The final product a beautiful 14 - foot long super-panorama on a single
roll of film where the Beastie Boys appear and reappear four different times on the corner of Ludlow Street, and a building in the background with the now famous sign simply reading, «Paul's Boutique.»
Not exact matches
A lot
of the
film resembles those trashy fall - from - grace rock «n»
roll biopics
where the rock star gets lost in a whirlwind
of sex and drugs, but Ulliel elevates the material by accentuating Saint Laurent's more sinister, predatory side.
Long before the Noir period started, sound on
film ushered in several great series
of detective movie series
where the lead was usually a bright crime solver, but the gumshoe, gritty detective was not far behind and Noir kicked in just in time for that kind
of investigator as the classical detectives (Charlie Cahn, Mr. Moto, Sherlock Holmes, The Thin Man) were on a
roll that even defied studio expectations.
Here's the synopsis: «The Netflix road movie centers on Matt Ryder (Sudeikis), who is talked into driving his estranged and dying father, Ben (Harris), across the country on a quest to get four old
rolls of Kodachrome
film to the one lab left in the world
where it can be developed before that location closes down for good.
If this
film poses any questions that aren't simply redundant at this point, it's the
film's frank look at age and the abrasive acknowledgement
of time that one has when you reach the point
where there needs to be a
roll call in the morning to assure the plucky hotel owner that you're still breathing.
The original
film told the story
of a city kid who loves dancing that ends living in a place
where dancing and rock &
roll have been outlawed.
The non-horror elements
of the
film are uneven in general: The score, so effective in the fright scenes, suddenly evokes eye
rolls when things start to get sentimental, and there's one scene
of unintentional comedy
where the
film's retro»70s setting — another element downplayed in the first
film but foregrounded here — collides with its demonic imagery in an honestly pretty silly way.
The last moments are troubled in a way otherwise alien to the movie;
where a character leaving a house at the start
of the
film sets the ball
rolling, the same action at the end does so only for the eyes.
Just to give you an example
of the type
of film you are dealing with here, there is a scene
where Whitey is doing his civic duty washing out some outhouses when he is locked inside one and
rolled down a snow - covered hill.
The scenes set in the
rolling hills
of the Irish countryside — the greens and purples coordinated, improbably, with Swank's wardrobe — are obvious draws in HD, but for demo material I might choose the
film's finale, set inside an empty Yankee Stadium
where, in one deep - focus shot, you can clearly make out each individual seat in the upper deck.
CHASING CORAL Many people, regardless
of where they stand on the issue, are apt to
roll their...... Read more «Southern Film Critic's Brian Thompson reviews six new
films to open July»
We once again get some choice British Invasion tunes effectively married to slow - motion character strolls; The Kinks should be grateful for the potent exposure three
of their songs are given, while the
Rolling Stones» «Play with Fire» is employed for the
film's most affecting sequence, adding to the list
of instances
where the director and band are in harmony.
At the outset
of the
film, in the early 1950s, Kroc is pitching high efficiency milk - shake machines to owners
of drive - in restaurants, you know, the kind
where the waitresses on
roller - skates serve fries, ribs and shakes through the car windows
of teenagers.
The lush green jungles
of the Philippines,
where Yuddy eventually goes to find his birth mother, seem to hang over the
film like a premonition: the credits
roll over a tracking shot
of the jungle, thick and wet, with layered shades
of green, and this image is reflected in the overall green tint
of the
film.
Most
of the rest
of the events take place in Georgetown,
where Ellen Burstyn (The Last Picture Show, The Wicker Man) plays Chris MacNeil, a
film actress and single mother
of a precocious girl named Regan (Blair,
Roller Boogie).
Sukiyaki Western Django - which has been
filmed entirely in English, though most
of the actors clearly aren't native speakers
of the language - follows a mysterious stranger (Hideaki Ito) as he
rolls into a prototypically violent Old West Town,
where he quickly finds himself caught smack - dab in the middle
of a feud between two warring clans.
This is the movie that sets up the overall «big bad» for the Marvel
films, and it begins what will be a
roller coaster five - plus - year ride to the third Avengers
film where one
of the most popular Marvel stories
of all time will play out on the big screen.
This is one area
where some DB10s will differ,
of course — the cars used in
filming ranged from fully - built models, to
roll - cage - equipped vehicles used for stunts, and even cars with driving pods on the roof for some interior stunt scenes.
And by that, I mean one
of those dreams
where you are trying to run down an infinitely long hallway, never making any real progress, and everything around you is moving as if it were part
of the b -
roll for a stop action
film.
Overall, The LEGO Ninjago Movie Video Game takes the plot
of the
film and does a decent job
of rolling with it, interjecting its own cutscenes
where possible and ensuring the action is a key component
of the game.
One
of the biggest draws to horror and slasher
films is the fear
of not knowing
where the killer is or who will still be alive by the time the credits
roll.
Renowned for her black and white photography, shot quickly and unobtrusively with the light available, her ideal shoot was one one
where she exposed no more than a
roll and a half
of film, often in less than fifteen minutes.
Among the reconstruction
of the original shows, give a closer look at the rooms dedicated to Giorgio Morandi and to the Futurists exhibitions at the 3rd Roma Biennale in 1925
where Giacomo Balla has presented «CanarinGatti - Gatti Futuristi» (1923/24): a joyful artwork conceived as a colorful
roll film where a cat tries to chase a songbird, originally made for the bedroom
of Tommaso Marinetti «s daughter.
But there was some idea that starting one in that moment
where all things alternative were being rapidly absorbed — alternative music, independent
film, media, et cetera — that the activities
of Thread Waxing Space reflected that it was trying to be the Knitting Factory and Artists Space and all these things
rolled into one, because there was a very ambitious music and performance program.
Cincinnati's Lincoln Recreation Center,
where much
of the
film takes place, makes for a well - suited setting for an immersive, poetic dip into adolescence and gender
rolls.
Following a trip to Japan in 1970
where Jonas purchased her first Sony Portapak, she states that she began making «little
films -LSB-...] with the qualities peculiar to video — the flat, grainy, black - and - white space; the moving bar
of the vertical
roll; the closed circuit with instant feedback.
Manual Transmission I was a group exhibition and rooftop event presented on July 31, 2010 in Brooklyn, NY
where curators Joy Drury Cox, Nathaniel Ward and Patrick Amsellem commissioned 10 artists to each create a unique artwork comprised
of 36 exposures from one
roll of 35 mm color slide
film.