Sentences with phrase «robot movies of»

Not exact matches

Apparently, audiences were not interested in seeing a nearly three - hour - long movie about a robotic alien truck eluding the clutches of an intergalactic bounty hunter by joining forces with prehistoric robot dinosaurs — that would be Transformers: Age of Extinction — or that one where Tom Cruise is repeatedly killed while fending off an alien invasion... or something.

While the 1987 movie — and the forthcoming remake — paints a dystopian picture of policing the future, today's robot makers are producing a range of less threatening creations.

And plenty of movies, books, and warnings from people such as Stephen Hawking and Elon Musk allude to the rise of killer robots.

«The robot doctor» sounds like the title of a sci - fi movie.

Although they may not be the type of humanoid robots you imagine, roaming the streets like a scene out of the movie «I, Robot»; chatbots are on the march nonetheless.

Instead of observing the events from the corner of a room, viewers can take part in the movie from the robot's perspective.

This captioned movie shows a new digital construction technique that could allow robots to construct the buildings of the future.

The story of his previous startup, Mako Surgical, could be a blockbuster movie («RoboDoc») about a dreamer from Hollywood (Florida) living hand - to - mouth, overcoming all odds to build something the experts said was impossible: A futuristic robot that gave surgeons the real - time «feel» of flesh, sinew and bone.

Johnny Depp for Pirates of the Caribbean: Dead Men Tell No Tales, everything about The Emoji Movie and Transformers: The Last Knight in the «Worst Screen Combo» category, for «any combination of two humans, two robots or two explosions.»

W ith aseptic packaging instead of cans and bottles, a future that would require little garbage - stacking robots like the ones in the computer - animated movie «Wall - E» might not be necessary.

And it's pretty safe to say that fans of the movies... or dinosaurs... or really cool robots... or science... or history, will flip out over this experience.

It should come as no surprise that nanotech hits many of the fear buttons in the psychometric paradigm: It is a man - made risk; much of it is difficult to see or imagine; and the only available images we can associate with it are frightening movie scenes, such as a cloud of robots eating the Eiffel Tower.

In 1972 sci - fi movie Silent Running, the lone human guardian of the last remaining Earth plants in the solar system teams up with three gardening robots to save them from destruction.

Ask me the three movies in the past 20 years where AI was the «good guy,» and I can think of WALL - E — about a robot that's trying to create peace — and then I draw a blank.

It was refreshing to see an AI movie that was not about violent robots and raised many interesting AI issues in the broader public sphere — such as scalability (dating at massive scale), the realistic and sad aspect of human loneliness being filled by machines (already happening in China via chatbots) and the issues that arise as AI surpasses human intelligence.

Anybody who has ever seen the movie Star Wars remembers the scene in which the robot R2 - D2 projects a 3D movie of Princess Leia imploring Obi - Wan Kenobi for help.

This is a significant improvement on robot capabilities — despite what years of sci fi movies have suggested, it's actually really hard to make a bipedal robot walk, climb stairs and just generally keep its balance.

But that has not stopped movie companies from pushing the boundaries of animation to make their synthetic characters seem as real as possible — even if those characters happen to be shape - shifting megaton robots, as in last summer's Transformers special effects extravaganza.

And I've never been the least put off by the strict movie rule that having a robot can only result in its owner being pushed down the stairs, sucked into the vacuum of outer space, or enslaved with what's left of humanity.

Sony hopes that the Aibo will help foster an acceptance of robots in the home by displacing the menacing image evident in movies like The Terminator.

At the heart of the movie are Isaac Asimov's «Three Laws of Robotics», invented as a simple, but immutable moral code for robots [See below].

We are all familiar with the power of electromagnetic attacks from the movies: in Ocean's Eleven, George Clooney's gang disables Las Vegas» power grid, and Keanu Reeves» henchmen hold off the enemy robot fighters from their spaceship in the Matrix Trilogy.

Situation needs to change immediately or we'll be as good as robots and look more of a Arnold Schwarzenegger from the Terminator movie than a beautiful, sensitive and loving human race that we are supposed to be.

There's little doubt that Real Steel's biggest problem is its excessively deliberate pace and unreasonably overlong running time, as filmmaker Shawn Levy, working from John Gatins» screenplay, has infused the movie with an incongruously epic sensibility that all - too - often threatens to negate its positive attributes - with the fairly pointless (and surprisingly unpleasant) robot - vs - bull brawl that opens the picture effectively setting a tone of regrettable sloppiness (ie Charlie goes through two robots before settling on his final fighter).

You do actually forget this character is a robot, by the end of the movie you do look at him as a real person, a little bug - eyed alien that you don't wan na see get harmed.

