Sentences with phrase «rise as a solo artist»

Not exact matches

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

For her imminent solo exhibition «I Rose Madder» at John McAslan + Partners (5 October to 10 November), Trish casts herself as the hero, putting a post-feminist twist on the Country & Western movie genre from the point of view of a female artist living through an era of celebrity culture obsessed with the perfect female image.

The solo exhibition will feature work from several of Hanzlová's photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.

Screening: «Ed Atkins» at the BAM Rose Cinemas Presented as part of BAM's «Migrating Forms» program, a series that shows videos and films from the international art world, this screening offers a selection of high - definition videos by British artist Ed Atkins, whose work has been celebrated in solo shows at Tate Britain and MoMA PS1.

Widewalls: In the last few years, we are witnessing a resurgence of all - women shows, as well as the rise of major solo shows of women artists.

She has been featured in numerous solo and group exhibitions as a rising artist, including at EK Gallery (2017) and Seo Jin Art Space (2016), among others.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

Around 800 guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000 works of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief Curator of LA MOCA).

Tarsila do Amaral: Inventing Modern Art in Brazil is the first North American solo exhibition of the eponymous artist who, as the show suggests, «gave rise to Brazil's modern movement.

Andrew Frieder, CV Highlights 2018, WE RISE, group exhibition, Los Angeles, CA 2018 Andrew Frieder, solo exhibition The Good Luck Gallery, Los Angeles, CA 2016 Museum of Art and History Lancaster California Artist As Subject Andrew Frieder: Waiting for Divine Inspiration 2016 Outsider Art Fair New York, NY 2015 Andrew Frieder, solo exhibition The Good Luck Gallery, Los Angeles, CA 2015 Andrew Frieder, The Good Luck Gallery at The Outsider Art Fair, New York, NY 2014 Andrew Frieder A Life in Stitches, solo exhibition, The Lancaster Museum of Art, Lancaster, CA

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

The gallery will exhibit recent paintings by Bradley Wood as part of RISE, a section dedicated to galleries and art spaces launched in the past six years presenting tightly curated solo and dual artist presentations by early career artists.

Volta NY bills itself as an «invitational solo project fair,» something like a lineup of «intense studio visits» as most of the 100 exhibitors focus on individual artist / rising stars.

In 2015, for example, the gallery partnered with Millers Falls Art Bridge, located in Western Massachusetts, and invited selected rising artists Geng Xue and Ying Zu to the program for two months to research and produce work, as well as have a solo exhibition at the gallery.

The solo shows feature rising female artists Geng Xue and Ying Zhu, who arrive with their works in New York after spending the summer as artists - in - residence at Millers Falls -LSB-...]

Brown was a San Francisco native, taught by Bay Area Figurationists Bischoff, Oliverira, and Lobdel at the California School of Fine Arts (now SFAI); exhibited at legendary Beat venues (6 Gallery, Batman); lived next to Jay DeFeo and Wally Hedrick during the painting of DeFeo's The Rose; married noted Bay Area sculptor and fellow student Manuel Neri; counted such disparate artists as Wallace Berman and Bernice Bing as friends; and gained early recognition (a New York exhibition at age 22) resulting in a lifelong teaching post at Berkeley, a Guggenheim fellowship, over sixty solo shows, and inclusion in an equal number of posthumous group exhibitions.

Renowned for its notable exhibitions, the gallery has presented «Charity By Numbers,» which was co-curated by Gary Baseman and featured an unprecedented lineup of artists including Mark Ryden, Marion Peck, Shepard Fairey, Todd and Kathy Schorr, Camille Rose Garcia, and Michael Hussar, as well as «La Noche de la Fusion,» an epic Carnivalesque festival and solo exhibition for Pervasive artist Gary Baseman.

As one of the most exciting artists to emerge in the twenty - first century, Ruby has risen to great critical acclaim over the last decade, with solo exhibitions at the Museum of Contemporary Art, Los Angeles (2008), the Centre d'Art Contemporain, Geneva (2012), the Museo d'Arte Contemporanea, Rome (2013) and, this year, the Baltimore Museum of Art.

As in the early years, Ikon's current artistic programme features solo projects, offering opportunities for more in - depth consideration of each artist's work whilst giving rise to telling juxtapositions.

Artists such as Edvard Munch and Vasily Kandinsky rose sharply after solo shows in London and New York.

At the Rose, Bedford also curated a number of solo exhibitions by artists such as Dion, Burden, Mark Bradford, Gillian Wearing, Mika Rottenberg, and Walead Beshty.

Fogerty's many hit songs, both as a solo artist and as leader of CCR, include: «Centerfield,» «Proud Mary,» «Susie Q,» «Fortunate Son,» «Born on the Bayou,» «Bad Moon Rising,» «Have You Ever Seen the Rain» and many others.