Sentences with phrase «robber gets»

A bank robber gets caught between two sets of criminals, including the police.
«If a robber got in the car and took off, would you want us to know where that robber went to catch him?»
Russian Robber Got a Surprise The local police received several reports about robberies from old female pensioners who were attacked in the streets by a male.
As the robbers get out of the car and leave Baby behind the wheel, ready for a quick getaway, Baby turns up the song on the radio, (Jon Spencer Blues Explosion - Bellbottoms).
Say that I'm watching a Swedish movie from the 1970s where a bank gets robbed and the robbers get away with 10 million SEK.
Cops must recover the Gold before the Robbers get it back to their base.

Not exact matches

Bank robbers rarely gets 20 years on a single count anymore & they're usually brandishing a weapon, or pretending to be.
We'd be highly sceptical that the robber in question just got lucky.
Mostly they came, I think, because, he loved them and could tell them so, yes, even those vast, milling throngs; there was a touch, a sense, a spirit moving in, across, among those mobs of eager people, told them here at last they had a man who was concerned not for himself, who was not out to get himself elected, but who cared for every single one of them, and tottering old dames, lepers, whores, soldiers, robbers; I've seen them all transformed by seeing him.
It seemed possible the peasants would win: «If I get home I shall prepare for death with God's help, and await my new lords, the murderers and robbers
Suppose the robber said «I convinced them it would be in their best interest to «give» me their money, but I didn't pressure them to get an abortion».
He pointed out that by the time the police got to the site, the armed robbers had absconded but left the weapons there, which they (police) took and sent to the police station.
«According to the men who were on the patrol, when they got to the scene they were told the robbers had taken a particular route so as they negotiated a curve they saw a motorbike take off with speed so they tried to stop them, thinking they were the robbers but they didn't stop.
The Police who got wind of the incident engaged the robbers in a shootout that led to two of the robbers being killed while the remaining four fled.
Okasanmi, in a message to the Nigeria Politics Online stated, «We are working on getting the robbers arrested.
When some residents got wind of the nefarious activities of the robbers, they mounted road blocks at three different points but the suspects forced their way through them with a Sprinter bus.
«It is only information that can help us get these armed robbers arrested to bring them to justice because we don't want to be recording these unfortunate incidents within the region.»
Statistical evidence argues that holding up banks is a dangerous and unlucrative career that nets the average bank robber the annual salary of a cafe barista — and at the peril of getting caught or shot
The odds of arrest get worse as a robber attempts more heists.
The monetarist experiment of the 1980s is likened to the get - rich - quick scheming of bank robber Jack Hawkins in The League of Gentlemen, and in the same programme this viewer was left very nearly feeling sympathetic towards Keith Joseph, one of the chief architects and victims of the that experiment.
Plus, I'm still a cradle - robber, like it or not; I have trouble «getting wood,» if you will, when a dude looks old — when he's balding, has a spare tire, or even when I can see the little gray hairs growing in along his sideburns.
This isn't a great game, it's not even a good game, but it is the closest thing we've got to a cops - and - robbers MMO - which is, I suspect, one of the all - time great video game concepts.
Shemp decides they should capture the robber to get the reward.
A hard - bitten group of robbers target the Federal Reserve Bank in an L.A. heist thriller that features Gerard Butler and O'Shea Jackson, Jr. 50 Cent is their co-star rather than the amount of money they get away with.
Scott Stuber has been tasked with assembling a star - driven slate that could reach 40 - 50 annual films in total, and Triple Frontier gets added to a growing film roster that recently included the deal that reteams Nightcrawler writer - director Dan Gilroy with Jake Gyllenhaal and Rene Russo for an untitled film set in the art world, and Highwaymen, the John Lee Hancock - directed film put in turnaround at Universal about the Texas Rangers who hunted down and killed bank robbers Bonnie and Clyde, with Kevin Costner and Woody Harrelson starring.
And then the film gets downright brutal when Mature, taken hostage along with an Amish family (with Ernest Borgnine as the moral patriarch), takes a stand against the robbers, who have already left a couple of victims in their wake.
Trailer Highlight: Lots of laughs in here, but the slo - mo replays of «McLovin» getting punched in the face by a convenience store robber are as good a top choice as any.
In her best - ever screen role, Jennifer Lopez stars as Karen Sisco, a US Marshal who gets kidnapped by bank robber Jack Foley (George Clooney) after he breaks out of jail.
This version of the tale shows us how a reporter gets information to write scoops (Jerry relies on an FBI surveillance man and, incredibly enough, the two robbers).
It's Got: Samuel L. Jackson in an early appearance as an armed robber, and a VERY brief appearance by a young Cuba Gooding Jnr as Boy Getting Hair Cut.
