Sentences with phrase «right side of the canvas»

So he would work on one section, for instance the left side, and then he would move over to the right side of the canvas, but not be able to see what he had just done on the left.»

Dominating the right side of the canvas is a bright cadmium yellow circle, surrounding by blue organic lines, its strange shape possibly signifying a deadly parasite seen underneath a microscope or a massive sun with penetrating rays.

His vertical stripes in the 1960s varied, from wide bands of candy - colored hues to thin lines clustered on the left and right side of the canvas, flanking a blank center.

In another, «Pink Roses,» the table upon which a vase of flowers sits becomes an elongated rectangle that overpowers the entire right side of the canvas; in «Flowers and Payne's Gray,» a tablecloth becomes an almost nightmarish swirl of strange dark folds.

In «Two Whites Over Antique Red Over Cadmium Red» (2013), the left and right sides of the canvas are separated by what The New Yorker referred to as a «Newmanesque zip.»

Not exact matches

The tentacle picture did a great job of this as the woman was on 2/3 of the cover leaving a white canvas on the right and side of the image.

Because of limitations in eBooks, in order to create the 20em text canvas on the right hand side of the page, Scrivener decided fake it by simply increasing the left hand margin.

The color contrasts are startling, as in «Yellow Half» (1963), a canvas nearly six feet square with a solid V of vibrant red bordered by lemon yellow and then a more subtle red, the whole set on a stark black ground; that is, the ground forms two right triangles on either side of the V. Characteristically, Mr. Noland later went back to these V's, as in «Songs: Indian Love Call» (1984), but this time with very painterly effects, crumpling the flat surfaces with broken strokes of thick pigment.

When I approached the canvas Encouraged Rumors from its right - hand side, I noted passages that look Cézanne-esque, like the houses of Mont Sainte Victoire which he painted over and over.

For example, in Untitled [9/68] 1968 (T12242), he divided the canvas in half with a line along the diagonal and placed on either side, and at angles to one another, two linear grids coloured yellow, filling in the blocks of the grid in the upper right variously pink, lavender, and pale and dark blues.

In a 1999 two - panel work, the left - hand side is covered with numbers, while the right - hand canvas is a mirror image of the first, with the numbers reversed.

Just as the close inspection of a painter's water glass might give clues to the work being produced by that artist, the attentive viewer to Chisholm's new work can spot the black of Mary Hickey's coat in a series of three thick strokes across the right side corner of one canvas; the auburn brown of Seymour Damer's hair is discerned in a wash of another.

Right now I'm happy with the vintage style canvas subway sign wall hangings on either sides of the window.