Sentences with phrase «riot scenes in»

Typifying the film's dramatic inflation is Daniels» choice to shoot the riot scenes in slow - motion and making the flames of the Ku Klux Klan look like hellfire.

Not exact matches

Activision's investment in eSports comes at a time where PC games like Riot Games» League of Legends, Valve's Dota 2 and Counter-Strike: Global Offensive, and Blizzard's Heroes of the Storm and StarCraft II dominate the scene.

After antifederalist riots at Carlisle, Franklin returned to the scene with a satire against the rioters, comparing them to the ancient Jews who rejected a constitution handed down by God and «recorded in the most faithful of all Histories, the Holy Bible.»

There is no need to elaborate here the various features of the human scene, such as war, race - riots, family friction, crime, drugs and all the rest, which make it eminently clear that the world of men as a whole stands in need of renewal.

Our reporter @gretchenkellerr captures the current scene in Southwest, where police in riot gear tell students to disperse.

In scenes reminiscent of the 1981 and 1985 riots in Brixton, police wearing riot gear waded into the crowd to break up the party following news of the former prime minister's deatIn scenes reminiscent of the 1981 and 1985 riots in Brixton, police wearing riot gear waded into the crowd to break up the party following news of the former prime minister's deatin Brixton, police wearing riot gear waded into the crowd to break up the party following news of the former prime minister's death.

Giancarlo Esposito, actor: «We ended up crying in each other's arms after the riot scene — we'd said some horrible things to each other»

Evans admitted the hardest scene to shoot as a director was an epic prison riot in the mud, as it would splash on the camera lens and ruin good takes.

There's a whole riot of a film to be made out of the two - and - a-half minute scene in which a prostitute (Bebe Neuwirth) coaches Davis's demure housewife how to give a proper blowjob.

The film still has all the little Soderbergh touches — there's a scene involving a prison riot that gets caught up in the differences between the TV version and the book version of Game of Thrones in which you can almost sense Soderbergh nudging the camera — but what's perhaps most impressive about it is how effortless it all seems.

It is a laugh riot in a number of scenes, surprisingly heartwarming in others and is a great example of an actor successfully bridging the gap between acting and directing.

With brilliant support from a scene - stealing Ken Cheong reprising his role as Mr Chow — now very much in his element — and a few exotic touches added to the mix (a flashback scene to the night before with the cast reimagined as kids is inspired) The Hangover Part II is a riot.

WILL (originally ordered straight - to - series at Pivot in 2013) Picked up to series; 10 episodes STUDIO: TEAM: Craig Pearce (w, ep), Vince Gerardis (ep), Howard Braunstein (ep), Louise Rosager (ep), Shekhar Kapur (d) LOGLINE: The wild story of young William Shakespeare's arrival onto the punk rock theater scene that was 16th century London — the seductive, violent world where his raw talent faced rioting audiences, religious fanatics and raucous side - shows.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

In many ways the film is, and should be, almost anti-dramatic — the occasional riot or threat scene aside, most of the action takes place in meeting rooms, living rooms or small TV studios as Bernal pitches his ideas to the willfully uncomprehending «suits.&raquIn many ways the film is, and should be, almost anti-dramatic — the occasional riot or threat scene aside, most of the action takes place in meeting rooms, living rooms or small TV studios as Bernal pitches his ideas to the willfully uncomprehending «suits.&raquin meeting rooms, living rooms or small TV studios as Bernal pitches his ideas to the willfully uncomprehending «suits.»

Moreover, the show's set direction and period details are impressively flawless, whether depicting the»70s - era blues rock scene and riots over school busing, or in the small things, down to the pull tabs ripped off beer cans and the Scripps - Howard lighthouse logo on the front page of the Memphis Press - Scimitar.

The opening riot scene — filmed in Blackburn — explodes into violence and leads into a footchase through the terraces and alleyways of the Falls Road that left us needing to catch our breath.

There's a scene in Bastille Day that will stand as a towering monument to the precise moment in time it was made, as one riot inciter urges another to «unleash the hashtag» without any inkling of irony.

The script, adapted by South African screenwriter Anthony Peckham, contains scenes of intense sports action, short depictions of riots (including a corpse in the street) and brief strong language.

Even in scenes where you would expect to find mobs of people rioting, there are only ever two or three.