It's too bad, though, that back in 2012 something as expectation - logged as The Hobbit: An Unexpected Journey was the movie Hollywood decided to use for our collective guinea pigging moment, microwaving a beloved world like a bag of robot popcorn and crisping it up to within a millimeter of insanity, exploding every visual element into tiny, exquisitely detailed parts, forcing you to look, LOOK, LOOK!!!

Would the invention of the sophisticated robots we see in the movie impact the world of professional boxing and nothing else?

All of the boxing sequences are unique and far more exciting than any «Transformers» movie, but while they're a blast to watch — thanks to a refreshing mix of practical effects and CG that help ground them in reality — the movie isn't about the robots, but rather the relationship between Charlie and Max.

A big part of the fun of this movie is the robot boxing sport.

An actual robot on the screen immediately made the movie feel full of life, as opposed to the tinny, hollow result of the latest and greatest software demonstrations most films employ.

For mild comic distraction in a movie that is skimpier than most in generating laughter, there is Minion (David Cross), Megamind's loyal assistant, who has a fishbowl head, the body of a robot gorilla and a fanged underbite.

You can only imagine the hyperbolic win - win pitch for «Real Steel» that brought this robot boxing movie to the screen: «Transformers» meets «E.T.» meets «Rocky» meets «The Champ,» starring Hugh Jackman of «X-Men» and directed by the «Night at the Museum» hotshot, Shawn Levy.

The actor makes a surprise appearance at Comic - Con to show fans some of the robots from the new movie.

I do recall this movie coming out and it was quite a big deal, very popular, quite an original idea and following on well from things like «Flight of the Navigator» and of course «E.T.» This was possibly one of the first movies to use this concept where a robot featured as the main character with humans mainly as secondary characters.

The plot of this movie is too silly, I mean what does a vampire want with a robot?

Between the ogling and the Hype Williams hyper - saturation of Robrecht Heyvaert's cinematography, we're only one vaguely racist alien robot away from a Michael Bay movie.

Perhaps, though, the most human beat in the movie belongs to one of the giant robot characters — betrayal being a very human act.

After an intriguing prologue that sets up the real reason for the space race — something crashed on the dark side of the moon [but they couldn't use that as a title because of the Pink Floyd album]-- Transformers: Dark of the Moon quickly devolves into an action movie with giant robots, explosions, gunfire, and some rude language from Sam Witwicky's [Shia LaBeouf] parents [played by the ever delightful Julie White and Kevin Dunn].

The movie toys with the idea of this, but ultimately, and probably wisely, abandons the concept in favor of robots punching robots.

It's an incredibly cynical movie, written and acted by robots, and boasting the most flagrant piece of product - placement for a certain soft drink.

Real Steel (Touchstone Pictures), a heartwarming sci - fi sports movie about a father and son who reunite through robot boxing, testifies to the formidable power of ridiculousness.

If you saw the original Pacific Rim several years ago, then you might be aware that it was an attempt by Guillermo Del Toro to merge «giant robot» anime with live - action Kaiju movies and a VERY high dosage of Independence Day.

There is some examination of current progress towards artificial intelligence, similar to the Hal 9000 machine in the movie: the Kizmat robot at MIT, as well as other robotic initiatives.

It is a wonderful movie robots good argument and an incredible direction of Michael Bay, and who knows also see Megan Fox as sexy as ever, but do not forget an incredible rivalry between Autobots and Decepticons.

But strip away all of the window dressing and it's really just another stalker movie with a robot.

i have to say personal experience i love the game graphic wise it is an astonishing game i liked how the game is compost of 40 % movie cinemas that are gorgeous and 60 % actual game i like this game mode fixes my needs and play style why the cinema is running i get to enjoy my beer and watch and mind blowing graphical short clip i cant ask for more i do have to get real when it come to the game play normal mode is so simple the AI of the robots and human is very poor, when you turn it up to very hard get a bit better make the game play better, when it comes to open word it feels really liked Far Cry Primal a game that i expend liked 200 + hrs for that main reason i may feel some repetition to this game but overall the graphics makes me keep my mind off of it.

I note how all 3 of Bay's movies have side - stepped these obvious and timely themes, opting instead for an allspark that generates life out of nothing and giving the robots limitless energy and weaponry.

Whether you know all five Combaticons that form Bruticus by name, or have never seen a robot change into a car outside of a Shia LaBeouf movie, it's hard not to love this fun action shooter from High Moon Studios.

If the movies have taught us nothing else, it's that the fiery apocalypse will likely ride in on a wave of crackpot robot technology.

i only wish those thousands went to work on movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than big name actors, CGI and a promise of action.