Due to its massive length, the artwork takes up both the back and
right walls of the gallery space, creating an immersive landscape.
Not exact matches
My inspiration started with some modern and fresh pieces from Blackthumb Decor (that watercolor prickly pear print really transformed the
gallery wall) their curated selection
of Scandinavian inspired home decor is just the
right amount
of unique and modern to update your space.
I love the idea
of creating a
gallery wall... and better late than never,
right?
Decorating tip: Alaina is the queen
of gallery walls — to achieve a similar look, arrange
gallery walls on the floor (like a puzzle) until satisfied; next, start on the
right and slowly move to the left when placing frames on the
wall.
As the
wall label pointed out, many
of the paintings, which were pulled entirely from MOMA's collection, were exhibited in art
galleries that used to be
right around the corner from the museum itself.
And finally, in the show's namesake, «The Velocity
of Change» (2015), which appears directly on the
right wall as one enters the
gallery, the intervals
of white space between the clearly defined, occasionally fractured sets
of colored wedges simultaneously pause and accentuate the rhythmic momentum within the mural.
Galleries outside
of the Bay Area also brought their funk to ArtMRKT, most notably Red Truck
Gallery of New Orleans, who contributed a
wall of works by Bryan Cunningham, and Sundaram Tagore
Gallery of New York / Hong Kong / Singapore, which showed Kamin Lertchaiprasert's acrylic on canvas, «Birth - Death, Woman - Man,
Right - Wrong, Husband - Wife, Good - Bad, Nothing.»
Continuing our tour
of the front
gallery: Karolak, Rob De Oude on the left
wall; Don Voisine on near facing
wall, center
right; Cordy Ryman; a glimpse
of Elise Ferguson,
right
2017 A Show Yet to be Titled, Lucie Fontaine, New York SIX
RIGHT, Fürstlich Fürstenbergische Sammlungen, Donaueschingen, Germany Salon Vogue, New Bretagne Belle Air, Essen 2016 ICHTS, Dortmunder Kunstverein, Dortmund Robert Bordo, Sam Anderson with Michel Auder, Bortolami, New York 2015 Anemic Cinecat: International Cat Art Film Festival, Anthology Film Archives, New York Greater New York, MoMA PS1, New York All back in the skull together, Maccarone, New York Looking Back: White Columns Annual, White Columns, New York 2014 In Free Circulation, mother's tankstation, Dublin Another, Once Again, Many Times More, Martos
Gallery, New York Warm side
of Zero, Overduin & Co, Los Angeles Die Geister, die ich rief werd» ich nun nicht los, Cookie Butcher, Antwerp International Woman's Day, Night
Gallery, Los Angeles That Singing Voice, Marta Cervera
Gallery, Madrid, Spain Morning and Evening Asylum, Tanya Leighton / Off Vendome, Berlin / Dusseldorf, Germany Objects
of Thin Air, Foxy Production, New York 2013 Under the BQE, M / L Artspace, Brooklyn, New York Black Cake, Team
Gallery, New York, New York 2012 How's Your
Wall?
Wedged in at a
right - angle between 3rd Street and Howard Street, the Snøhetta addition includes 170,000 square feet
of extra indoor and outdoor
gallery space, the largest living green
wall in the Bay Area, three restaurants, two museum shops, a state -
of - the - art conservation studio, a theater, gender - neutral bathrooms and a lower level filled with art that is free and open to the public.
The Bob Rauschenberg
Gallery, FSW and Los Angeles artist Dave Muller have commissioned THAT»S PAINTING Productions to paint over the 250 + ft. mural painted for «Dave Muller: Everything Sounds Good
Right Now» in
wall - colors that were developed by our
Gallery namesake Bob Rauschenberg as the backdrop for numerous exhibitions
of his own work.
Right there, high on a
gallery wall, one has a still young performance scene, a rock star still looking beyond the spotlight, a love story, and the bitter end
of the 1960s.
