Sentences with phrase «road film on»

However even the best tyres will struggle if there is oil, diesel or road film on the surface.

Not exact matches

Among them Richard Garriott de Cayeux, a man who was one of the first private citizens to travel to space, saw his own journey to the stars portrayed on screen in the film Man on a Mission: Richard Garriott's Road to the Stars.

Here's a 2017 British Grand Prix road trip video from a fan that's so beautifully filmed and edited, it looks like it should be a VT shown on TV

This sample of recent environmental films includes looks at the ecological effects of roads and top predators, the impact of climate change on a native village in the Arctic, a search for seeds of wild relatives of staple foods, and the fate of solar panels from Jimmy Carter's White House.

Compelling sci - fi films can plant a seed of curiosity in youngsters, spurring them to investigate scientific issues on their own — and perhaps even become scientists down the road.

I did not mention that the really scary, dangerous parts didn't make it onto film — like having a drugged lion walk up to me, having a rhino's horn miss me by 6 inches, or just being on the road at night with crazy South African drivers.

Perth - born Gemma Ward, one of the top models of the 2000s, who subsequently took a 6 - year hiatus, has made her long - awaited return first on the Prada catwalk and, then, in a major campaign (and accompanying film) for classic Australian brand, Country Road.

Daniel Craig is a very well - known British actor, but it wasn't until his early breakout roles in films like Layer Cake and Road to Perdition that he ever made it on the radar of American film watchers.

And so after the film Dapper and I went for tapas with the girls on the Portobello Road.

MySingleFriend has launched a new competition to let singles win the chance to meet Ricky Gervais ahead of the release of the new film, David Brent: Life On The Road.

The film takes the tried - and - true family road trip formula and not only turns it on its head, but gets it drunk and embarrassed.

The first opens on a dusty road on the eve of the Civil War, as the avuncular Dr. Schultz (Christoph Waltz) claims chain gang slave Django (Jamie Foxx) by violently disposing of his two owners (one of them is James Remar, who crops up later in the second of these three films in a different role).

Based loosely on Richard and Florence Atwater's children's book, it's a film that's so startlingly middle - of - the - road and bland that it almost completely passes you by unnoticed.

Gordon Green wrote and shot the film, titled Prince Avalanche, in Austin last month prior to getting started on his remake of Dario Argento's Suspiria, and it's described as following «two men whose lives intersect while working on a road striping crew together.»

Surrounded by the 25 band members of The Tennessee Kids and featuring show - stopping performances from one of the highest - grossing tours of the decade, the film is a culmination of the singer's 134 shows and 2 years on the road.

Doug, a groom - to - be, and his three groomsmen pile into a car and head to Vegas for a night on the town before the big day, and the film's slightly unexpected sense of detail emerges once they hit the road.

Filmed over three years, in their monastery in rural France and on the road in the USA, this visceral film is a meditation on a community grappling with existential questions and the everyday routine of monastic life.

The film centers on a restless thirtysomething New Yorker named Cal (Billy Crudup) who one day drives off into the open road, leaving his wife and infant son behind.

Her side - kick on this road trip, Clarke, played by newbie Jeremy Dozier, was just as great in this film.

Built as a road movie in its first hour of footage, the film accompanies a truck driver on his way from Kosovo to Belgrade... It's in the whole of this journey where the film seems more robust... [Full review in Spanish]

Jeremy also recently wrapped Gerardo Naranjo's English debut VIENA AND THE FANTOMES, a film about life on the road with an»80s punk band, where he stars opposite Dakota Fanning.

In this regard, Aitken's film captures what it means to be on the road, where life is lived as a series of moments.

In 1997, Tickell set out on the road with a biodiesel powered «Veggie Van» and a video camera and began filming what would eventually become known as FUEL, the 2008 Sundance Audience Award winning documentary film that investigates the possible replacement of fossil fuels with renewable energy.

In 2002, Law starred alongside film veterans Tom Hanks and Paul Newman in the multiple Oscar - winning Road to Perdition and was on the path to an Oscar once again for his performance in Cold Mountain (2003) with Nicole Kidman and Renée Zellweger, who took home the Oscar for Best Supporting Actress.

She was there to film the immediate aftermath with friends and family, and then stuck with the story for 4 years, on Pearce's long road to recovery, which was filled with physical, mental, and spiritual challenges.

