Sentences with phrase «role of a contemporary art museum»

Not exact matches

The sometime DJ and artist (he has collaborated with Takashi Murakami and will have a show of his work at the Museum of Contemporary Art of Chicago in 2019) is the first finalist for the LVMH Young Designers Prize to be named for a major design role within one of the conglomerate's brands.

Previously associate curator at the Museum of Contemporary Art, North Miami, she speaks here about cultural and financial tensions surrounding the display of art in Miami and beyond, and looks at the role of the curator todayArt, North Miami, she speaks here about cultural and financial tensions surrounding the display of art in Miami and beyond, and looks at the role of the curator todayart in Miami and beyond, and looks at the role of the curator today...

The Museum of Contemporary Art Detroit's show 99 cents or Less gathers 99 American artists addressing Detroit's ongoing economic crisis, its 2013 bankruptcy and its role as an industrial powerhouse.

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 20Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

Cleveland's Museum of Contemporary Art (MOCA) plays an urgent and exciting role in the city's cultural landscape.

This October, the Walker Art Museum will investigate the politically engaged viewpoint that lies at the bottom of much of Gillick's work in «9 Artists,» a show considering «the changing role of the artist in contemporary culture.»

And so today, even in some of Jack Tilton's shows where they have maybe twenty pictures of a black guy showing his butt, or when they had that show Black Male: Representations of Masculinity in Contemporary American Art [at the Whitney Museum of American Art in» 94], where the gay element had a more predominant role — I mean, it was first brought into the scene with Lyle Ashton Harris having that show [Face: Lyle Ashton Harris at the New Museum in» 93].

Formerly chief curator of the Museum of Contemporary Art, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global culContemporary Art, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global cultural staArt, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global culcontemporary art scene as a potent force on the global cultural staart scene as a potent force on the global cultural stage.

Soundtracks is the museum's first large - scale group exhibition centered on the role of sound in contemporary art.

Despite his active and leading role in the development of the West Coast art scene, his work did not garner widespread institutional recognition until his participation in Helter Skelter, the Los Angeles Museum of Contemporary Art's 1991 group show of LA artisart scene, his work did not garner widespread institutional recognition until his participation in Helter Skelter, the Los Angeles Museum of Contemporary Art's 1991 group show of LA artisArt's 1991 group show of LA artists.

The exhibition posits a series of questions about the urgencies of the contemporary moment, the societal roles of art and artists, and the responsibilities of museums.

Celebrating its 40th year in 2016, the Museum of Contemporary Art Santa Barbara (MCASB), has expanded its role in Central California and beyond as the premier non-collecting contemporary arts institution dedicated to exhibiting, commissioning, and documenting the most innovative and compelling art Contemporary Art Santa Barbara (MCASB), has expanded its role in Central California and beyond as the premier non-collecting contemporary arts institution dedicated to exhibiting, commissioning, and documenting the most innovative and compelling art of our tiArt Santa Barbara (MCASB), has expanded its role in Central California and beyond as the premier non-collecting contemporary arts institution dedicated to exhibiting, commissioning, and documenting the most innovative and compelling art contemporary arts institution dedicated to exhibiting, commissioning, and documenting the most innovative and compelling art of our tiart of our time.

Drawing more than 50 paintings from museums like the Art Institute of Chicago and the Musee d'Orsay, the exhibition will look at the work of an artist whose career may have been overshadowed by his role as a patron and collector of his contemporaries.

Presently the Chief Curator of Contemporary Art at Los Angeles County Museum of Art (LACMA), Franklin Sirmans has taken on an additional role: Artistic Director for Prospect.3 in New Orleans.

Museion's programme thus continues with its exploration of the languages of contemporary sculpture, the invitation to Lidén bringing a new, disruptive opportunity to question its role as a museum and explore art's re-appropriation of architectural space.

Gavin Delahunty will be leaving his role as Head of Exhibitions and Displays at Tate Liverpool to take up the position of Hoffman Family Senior Curator of Contemporary Art at Dalla Museum of Art (DMA) in the spring of 2014.

So I went to the bar, in the garden of this baroque Schloß - cum — modern art museum, one of the first in Germany to show contemporary exhibitions after the War, a venue that just a week before had been saved from selling its collection to front costs in the city's municipal budget ---- a neoliberal misinterpretation of the institution's role not uncommon among midsize cities with large deficits that house many of the small, regional museums in the Rhineland.

