Sentences with phrase «rock fragments from»
«We show that rock fragments from the roof of the magma chambers could have been expelled, similar to popcorn that is thrown out of a hot pan!
https://www.sciencedaily.com/ Not exact matches
Standing Rock officials disputed that claim, saying grenade fragments were removed from her arm.
The surviving fragments from these impactors would have littered the ancient surface of the Moon, slowly becoming mixed with native soil and rock.
He also adds: «The tidal effect on an asteroid, which rapidly rotates under the gravitational field of a planet, can fragment these objects or release large rocks from its surface, which could then become such dangerous projectiles at a local scale as the one fell in Cheliábinsk (Russia) on February 15th 2013.»
At least one team has discovered water - rich rock fragments in volcanic debris originating from the mantle.
The crater was filled - in with fragmented rock, and later with more typical ocean deposits, as the energy from the impact lessened and the environment returned to normal.
The disk, which we see edge on, contains rock and ice fragments ranging in size from objects larger than houses to grains as small as smoke particles.
EET 83309 has fragments of many other kinds of meteorite embedded in it, showing that there were many impacts on the surface of the parent asteroid, bringing pieces of rock from elsewhere in the solar system.
sedimentary rock: Rock formed from the accumulation of sediment, which may consist of fragments and mineral grains of varying sizes from pre-existing rocks, remains or products of animals and plants, the products of chemical action, or mixtures of throck: Rock formed from the accumulation of sediment, which may consist of fragments and mineral grains of varying sizes from pre-existing rocks, remains or products of animals and plants, the products of chemical action, or mixtures of thRock formed from the accumulation of sediment, which may consist of fragments and mineral grains of varying sizes from pre-existing rocks, remains or products of animals and plants, the products of chemical action, or mixtures of these.
Clastic sedimentary rocks are sometimes considered true sedimentary rocks as they are composed directly of the sediments or fragments from other rocks.
«Fragments of Time» (featuring veteran Daft Punk collaborator Todd Edwards) highlights the duo's reverence for the Angelino rock of Fleetwood Mac without straying too far from their signature sound.
Big Sur lays claim to some of California's most beautiful natural scenery: dramatic cliffs, forests, grassy meadows, and Pfeiffer Beach, a half - mile strip of purple sand, believed to get its color from the manganese garnet fragments of rocks on cliffs near the ocean.
These rock fragments are actually quartz crystals that visitors are allowed to take from the beach as souvenirs.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
The world that Luna Crimson wanders into is the set of a Pagan chapel, and Weber has transformed the gallery into the narrative, creating an ethereal mise - en - sce ̀ne composed of gilded trees dripping with stained glass fragments, sculptural rocks that one may sit upon, an otherworldly soundscape and video projection, and the costumes of characters from her film.
Stacy Jo Scott Mobile Craft Utopia, 2011, Fufu bowl, indigo - dyed sponge, 500 year old vietnamese pottery, iron oxide rock, mold, Anasazi pottery shard, fragment from Donald Judd's studio wall, chakusa, hand - blown glass, Chartreuse liqueur, wild rabbit fur, iron tumbler, wax drip, earthenware marijuana pipes, iron lingam, Josef Albers color theory cards, book, photo of Shunryu Suzuki, 8 ″ x16 ″ x34 ″
Images (left to right): Khusraw at Shirin's palace, miniature from a manuscript of the Khamsa of Nizami, Tabriz (Persia), late 15th century, ink and pigments on paper, The Keir Collection of Islamic Art on loan to the Dallas Museum of Art; Rock crystal ewer, Egypt, late 10th — 11th century, Fatimid, mounts by Jean - Valentin Morel, Sèvres (France), 1854, rock crystal with enameled gold mounts, The Keir Collection of Islamic Art on loan to the Dallas Museum of Art; Textile fragment, Persia, c. 1600, Safavid, velvet, brocaded silk, and metal thread, The Keir Collection of Islamic Art on loan to the Dallas Museum ofRock crystal ewer, Egypt, late 10th — 11th century, Fatimid, mounts by Jean - Valentin Morel, Sèvres (France), 1854, rock crystal with enameled gold mounts, The Keir Collection of Islamic Art on loan to the Dallas Museum of Art; Textile fragment, Persia, c. 1600, Safavid, velvet, brocaded silk, and metal thread, The Keir Collection of Islamic Art on loan to the Dallas Museum ofrock crystal with enameled gold mounts, The Keir Collection of Islamic Art on loan to the Dallas Museum of Art; Textile fragment, Persia, c. 1600, Safavid, velvet, brocaded silk, and metal thread, The Keir Collection of Islamic Art on loan to the Dallas Museum of Art
These sculptures are joined by three convention - style collapsible magazine racks, each presenting slag rocks, fragments of Awareness magazine, gathered detritus and info - graphics from the Jose Arguelles book which the exhibition derives its title.