This panoramic view shows the work
of most
of the participating artists: Foreground, Sylvia Netzer; clockwise around the
gallery: Rachel Friedberg on the left
wall, my installation grid on the back
wall, Diana Gonzalez Gandolfi and Megan Klim on the
right wall
The reproduction
of a room from the actual Ganjiakou 303 apartment, where Zhu first made these pieces, can be found as an independent space inside the entrance on the
right side
of the
gallery, complemented by a
wall text relaying the ideas and discussions Zhu had with his artist friends whilst living there.
The second
wall drawing, ArcelorMittal Steel Shipping Building No 1
Right # 270 - 278, encircles the back
gallery with a series
of numbers Calame traced from the floor
of the ArcelorMittal Steel factory in Buffalo, NY.
You can't open the door to the Lower East Side
gallery Chapter NY
right now without bumping into a
wall of plexiglass.
2010 We / Edition, Print Exhibition, These Four
Walls Gallery, Cape Town, South Africa 2010 Edge
of the Table — fourteen Cape Flats youths tell their stories, a book and exhibition in collaboration with the Human
Rights Media Centre, Independent project space, Claremont, Cape Town, South Africa 2010 Time On Our Hands, curated by Justin Brett, V&A Waterfront, Cape Town, South Africa 2010 Grey Matter, collective performance artwork, Infecting the City public arts festival, curated by Brett Bailey, Cape Town, South Africa 2010 Taking Pictures, Telling Stories, curated by Paul Weinberg, Exposure
Gallery, Cape Town, South Africa
A lump
of dried, varnished elephant dung forms one bared breast, and the painting is displayed leaning against the
gallery wall, supported by two other lumps
of elephant dung, decorated with coloured pins: the pins on the left are arranged to spell out «Virgin» and the one on the
right «Mary».
Students also exhibit their work in the Sculpture Quad, located between Atkinson Hall and the Studio Arts Building, which features permanent installations and temporary works by sculpture students throughout the year; on the atrium
wall in the Design Building, where student work is showcased through displays that change on a monthly basis; and sometimes — if you visit at the
right time — you might witness the pop - up «locker
gallery» in the hallway
of the Studio Arts Building.
9 pm Precarious Labor Films: Shorts from P2P Fightsharing III: Precarity; Mayday Barcelona (8:52); St. Precarious Goes Shopping (5:51); Yomango Tango (6:11); Gim me an occupation
of the premises with that McStrike (4:05) at The New Great
Wall of Oakland,
right outside
of the Pro Arts
Gallery, Oakland.
No other
gallery explored American conceptualism in the late 60s and early 70s like the Lisson, with shows by Sol LeWitt, Carl Andre and Lawrence Weiner (represented here with one
of his massive
wall texts, winding
right up three floors
of stairwell: Whole Cloth Stretched to the Limit, it says, as if describing itself).
The second
wall drawing, ArcelorMittal Steel Shipping Building No 1
Right # 231 - 236, # 267 - 281, encircles the back
gallery with a series
of numbers Calame traced from the floor
of the ArcelorMittal Steel factory in Buffalo, NY.
No one in their
right minds would want to begin to map out a common style across the thousands
of different approaches littering the white floors and gray
walls of contemporary art
galleries all over the world.
Avantika Bawa's «(un) fragmented spaces» (2005) is comprised
of hybrid objects built mostly with irregularly shaped pieces
of cardboard and Styrofoam (but also graphite and latex); mounted on the
wall, they frame a door jamb in the
gallery and meet at the convex
right angle where two
walls meet.
Now selling at my Etsy shop, Screamy Mimi Crib skirt and bumper: Made by me Set
of 3 posters above crib: Subliminal Baby series by Sycamore Street Press on Etsy Tutti Fruitti poster to
right of red book shelf: Keep Calm
Gallery For Like Ever poster: online from Village Pom poms: Pink, Indubitably by Pom Love
Wall flowers by Umbra: many stores, including Bed, Bath, and Beyond Shelf under window with books: West elm Decal: Alphabet Zoo Re-stik decal from Blik
Sometimes all we need is one more piece
of artwork to finish up that dreamy
gallery wall,
right?