The first section of the film, in which Charley's life seems to be on an upswing, is filled with quiet moments of idyllic and even romantic seclusion — Charley working with the horses, cleaning up after them, taking scenic road trips with Del, watching the horses race, taking in the starry sky while lying the bed of Del's pickup truck.

Fargeat follows both sides — Jen and the men — of the film's encounters, including a standoff on a rocky, hillside road and grisly game of cat - and - mouse in the house, which subversively turns the man into the naked, vulnerable party.

An unusually intelligent black comedy, this British independent film takes the audience on a road trip that's packed with surprises.

While actors and directors took the high road (so far), many fans on Twitter took the low road in their reactions to those films that didn't make the Oscar cut.

Walter Salles, center, director of the film «On the Road,» poses with cast members Kristen Stewart, left, and Garrett Hedlund.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

A smash hit on the drive - in circuit, Dirty Mary, Crazy Larry was a key film in the post-Easy Rider road movie genre, for although it retained the explosive fatalism of the others within the movement, it did away with their taciturn, enigmatic protagonists.

In comparison to recent films based on the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radion the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the RadiOn the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radion the Radio.

Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»

Southbound This anthologesque film is billed as «Five interwoven tales of terror and remorse on the open road.»

While most adults in the audience will wonder why Mia would ever seriously consider a relationship with a guy who is so self - centered to get mad at her for desiring to relocate 3,000 miles away to go to the most prestigious music school in the country, the film seems to make the false presumption that younger girls will find it more romantic for the boyfriend to be upset that they will be apart and have to Skype to keep in touch (something he seems to think is the worst possible case scenario, even though he already spends several weeks a year on the road performing gigs).

Putting its returning cast of male strippers on the road within minutes, the film dispenses with most conventional notions of drama or conflict, preferring instead to just bounce from one giddy encounter to the next.

The iconic film followed the violent lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits on the road to redemption.

The three disc set is pretty much the definitive release of a film that has had a rough journey on the road to find its audience.

The film opens on a hit - and - run, unseen by us but signaled by the screech of brakes intruding into the hush of night on a winding country road.

When: June 27th Why: Bong Joon - ho's English - language debut has had a very bumpy road on its way to theaters — with U.S. distributor Harvey Weinstein reportedly wanting to cut 25 minutes from the film and add narration to make it easier to follow — but fans of the Korean director can rest easy, because the unedited version will be coming to the States after all.

Indeed Corbett become something of star himself using his renowned image to become an actor in plays, on vaudeville, taking his one - man shows on the road and in films.

With echoes of Don McKellar's Last Night (a brilliant little film if you've never seen it) blending with a Steve Carell comedy and American indie sensibilities, Seeking A Friend For The End Of The World promises two things: a road trip with Keira Knightley and a title that most cinemas will have trouble fitting on their marquees.

His additional film credits include THE ROAD, with Viggo Mortensen and Charlize Theron; Wes Craven's THE LAST HOUSE ON THE LEFT; THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD; and the Coen Brothers Oscar - winning drama NO COUNTRY FOR OLD MEN, opposite Tommy Lee Jones.

That late - noir miasma lives on indelibly in Scorsese's masterpiece, though for all its actuality it acquired a mythic aura in a way that other searing films depicting contemporary necropoli have not, among them Neil Jordan's Mona Lisa (1986, London), Mike Leigh's Naked (1993, London), Wim Wenders's Land of Plenty (2004, Los Angeles) and Andrea Arnold's Red Road (2006, Glasgow).

Sure, most of your better actors would never take a script as poorly written as this one, but at least the money wasted on this torturous road trip could have been spent on something more worthwhile like a Curtis Hanson film, unless it happens to star Eminem.

The film was theatrically released in the United States on September 16, 2016, by Open Road Films and on September 22 in Germany.

This gives us an opportunity for a chase scene on a mountain road that turns out to be, like so much in the film, foreplay, plus some not at all tense would - be thriller moments and one pretty funny joke.

The Duke of Burgundy The second 10, just missing: The droll Swedish film A Pigeon Sat on a Branch Reflecting on Existence; Mad Max: Fury Road, maybe not as good as the fanboys say, but definitely good; the straightforwardly lovely Brooklyn; Viggo Mortensen in the magical Jauja; Bone Tomahawk; Mississippi Grind; the devastating documentary The Look of Silence; The Hateful Eight; the pictorially astonishing The Revenant; and — why not — Star Wars: The Force Awakens.

He is most known for playing Pete Ross on the television series Smallville for the first three seasons, but left to film Glory Road.