Her videos, photography, and multi-channel installations have exhibited at the Museum of Modern Art (New York), Luckman Gallery (Los Angeles), Changing Role Gallery (Rome), Shoshana Wayne Gallery (Santa Monica), Christopher Grimes Gallery (Santa Monica), Steve Turner Contemporary (Los Angeles), Künstlerhaus Bethanien (Berlin), Utah Museum of Contemporary Art (Salt Lake City), Il Magazzino d'Arte Moderna (Rome), Royal College of Art (London), Kunstraum Innsbruck (Austria), The Gallery Loop (Seoul), Bemis Center for Contemporary Arts (Omaha), Yerba Buena Center for the Arts (San Francisco), Santa Barbara Contemporary Arts Forum, The Armory Center for the Arts (Pasadena), Indianapolis Museum of Contemporary Art, Cheekwood Museum of Art (Nashville), Ann Arbor Film Festival, Saison Vidéo, PDX Film Festival, and Dallas Video Festival.

Bridges — who previously served as Curatorial Assistant at the Museum of Contemporary Art Chicago (MCA Chicago)-- will work with Broad MSU staff to build upon the museum's international exhibitions program and expand its role as an educational resource for the university, a center for community engagement, and a cultural hub for the state of Michigan and bMuseum of Contemporary Art Chicago (MCA Chicago)-- will work with Broad MSU staff to build upon the museum's international exhibitions program and expand its role as an educational resource for the university, a center for community engagement, and a cultural hub for the state of Michigan and bmuseum's international exhibitions program and expand its role as an educational resource for the university, a center for community engagement, and a cultural hub for the state of Michigan and beyond.

Christine Sun Kim and Thomas Mader's Tables and WindowsPresented at SFMOMA in Soundtracks, «the museum's first large - scale group exhibition centered on the role of sound in contemporary art,» co-curated by Rudolf Frieling and Tanya Zimbardo.

Recent and upcoming museum exhibitions include America in View: Landscape Photography 1865 to Now at the RISD Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,museum exhibitions include America in View: Landscape Photography 1865 to Now at the RISD Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,Museum of Women in the Arts in Washington, D.C..

2007 Crossing the Water, Cartwright Hall Gallery, Bradford; travelling to City Gallery, Leicester, UK Stardust or the last border, Musée d'art contemporain du Val - de-Marne (MAC / VAL), Vitry - sur - Seine, France Role Exchange, Sean Kelly, New York, USA African Art Today: An Unbounded Vista, Nelson - Atkins Museum of Art, Kansas City, USA Check - List Luanda Pop, African Pavillion, 52nd Venice Biennale Uncomfortable Truths - the shadow of slave trading on contemporary art and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, Aart contemporain du Val - de-Marne (MAC / VAL), Vitry - sur - Seine, France Role Exchange, Sean Kelly, New York, USA African Art Today: An Unbounded Vista, Nelson - Atkins Museum of Art, Kansas City, USA Check - List Luanda Pop, African Pavillion, 52nd Venice Biennale Uncomfortable Truths - the shadow of slave trading on contemporary art and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, AArt Today: An Unbounded Vista, Nelson - Atkins Museum of Art, Kansas City, USA Check - List Luanda Pop, African Pavillion, 52nd Venice Biennale Uncomfortable Truths - the shadow of slave trading on contemporary art and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, AArt, Kansas City, USA Check - List Luanda Pop, African Pavillion, 52nd Venice Biennale Uncomfortable Truths - the shadow of slave trading on contemporary art and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, contemporary art and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, Aart and design, Victoria & Albert Museum, London; touring to Salford Museum and Art Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, AArt Gallery, Salford; Ferens Art Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Taiwan, AArt Gallery, Hull, UK Tomorrow Now: When Design Meets Science Fiction, MUDAM, Luxembourg City, Luxembourg War and Discontent, Museum of Fine Arts, Boston, Massachusetts, USA Scratch the Surface, National Portrait Gallery, London, United Kingdom Fashion Accidentally, Museum of Contemporary Art, Taipei, Contemporary Art, Taipei, Taiwan, AArt, Taipei, Taiwan, Asia

Alison de Lima Greene, the Isabel Brown Wilson Curator of Modern & Contemporary Art at the Museum of Fine Arts, Houston, and Rick Lowe, faculty member at the UH Kathrine G. McGovern College of the Arts and founder of Project Row Houses, will be in conversation with Stella about his work and «the role of art in public places.&raqArt at the Museum of Fine Arts, Houston, and Rick Lowe, faculty member at the UH Kathrine G. McGovern College of the Arts and founder of Project Row Houses, will be in conversation with Stella about his work and «the role of art in public places.&raqart in public places.»

Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.

Mr. Darling is best known his earlier role in organizing Takashi Murakami's exhibit, «Superflat,» two years ago at the Museum of Contemporary Art in Los Angeles.

Before assuming her post at the Stedelijk Museum in 2010, Goldstein worked at the Museum of Contemporary Art, Los Angeles (MOCA) for 26 years, holding the position of Senior Curator, among other roles.

Read our interview to find how the role of a big museum PR is performed, what's her view on Lisbon's contemporary art scene and how a change of projects is yet to scare Namalimba.

A group of works that deal with challenges to traditional social roles, especially those related to gender, will be on display at the Queens Museum of Art, and works that explore contemporary uses of traditional Asian media will be shown at New York University's Grey Art Gallery.

With a intimate view on the role of his art and how it has been shaped through traveling and living abroad, Diango Hernández has been widely exhibited in galleries like Barbara Thumm (Berlin), Marlborough Contemporary (London) and Alexander and Bonin (New York) and institutions such as Kunstahlle Basel (Basel), Museum Morsbroich (Leverkusen), Museum of Contemporary Art (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many otheart and how it has been shaped through traveling and living abroad, Diango Hernández has been widely exhibited in galleries like Barbara Thumm (Berlin), Marlborough Contemporary (London) and Alexander and Bonin (New York) and institutions such as Kunstahlle Basel (Basel), Museum Morsbroich (Leverkusen), Museum of Contemporary Art (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many otheArt (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many others.

Andrew Brighton (art critic and writer, formally Senior Curator Public Events, Tate Modern) and Victoria Walsh (Head of Curating Contemporary Art Programme, Royal College of Art) discuss their roles and experiences across art schools and public museuart critic and writer, formally Senior Curator Public Events, Tate Modern) and Victoria Walsh (Head of Curating Contemporary Art Programme, Royal College of Art) discuss their roles and experiences across art schools and public museuArt Programme, Royal College of Art) discuss their roles and experiences across art schools and public museuArt) discuss their roles and experiences across art schools and public museuart schools and public museums.

He continues his role as Chief Curator and Patsy R. and Raymond D. Curator of Contemporary Art at the Nasher Museum of Art at Duke University in Durham, NC.

SYRACUSE, NY (September 15, 2016)-- Between Tongue and Teeth, Angela Fraleigh's first major museum exhibition, brings together over a decade of the artist's works which question and reimagine women's roles in art history, literature, and contemporary media.

In their role as generative archives of contemporary art production, museums can and must comprehend themselves not merely as venues for the collection and presentation of art that already exists, the elements of which might be arbitrarily arranged in line with alternating themes, but also as institutions that play an active role in the production process.

She regularly appears in national and international media to comment on contemporary art and the role of the museum in society and has been a panelist or presented papers in national and international events, including The China Museum, Beijing and in Kyiv, Ukraine; Santiago, Chile; Cape Town, South Africa; and Sydney, Austmuseum in society and has been a panelist or presented papers in national and international events, including The China Museum, Beijing and in Kyiv, Ukraine; Santiago, Chile; Cape Town, South Africa; and Sydney, AustMuseum, Beijing and in Kyiv, Ukraine; Santiago, Chile; Cape Town, South Africa; and Sydney, Australia.

But, perhaps more than anything UMOCA has ever produced, do it — the newest exhibit in the Utah Museum of Contemporary Art's main gallery — calls into question everything about art: not just what art is, but the process by which it is made, who and what an artist is, and the roles of the curator and the viewArt's main gallery — calls into question everything about art: not just what art is, but the process by which it is made, who and what an artist is, and the roles of the curator and the viewart: not just what art is, but the process by which it is made, who and what an artist is, and the roles of the curator and the viewart is, but the process by which it is made, who and what an artist is, and the roles of the curator and the viewer.

Clare regularly appears in national and international media to comment on contemporary art and the role of the museum in society.

Prior to assuming her role at the MCA Chicago in 2011, Beckwith held positions at the Institute of Contemporary Art in Philadelphia and the Studio Museum in Harlem.

As observed by Matthew McLendon, the museum's curator of modern and contemporary art, «Codex plays a significant role in the continued maturation of Sanford Biggers» work.

