Sentences with phrase «road films of all time»

What follows is one of the most outrageous road films of all time.

Not exact matches

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As the film has no curing time, vehicle off - road holding periods are kept to a minimum, and a fast turnaround of indoor and outdoor graphics in sign workshops can be achieved.

The first film was full of heart and humor that both children and adults could love; but by the time the third film rolled down the yellow brick road, something had been lost.

For the fourth time» Alvin and the Chipmunks» trashed childhood, since the beginning, was good, but the rest of the film has failed, or keep up with the proposal, much less beat «Star Wars: The Force Awakens «and the end is very ruined, did not find the meaning of descenlace of» the Road Chip».

The film's single downside is a certain nagging sense of deja vu: the fact that so many of the elements of the story — the dark force, the all - empowering object, etc. — have been usurped over the years (by «Star Wars» and others) that you feel as if you've been down this road many, many times before.

No one can accuse Richard Farnsworth of taking the easy road to film stardom: by the time he finally got name - above - the - title billing, he was 61 years old, and had been in films for 34 of those years.

One of the most impressive things of Bahrani and Bahareh Azimi «s script is that it sets up scenes which could have followed into much more dramatic outcomes but the writers chose to take the road less traveled and in an odd way, by taking the less dramatic approach, the film removes itself that much further from the majority of indie films that concern themselves with cramming the most amount of drama into the least amount of time.

Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»

The film's pacing is languid, at times hypnotic, especially effective in sequences where Vance rides his bike at impossible speeds along the back - roads of the verdant yet barren South.

While The Time of Their Lives has its charm, the lack of kindness between its characters makes it a less than successful road trip film.

Payne's film, written by fellow Nebraskan Bob Nelson, also offers a biography of its central character delivered by unusual means, in this case a mosaic compiled one piece at a time from former friends, enemies, and lovers of Woody (Best Actor winner Bruce Dern), on the road from Billings, Montana to Lincoln, Nebraska with his son David (SNL alum Will Forte).

As she has expanded her story into a feature - length film, Atsuko has crafted a road movie that manages to balance absurdist bursts of comedy with a probing, at times deeply sad, character study.

Chow Yun - fat, at this time the biggest star in the colony, hot off the smashing success of A Better Tomorrow, plays the middle brother while pop star Jacky Cheung, himself on the road to a successful film career (he'd win the Supporting Actor Hong Kong Film Award this year for his work in Wong Kar - wai's debut feature As Tears Go By), plays the youngest.

At one time, she was meant to be among the cast of «Mad Max: Fury Road,» but fell out when the film was delayed.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 5, 2010 BIG BUDGET FILMS Due Date (R for profanity, sexuality and drug use) Robert Downey, Jr. and Zack Galifianakis co-star in this raunchy road comedy about an uptight dad - to - be who hitches a ride across the country with a wacky slacker in order to make it on time to witness the birth of his baby.

A bizarre little road movie time capsule from the swinging 1960s, The Girl on a Motorcycle is a film that connects via the breezy cool of leads Alain Delon and Marianne Faithfull — two actors near the height of their stature at the time of its making.

Written by Bob Nelson (the first time Payne wasn't directly involved in writing a film he's directed), the comedic drama stars Bruce Dern (who won best actor at Cannes and is a shoo - in for his first Oscar nomination in over 35 years) and Will Forte (of «Saturday Night Live» fame, pulling off a largely dramatic role) as a father and son road tripping it from Montana to Nebraska to claim the alleged prize money the mentally deteriorating father thinks he's won.

In 2015 alone, we've revisited Bond (for the 24th time) in Spectre, Mission: Impossible — Rogue Nation is now the 5th film spawned from the 60's TV show, Mad Max was rebooted with Fury Road, Jurassic World and Star Wars: A Force Awakens tapped into the magic and excitement of their predecessors and now Ryan Cooglar's Creed is a revisit to the boxing gyms of Philadelphia and has much in common with the original Rocky of 1976.

In development for decades by Francis Ford Coppola, who remains a key producer on the film, the eagerly anticipated big screen adaptation of Jack Kerouac «s «On The Road» has been a long time coming.

It's the film's universal truths — among them the constant splintering and rebuilding of familial relations, the open road as an open - ended metaphor, and the need for continued purpose and relevancy as one grows older — that makes this six - time Oscar nominee (including a Best Picture nod) less a movie involving a specific state and more a film evoking a specific state of mind.

Yet instead of keeping this a tightly wound yarn of imprisonment and escape, Verbinski — working from a script by Justin Haythe («The Lone Ranger,» «Revolutionary Road»)-- opts for something bigger, grander and more operatic, sending the film wildly off the rails over the course of its far - too - long 146 - minute running time.

At once a road trip film and also a profoundly moving meditation on aging and memory, Faces Places is one of the best documentaries of this century so far, and a resounding artistic statement by one of the great filmmakers of her time.

Sexual awkwardness among people bonded in holy matrimony is the running theme of this recent Sundance fave, written and directed by Patrick Brice (Creep) and produced by discomfort - loving indie filmmaker Mark Duplass (who's been down this road many times in films he and his brother, Jay, have directed).

Cooke is perhaps the best thing in the film, and one can see, given her big eyes and pale skin, that it's just a matter of time before Tim Burton casts her in something down the road.

