Sentences with phrase «role than the audience»

This is not, however, a case of the actress gradually settling into her role than the audience making the break from preconceived perceptions.

Not exact matches

The best segmentation tactics are based on true data about your audience rather than assumptions based on their role or geography.

In today's buyer - driven marketplace where buyers are empowered to make informed business decisions more quickly than ever, marketers must cultivate a role in the discussion in a way that's meaningful to their audiences.

Despite his own monastic formation, this eloquent preacher to the turbulent, variegated «audiences» of the two Eastern capitals was certain that monks were not the best fitted for the role of priests, but rather those «who, though having their life and conversation among men, yet can preserve their purity, their calm, their piety, and patience, and soberness, and all other good qualities of monks more unbroken and steadfast than those hermits do themselves.»

Because names of potential experts may come from sources other than panel members — for example, from scientific societies — the panel's other important role will be to vet the recommended scientists, engineers or physicians for scientific merit, reputation, and the ability to communicate highly technical information to non-scientific audiences.

They found that older, more experienced males did drum more than other troop members, but the drummer's rank and the makeup of the local audience played little role.

More than 350 dignitaries, policymakers, scientists and educators will be in the audience, as the meeting focuses on science for sustainable development — and the role of TWAS Fellows, Young Affiliates and partners in that drive.

Playing the role of Chief of Staff to a bumbling President of the United States, René endeared him to American audiences with his haughty, holier - than - thou portrayal of Clayton.

The supporting players, which American audiences will know more than our two polarizing leads, are effective in their respective roles.

Instead, the more «out - there» character work is given to Kate McKinnon in a role so daffy that she will likely be seen as stealing the movie for a sizeable percentage of the viewing audience, as well as for Leslie Jones, who isn't as hilarious in a more earthy character, but I do think she offers more to the comedy than Ernie Hudson had been afforded in his stint as the non-scientist member of the quartet, Winston, in the first two original movies.

The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.

Though the biker drama's penultimate season has plenty of things worth celebrating (including a larger role for Mark Boone Junior and excellent guest stars like CCH Pounder, Donal Logue and Walton Goggins), a lot of the conflict this time around seems to be less about driving the narrative than shocking the audience, none more so than the death of Maggie Siff's Tara.

Foy («Breathe») is not only quite good in this role, she also displays a wider range of emotions and therefore talent than most big screen audiences have seen from her.

Mark Wahlberg is once again miscast in a role that's asking for more of him than the audience can believe.

While that sounds like a great idea in theory, the results are not always the best as playing the role for the camera is very different than playing the role to reach an audience member at the back of the house.

No matter the quality of Gibson's performance therein, the film's dissection of a fractured soul can only reinforce audience reservations about a screen icon now better known for obscene and violent telephone calls than manic action movie roles and Oscar - winning epics.

«Yes, audiences are more disposed toward being inclusive in matters of race and sexuality in the 21st century than they were in the 20th — witness the (Oscar) win by A Fantastic Woman, starring a trans actor in the leading role, as Best Foreign Film of the year, and the other major mainstream film of the year, Get Out, Jordan Peele's social critique / horror film, which also dominated at the box office.

Red is the kind of lazily written, thankless curmudgeon role that uses the trials of advanced age for cheap laughs rather than harnessing a veteran actor's talent to engage our empathy; in this sense, Red's characterization as a belligerent, prostitute - loving coot is rendered so outlandish that the audience has no choice but to laugh at him.

The character of Joan in Mad Men started out as little more than a feisty secretary, but as audiences began to respond to Hendricks, the writer Matt Weiner developed her role so that by the end of series seven she had become a complex, fully - rounded character and a linchpin of the entire show.

She's our audience surrogate, surveying the narrative's kink with her typical wild - eyed disbelief; he's a larger than life bohemian stereotype whose charm lets Schwartzman wear his crown as the king of amicable jerks more snugly than he has in his last half dozen roles.

The only thing worse than watching Tatum bumble his way through yet another leading role is the dreadful script by Montiel, which lazily strings together a series of incredibly pointless events and moments of manufactured conflict that are so easily avoidable it can be viewed as nothing less than an insult to the audience's integrity.

More than a decade on since MGS2, Raiden makes a return to the starring role in his own title once more, but can Metal Gear Rising: Revengeance recapture and convert a new audience to the ways of Mr. Lightning Bolt?

Rather than the artist deciding the compositional framework, the audience now takes on the role of artist, determining where the composition begins and ends.

Over the last 100 years we have played a unique and largely solitary role in the formation of public collections of contemporary art in this country, donating more than 8000 works where they are enjoyed by audiences everywhere.

And yet at this moment it seems more important than ever to look outwards towards the world, to be ambitious in terms of how we think about our programme and role in our community, to start conversations between our audiences, art and society, and acquire and show art that is inclusive, diverse and original.

For 100 years, it has played a unique and largely solitary role in the formation of public collections of contemporary art in this country, donating more than 8,000 works where they are enjoyed by audiences everywhere.

Created by writer and collector Kerry Purcell and distributed through Unbound, Grunts and Grapples delineates the «outrageous outfits, the often genuine antagonism, the holds and moves, the larger - than - life characters, the role of women wrestlers, and the audience itself,» showcased via photographs, original posters, magazines, flyers, the costumes, and much more.

[Response: I've worked with the PM people a fair bit, and once you understand a little of their cultural and historical role, they do a pretty good job on the science — and since their circulation is much larger than SciAm, Discover or Seed, finding ways to reach their audience is certainly worthwhile.

Presumably because of his role as the new president of the Royal Society... I had been quite hopeful that the program might offer some new insights, but in the event it seemed to be little more than an exercise in institutional dishonesty, although very skilfully done: placing unrelated comments on TSI and cosmic rays together for the audience to draw the wrong conclusions; putting up Delingpole — plus a brief comment from Fred Singer — as representative of the scientific case against alarmism; shamelessly bringing to bear the authority of Newton and Darwin; and so on.

Speaking to a standing room only audience of more than 100 pre-registered participants from six continents, Howell stated that while many see women as integral to creating peace, yet «women can and do fail miserably in this role as agents of peace, and the results of this can be and often are, devastating