Speakers will reassess
the role of women painters within this movement that has been customarily defined by heroic male painters.
In Confronting the Canvas, one discovers the significant
role of women painters in the contemporary history (or «her - story») of abstraction.
Not exact matches
In an attempt to bring a more human face to the slaughter, Saroyan brings in a historian, an Armenian
woman named Ani (Khanjian, Irma Vep), to serve as an advisor to the film, since she is an expert on the life
of painter Arshile Gorky (Abkarian, When the Cat's Away), reported to have eye witnessed the events, and who is to be featured in a supporting
role.
Collage, popular culture, or the mere appearance
of both in paint has played a similar
role for excluded voices, such as African Americans after Romare Bearden, and it is no coincidence that every
painter that I have mentioned thus far is a
woman.
I recently spoke with A.I.R. Gallery's Associate Director Jacqueline Ferrante, who is also a Brooklyn - based
painter, about the gallery's history, how feminism has played a vital
role in its mission, and some
of the challenges she has personally faced as a
woman artist.
Seductive Subversion includes Marisol's John Wayne sculpture, commissioned by Life magazine for an issue on movies; the French sculptor,
painter, and filmmaker Niki de Saint Phalle's eight - foot - tall Black Rosy, one
of her «Nana» sculptures exploring the
role of women; Rosalyn Drexler's oil and acrylic work Chubby Checker, inspired by the poster for the movie Twist around the Clock, and Home Movies, based on frames from old gangster movies; the Times Square — inspired Ampersand, a multilayered, stylized, and illuminated neon ampersand in a Plexiglas cube by Chryssa, one
of the first artists to utilize neon in her work; and a seventeen - foot - long triptych by Idelle Weber.