Michael Mann gets a Brit kick in Eran Creevy's sophomore feature, the cops - and - robbers thriller Welcome to the Punch.
Ben Affleck and company play a cast of south Boston bank robbers that get in over their heads and have to execute one heist too far.
And much of the tension comes from the fact that the two robbers offer themselves up like lambs to the slaughter: Low - level hoods looking for a big score, Scoot McNairy and Ben Mendelsohn, the latter a junkie who barely gets the job, may hold the guns, but nary a whiff of fear is detected among two tables of burly, scowling marks.
Michael Mann's Heat - starring DeNiro and Pacino as a bank robber and the cop trying to get him - sounds like it is a written cliche.
It's Got: Colm Meany and Colin Farrell brilliant as the equally psychotic cop and robber united by their love of Celtic mysticism, a wheelchair race, lots of brown sauce in tea, and a raucous cover of I fought the law sung by Colin Farrell.
(He allows his robber / clients only five minutes to get back to his car).
Realizing they are not alone, she enters the house and gets accosted by one of the four robbers.
The robbers have the advantage of hostages and weapons, as per usual, but they also possess the advantage of shelter — a house that, by way of its elaborate security system, can alert them if Shaun gets within 15 feet of the exterior walls or, somehow, finds her way inside.
And while the movie's first trailer before its Cannes debut painted it as a moody tragedy, this new one filled with critics» raves better captures the propulsive, neon - lit energy of what you'll experience for 99 minutes — as Pattinson's bank - robber character races through one desperate night trying to get his mentally disabled brother (Benny Safdie) out of jail, bloodying a lot of faces and ruining a lot of lives along the way.
Instead of twelve terrorists bent on being really mean, we get three robbers bent on sort of being mean.
The Judge Steps Out (Boris Ingster, 1949) Laughter in Hell (Edward L. Cahn, 1933) Afraid to Talk / Merry - Go - Round (Edward L. Cahn, 1932) Woman in Hiding (Michael Gordon, 1950) Mr. Skitch (James Cruze, 1933) Union Depot (Gentleman for a Day, Alfred E. Green, 1932) A House Divided (William Wyler, 1931) The Son - Daughter (Clarence Brown, 1932) Cover Up (Alfred E. Green, 1949) Le code a changé (Change of Plans, Danièle Thompson, 2009) Alina (Giorgio Pàstina, 1950) Parachute Jumper (Alfred E. Green, 1933) We Were Dancing (Robert Z. Leonard, 1942) Die Somme - Das Grab der Millionen (The Somme, Heinz Paul, 1930) Conrad in Quest of His Youth (William C. de Mille, 1920) Transatlantic (William K. Howard, 1931) Cry of the Hunted (Joseph H. Lewis, 1953) L'Engrenage (Louis Feuillade, 1919) No Man's Woman (Franklin Adreon, 1955) Time Table (Mark Stevens, 1956) The Lone Hand (George Sherman, 1953) The Threat (Felix E. Feist, 1949) Hotel Berlin / Vicki Baum's «Hotel Berlin» (Peter Godfrey, 1945) Confidential Agent (Herman Shumlin, 1945) Roger La Honte (Trap for the Assassin; Riccardo Freda, 1966) Pierrot Pierrette (Louis Feuillade, 1924) Getting Mary Married (Allan Dwan, 1919) The Idle Rich (William C. de Mille, 1929) Kiki (Clarence Brown, 1926) The Woman in White (Peter Godfrey, 1948) Yoru no tsuzumi (Night Drum, Imai Tadashi, 1958) She Couldn't Say No (Lloyd Bacon, 1954) Confession (Joe May, 1937) This Could Be the Night (Robert Wise, 1957) Ex-Lady (Robert Florey, 1933) Front Page Woman (Michael Curtiz, 1935) The Great Jewel Robber (Peter Godfrey, 1950) Deep Impact (Mimi Leder, 1998) Within the Law (Frank Lloyd, 1923) Prime (Ben Younger, 2005) Forged Passport (John H. Auer, 1939) So Young So Bad (Bernard Vorhaus & Edgar G. Ulmer, 1950) The Forbidden City (Sidney A. Franklin, 1918)
When we meet Joe Coughlin he's a disillusioned World War I veteran who becomes a bank robber because he doesn't want to take orders anymore because he's been to war and he's seen that it's just a bunch of poor saps dying so the rich can get richer.
He's also got another animated credential as Eduardo Perez, the owner of the Mexican restaurant in Despicable Me who moon lights as the infamous bank robber El Macho.
The events are set in the 1930s, dealing with a recently released bank robber, Clyde Barrow (Warren Beatty, Heaven Can Wait) who hooks up with a small town waitress, Bonnie Parker (Faye Dunaway, The Thomas Crown Affair), who is looking to get out of her humdrum life.
In Maverick, Mel Gibson gives a jokey portrayal of Bret Maverick that at times relies too much on his schtick from the Lethal Weapon films (not surprisingly since Maverick director Richard Donner helmed those films and we even get a pointless cameo by Lethal Weapon co-star Danny Glover as a bank robber).
First time writer of fiction urban the book is base on two homic just doing shit to get they sick off and on a robber sprees
Within seconds, he raced over to help his mom and managed to get the robber off of her before any serious harm was done.
The multiplayer mode is where the lifespan is, get a few friends involved you can easily spend an evening racing against each other and inventing game modes such as «cops and robbers» with differently painted vehicles and decals.
Michael is a retired bank robber who made his money and got out of the game alive.
1st up is HEIST MODE, this mode has one side take on the role of the coppers attempting to thwart a bank heist whilst the other team plays the robbers trying to crack a vault and get away with the loot.
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