Sentences with phrase «role as a professional artist»

Hope Sandrow's role as a professional artist and art activist granted her special standing in a lawsuit in a land zoning dispute.

Not exact matches

The site contains a number of films and blogs which exemplify PHF's priorities around disadvantage, partnership working, the definition of continuous professional development and learning (CPDL), the involvement of school leaders as lead learners, reflective practice and the role of specialist artist practitioners.

We are toolmakers to passionate artists — professional as well as amateur — and we would never attempt to usurp the role of the artist.

Adam Sugalski — executive director of OneProtest, a Florida - based advocacy organization perhaps best known for its high - profile, successful effort to help halt the Florida bear hunt — recalls how he first stepped into the role of advocate when, as a professional artist, he was invited to a circus protest and realized the appearance of the signs and other materials used at that demonstration could be made sharper, and more effective.

The stiffness of the amateur acting gave the proceedings an odd clarity, and the random casting unsettled stereotypes, as did giving the leading female roles to men: The Swedish artist Karl Holmqvist played Emmi; Florian Troebinger, the film's only professional actor, portrayed Barbara, the blond Germanic bar owner and Ali's sometime lover.

Students observe how individuals from a wide range of backgrounds and interests have built careers as creative professionals, gaining a nuanced understanding of a life in the arts — including learning how an artist's studio is run and the role of a gallerist in the production, exhibition, and sale of artworks.

«A Portfolio of Models» (1974) explores social categories through six feminine archetypes of Goddess, Housewife, Working Girl, Professional, Earth Mother, and Lesbian in both image and text corresponding to the given roles while concluding that the exhaustiveness and limitations of the artificial nuances leaves her to «be an artist and point the finger at her own predicament» and operating as artist «when all other values are rejected.»

Just as he assumed different professional roles (in visual art, in theater, in film), Gurrola assumed the roles of different artists, from Diego Rivera to de Chirico, in a shameless, straightforward, and Mexicanized «bad painting» reproduction of their work.

We now support over 120 artist members, playing a crucial role as a resource and forum for artists living locally and working globally, by providing an infrastructure to support the development of their work and their careers by nurturing skills, experiences, relationships and professional expertise.

GSS supports about 60 external artist members and about 60 artists — studio holders, playing a crucial role as a resource and forum for artists living locally and working globally, by providing an infrastructure to support the development of their work and their careers by nurturing skills, experiences, relationships and professional expertise.

In this interview, Krasner speaks of her dismay with the lack of recognition that many professional female artists receive; her resistence to joining the Club and the Irascible Eighteen; her experiences with getting exposure as a female artist; her relationship and respect for John Graham; the interest of Betty Parsons in Krasner's work; the mixed compliments received from Hofmann; her relationship with Newman; Her objection to de Kooning's «Woman» series; the Freudian aspect of Abstract Expressionism; the authoritarian / autocratic image of Rothko and Newman; the sexually biased role of the female within the Jewish Faith; the impossibility of separating content and aesthetic value; her female influence upon Pollock; her role in exposing Pollock to Matisse; her ability to network for Pollock (Herbert and Mercedes Matter, Sandy Calder, James Johnson, Sweeney, Hofmann); her ambiguity as to whether she has had the tradition female artist experience due to her association with Pollock.

I went about this process as if I were developing a curriculum for other artists, feeling confident in this role due to the fact I am not a professional curator but an artist and teacher.

Fiona was one of the professional advisors that Ethan, in his role as Creative Capital's Literature Program Consultant, brought to the Creative Capital Artist Retreat in 2006.

Youth and community alike acquire a stronger understanding of the role arts play in our community as well as the role of the artist in society through collaboration with professional artists.

There are opportunities to combine work with different client groups and organisations, as well as combining art therapy with other roles such as community artist, teacher or professional artist.