Khrushchev told jokes, threw tantrums, sparked a riot in a San Francisco supermarket, wowed the coeds in a home economics class in Iowa, and ogled Shirley MacLaine as she filmed a dance scene in Can - Can.

We stop in Bombay Street, scene of a bloody riot between Protestants and Catholics in 1969.

The other they said was that there were already at least 60 riot squad Police in full dress on the scene.

The idea that Riot is an excessively controlling entity was not just a continuous theme throughout all the responses across those in the scene, it also came across clearly in the way Merrill responded.

Riot needs to stop playing ruler of the Rift and rather be a participant in an incredible and inspiring competitive scene.

The first in a new series of works triggered by the uprisings of the early 2010s, including the Arab Spring and riots across global locations including London and the artist's home town of Vancouver, these photographs focus on two scenes...

January 27 - March 5 Bob Paris, a video artist and professor in VCUarts Department of Kinetic Imaging, resurrected scenes from the television coverage of the 1992 Los Angeles riots for this ambitious installation that explores the link between social disaster and television product.

Only the golden haze from Bierstadt's Lake Tahoe, for instance, or the greens, yellows and reds of sirens, fires and traffic lights in the nighttime riot scenes are still visible through Ms. Mehretu's dense accumulation of strokes.

In Killer of Sheep, Charles Burnett's 1977 film set in LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from iIn Killer of Sheep, Charles Burnett's 1977 film set in LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from iin LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from iin a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from iin the passenger seat reaches through the empty windshield to sip from it.

Bradford came of age in the 1980s, witnessing the destruction of his primary communities of identification by two significant historical events: the HIV / AIDS crisis which decimated the gay scene in Los Angeles and other major metropolitan centers, and the 1992 Rodney King riots, which rekindled much of the latent anger within L.A.'s African American neighborhoods that the 1965 Watts Rebellion had exposed a generation prior.

«Then» works include Ballantyne Pier, 18 June 1935 (2008), and Abbott & Cordova, 7 August 1971 (2008), which create scenes from social riots that occurred in Canada during the 1930s and 1970s; and Exodus, 1975 (2012), depicting the exodus of Portuguese immigrants during the Angola revolution in 1975.

Following the 1965 riots in Watts, Jaramillo and her family relocated to New York City (following a year spent in Europe), where she became immediately involved in the burgeoning and dynamic arts scene.

In the series, Masha Alekhina and Nadya Tolokonnikova of Pussy Riot will chat with the New Yorker editor David Remnick, and on Monday Joshua Oppenheimer will screen a director's cut of «The Act of Killing,» his documentary about the mid-1960s Indonesian genocide that, with scenes of perpetrators reenacting their own crimes in full drag, makes the case for camp as a political tooIn the series, Masha Alekhina and Nadya Tolokonnikova of Pussy Riot will chat with the New Yorker editor David Remnick, and on Monday Joshua Oppenheimer will screen a director's cut of «The Act of Killing,» his documentary about the mid-1960s Indonesian genocide that, with scenes of perpetrators reenacting their own crimes in full drag, makes the case for camp as a political tooin full drag, makes the case for camp as a political tool.

Its founders, Shoshana and Wayne Blank, had the vision to convert dilapidated industrial structures into a vibrant arts center — a concept that ultimately revived the art scene in Los Angeles following the 1994 LA Riots and earthquake — two historical events that deeply affected LA's social culture.

The result of all the maneuvering and manipulating behind the scenes was people rioting over the increase in food costs while Cargill and Monsanto posted record breaking profits in 2008 as the rest of the world's economy crashed and burned.

Section 1 (6) of RCA 2016 adopts the definition of «riot» in s 1 of the Public Order Act 1986, namely: «Where 12 or more persons who are present together use or threaten unlawful violence for a common purpose and the conduct of them (taken together) is such as would cause a person of reasonable firmness present at the scene to fear for his personal safety, each of the persons using unlawful violence for the common purpose is guilty of riot.»

In the tumultuous months after protests and riots wracked Jakarta, bringing down Indonesian president Haji Muhammad Suharto in May 1998, a British political consultancy arrived on the scenIn the tumultuous months after protests and riots wracked Jakarta, bringing down Indonesian president Haji Muhammad Suharto in May 1998, a British political consultancy arrived on the scenin May 1998, a British political consultancy arrived on the scene.