fitting cluster of black - framed drawings and watercolors that becomes its own overall shape, contrasting with a similarly tight cluster of unframed paintings hanging on the wall to the right.

Although Hirst made a few Spot Paintings directly onto the wall for his breakthrough exhibition, «Freeze» in 1988 (see right), the first known Spot Paintings on canvas date from 1991 and Hirst has referred to them as the life blood of his career.

Universal Collection: A Mark Dion Project, 2016, Mixed - media site - specific installation Painting on top right wall: Laura Battle, How long is your past, how far is your future, 2015 oil and mixed media on canvas Courtesy of the artist

Included in the exhibition is a new monumental painting that consists of 5 panels that wrap around a corner of the room, with one panel on the left wall and the other 4 panels continuing to the right wall forming an L - shape.

'' Please copy and paste this as your status: I declare that my rights are attached to all my personal data, drawings, paintings, photos, video, texts etc. published on my profile and my page.Those who read this text can do a copy / paste on their Facebook wall.

The only things that unit owners actually had contracted to purchase were the fee simple rights to occupy the cubic feet of defined air space, the cheap floor coverings (not the floors themselves) the wall coverings (cheap paint jobs), and not the walls themselves (often including the drywall panels themselves), some kitchen and bathroom cupboards and fixtures, some appliances, some interior doors and door knobs on closet doors etc, but not the windows, not the service wiring, plumbing and heating / cooling duct work etc., etc..

Though, I did do my fair share of work on the project: I painted the walls and the cabinets / drawers (I give a how to on the cabinets here), a time consuming project in its own right.

Also, when painting walls and trim and furniture white, does it look right to use the same paint on all of it?

I can get so stuck on choosing just the right color to paint that darn wall.

Rumor has it she's got a whole buncha» Sherwin Williams «Sea Salt» colored paint in her house right now, just waiting to go up on the walls.

-- Mirrors on the inside - backs of the upper cabinets — We created taller cabinets by adding extra molding on top of upper cabinets — Corbels underneath the upper cabinets — Salvaged cabinets on the right side of the room — Butcherblock countertop — Stainless steel shelves — Chalkboard paint — Cabinet paint: Mourning Dove (Martha Stewart by Sherwin Williams) and Alabaster (Sherwin Williams)-- Ceramic tile removal — Ceramic tile removal (part 2)-- Hardwood floor installation and staining — Wall color: November Rain, by Benjamin Moore

Remember when I blogged about «having» to paint the wall (and ceiling) outside the room I'm working on right now?

We decided to paint the whole hallway Swan White by Glidden because we really wanted it to be clean, light, and bright right when you walked in, as well as provide a neutral backdrop to everything that would be going on the walls.

Not to mention the fact that the wall goes right into the bathroom, so whatever we painted our bedroom would be in there, too (which is one of the reasons I've gotten hung up on this for so long!).