Organized by the Bronx Museum with guest curator Isolde Brielmaier, Stargazers will be the first exhibition to frame Catlett's role within the context of contemporary art history and to look at her work from a global perspective.

The Bronx Museum of the Arts will present Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists, an exhibition highlighting Elizabeth Catlett's role as a pioneering African American female artist and her relationship to later generations of contemporContemporary Artists, an exhibition highlighting Elizabeth Catlett's role as a pioneering African American female artist and her relationship to later generations of contemporarycontemporary artists.

Her recent publications include «History in the Present», in Ghosting, The Role of the Archive Within Contemporary Artists» Film and Video (Jane Connarty and Josephine Lanyon eds, Bristol: Picture This Moving Image and The Arts Council, 2006); «Patterning Memory: Ellen Gallagher's «Icthyosaurus» at the Freud Museum», Wasafari, November 2006; and «Migratory Aesthetics: (Dis) placing the Black Maternal Subject in Martina Attille's Dreaming Rivers (1988)», in Black British Aesthetics Today (Victoria Arana ed., Cambridge Scholars Press, 2007).

Echo Cave, Harris» solo show at the Utah Museum of Contemporary Art (UMOCA), stems from a desire to interact with his works outside the standard film festival format — uncovering film's role in engendering multiple creative expressions and perspectives.

Remembering exhibitions are undoubtedly also an exponent of the proliferation of contemporary art museums as «experience economy,» 10 with the need to relive history outside the history books, as witnessed by the popularity of living history: the reenactment of (artistic) performances and historical role play.

During the symposium, a selection of key experts in the field have addressed these questions and framed them in the wider context of the naissance of the modern and contemporary art museum and the role models of Pontus Hultén and Willem Sandberg, our continuous engagement with the art production of the 1960s, the place of these exhibitions in the wider artistic oeuvres of the participating artists, post-1960s «labyrinthine» exhibition practices at large, and the growing discipline of exhibition history.

Recent museum exhibitions have included «Into the Sunset: Photography's Image of the American West» at the Museum of Modern Art, NY; and «Role Models: Feminine Identity in Contemporary American Photography» at the National Museum of Women in the Arts in Washington,museum exhibitions have included «Into the Sunset: Photography's Image of the American West» at the Museum of Modern Art, NY; and «Role Models: Feminine Identity in Contemporary American Photography» at the National Museum of Women in the Arts in Washington,Museum of Modern Art, NY; and «Role Models: Feminine Identity in Contemporary American Photography» at the National Museum of Women in the Arts in Washington,Museum of Women in the Arts in Washington, D.C..

Since joining The Metropolitan Museum of Art, New York in early 2013, Dr Cullinan has taken an important role in developing a number of projects including the programme for the museum's occupancy of the Whitney Museum of Art's Marcel Breuer building in 2016 (following the Whitney's move to another location), expanding and redisplaying the permanent collection and increasing the Modern and Contemporary Department's base of suppoMuseum of Art, New York in early 2013, Dr Cullinan has taken an important role in developing a number of projects including the programme for the museum's occupancy of the Whitney Museum of Art's Marcel Breuer building in 2016 (following the Whitney's move to another location), expanding and redisplaying the permanent collection and increasing the Modern and Contemporary Department's base of suppomuseum's occupancy of the Whitney Museum of Art's Marcel Breuer building in 2016 (following the Whitney's move to another location), expanding and redisplaying the permanent collection and increasing the Modern and Contemporary Department's base of suppoMuseum of Art's Marcel Breuer building in 2016 (following the Whitney's move to another location), expanding and redisplaying the permanent collection and increasing the Modern and Contemporary Department's base of supporters.

In 1990, he took on the role of director of Witte de With - Center for Contemporary Art in Rotterdam and became the director of the Museum Boijmans van Beuningen, Rotterdam in 1996.

A strong advocate of contemporary art, Mr. Lowry has lectured and written extensively in support of contemporary art and artists, and the role of museums in society, among other topics.

ICA@50: Pleasing Artists and Publics Since 1963 marks half a century of ICA's role as one of the leading contemporary art museums in the world.

As part of its ongoing partnership with the Museum of Contemporary Art, the Arlington Heights arts space has put together an exhibition that focuses on color — on its aesthetics, as well as the roles color can play as a symbol, affecting the way it's perceived both socially and politically.