When Alex Gibney, Matt Tolmach and Frank Marshall set out to make a film about legendary cyclist Lance Armstrong, they were creating a positive film highlighting the achievements of the seven - time Tour de France winner called The Road Back.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

A mere sampling of film composers who began their careers assisting Zimmer include John Powell (The Bourne Supremacy), Harry Gregson - Williams (Kingdom of Heaven), Rupert Gregson - Williams (Wonder Woman), Klaus Badelt (The Time Machine), Lorne Balfe (The Lego Batman Movie), Ramin Djawadi (Game of Thrones), Heitor Pereira (Despicable Me), and Junkie XL (Mad Max: Fury Road).

Thomas Newman's scored a few strange films in his time, and one of them is Josh and Sam, a kind of road movie in which two boys try to escape to Canada to avoid living in Florida with their father.

Time is the best critic and if a film like Mad Max: Fury Road and Spotlight can stay fresh and relevant all of these months later there must be more to them than the temporary buzz that afflicts festival goers.

The road trip itself is a vague oddity of an extended sequence — if one will permit the metaphor, an off - key bridge in the middle of a song — in a film that, up until that point, has so clearly defined a very specific predicament for a very specific person in a very specific time and place.

1981 — Close behind 1980 on peak, but with a few more good films rounding out the depth is this year, led by three of the greatest action films of all - time: Steven Spielberg's Raiders Of The Lost Ark, George Miller's The Road Warrior, and Wolfgang Peterson's Das Booof the greatest action films of all - time: Steven Spielberg's Raiders Of The Lost Ark, George Miller's The Road Warrior, and Wolfgang Peterson's Das Booof all - time: Steven Spielberg's Raiders Of The Lost Ark, George Miller's The Road Warrior, and Wolfgang Peterson's Das BooOf The Lost Ark, George Miller's The Road Warrior, and Wolfgang Peterson's Das Boot.

Wechsler's other producing credits are a distinctive and award - winning mix of independent and studio films including «The Road,» a Venice Film Festival Golden Lion selection; «The Time Traveler's Wife,» «We Own the Night,» a Cannes Film Festival Palme d'Or selection; «The Fountain,» a Venice Film Festival Golden Lion selection; «North Country,» for which Charlize Theron and Frances McDormand earned Oscar and Golden Globe Award nominations; «Requiem for a Dream,» which earned an Independent Spirit Award Best Picture nomination and an Oscar nomination for star Ellen Burstyn; «The Yards,» a Cannes Film Festival Palme d'Or selection; «Quills» a Best Picture winner from the National Board of Review; «Eve's Bayou,» an Independent Spirit Award winner for Best First Feature; «Love Jones,» a Sundance Film Festival Audience Award winner for Best Film; «Little Odessa,» which won the Venice Film Festival Silver Lion Award; «The Player,» a Golden Globe Award winner for Best Motion Picture, Comedy; and «Drugstore Cowboy,» which took Best Film honors from the National Society of Film Critics.

Was In the Course of Time (Im Lauf der Zeit) retitled Kings of the Road to make the film more commercial in the United States?

The interactive tablet application - part of Tourism Australia's commitment to utilising cutting edge technology to tell Australia's story — has also been downloaded more than 6,000 times, allowing tech savvy users to delve deeper into the campaign and explore in further detail the 12 locations featured in the film, together with additional content of the Great Ocean Road and Canberra.

It's been a long and arduous road for the film adaptation of BioShock, one of the most critically - acclaimed video games of all time.

Getting his very own game has been a long time coming, as the road warrior and his trusty shotgun take to the wilds of the wastelands once again in a unique adventure that takes its cue and plots from George Miller's 1979 grindhouse film and it's subsequent sequels, such as most recently, this summer's Mad Max: Fury Rroad warrior and his trusty shotgun take to the wilds of the wastelands once again in a unique adventure that takes its cue and plots from George Miller's 1979 grindhouse film and it's subsequent sequels, such as most recently, this summer's Mad Max: Fury RoadRoad.

But spend some time watching the films being screened on the monitors, and scanning the strange array of books laid out on tables like leaflets - which cover topics from war tactics to witchcraft - and your mind is provoked into wandering off its usual course and into strange side roads and back alleys of thought.

Though the individual drawings, which make up the film sequences, exist for only a brief second in real time, their digital record provided the artist with references for a set of 7 intaglio prints, collectively called The Music of Things, presented in a box set by Stoney Road Press.

As filmmaker Ted White and bike designer George Bliss noted while spending time filming in China, at certain unmarked intersections cars just completely ignore cyclists on the side of the road waiting to cross until a certain «critical mass» of them accumulate.

That said, it does feel dated, overdone and a little bit creaky in places, and A View To A Kill really marks the end of the road for «classic» Connery - Lazenby - Moore Bond - cinema was moving on, and it was time to bring the iconic spy film franchise into the modern era.

Created and directed by John Hillcoat (the director of The Proposition and the Road), this short film chronicles a slice - in - time of protagonist John Marston as he tracks down his former outlaw and friend, Bill Williamson.

Liz lived in the Sherbrooke Road apartment for three years in the late 1980s, during which time she appeared in the film Rowing with the Wind (no, we've never heard of it either) and fell in love with fellow cast member Hugh Grant, who was playing Lord Byron.