Sunstrum combines geological speculations of the Earth's structure, theories of the universe and even 18th
century Romantic landscape painting in her narrative, drawn landscapes which shift between straight forward and fantastical depictions of volcanic, subterranean and cosmological landscapes.
Elaine Rutherford «s paintings and drawing imagery draw on traditions
in romantic landscape painting to reflect on her immigrant experience of existing in the «space between» while reconsidering non-belonging a space of agency.
True North features the work of contemporary artists whose photographic or video - based work evokes the formal conventions of
Northern Romantic landscape painting as well as its legacy in later nineteenth - century photography.
References to Northern European mythology, composer Richard Wagner's operas, the history of German philosophy and culture, and the country's historical predilection
for Romantic landscape painting are recurring themes in Kiefer's work.
through May 25th Julie Langsam This exhibition features several recent paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered views of iconic modernist buildings on top of a band of gridded abstract motifs inspired by classic modernist paintings and beneath ominously lit skies that
invoke Romantic landscape painting.
Dennis Rudolph makes sinister landscapes and dramatic portraits in oil paint or graphics His landscapes can be related to the tradition of the symbolically
charged Romantic landscape painting.
Rather than present literal images of present day despoliation, in other words, Heffernan invites us into an imaginary world that exists somewhere
between romantic landscape painting, 50's fantasy comics, and our worst anxiety dreams.
Tackling the traditions of
romantic landscape painting through the constraints of stage design, a new body of work by artist Silke Otto - Knapp opens at the Camden Arts Centre in January.
The watercolors and books are complemented
by romantic landscape paintings, in which lakes can be glimpsed through screens of trees or where surfaces of splashed molten lead peel back to reveal the sea or landscape depicted beneath.
Looking at the View will span 300 years of British art from the golden age of
Romantic landscape painting right through to Land Art and contemporary artists» use of photography and film.
Sharon Lockhart makes haunted photographs that exude the palpable tension of imminent catastrophe, drawing on precedents as diverse as German portrait photographers such as August Sander and Thomas Ruff,
European Romantic landscape painting and slick advertising layouts from today's fashion and lifestyle magazines.
He also studied Caspar David Friedrich (1774 - 1840), the innovative genius of German art in the 19th century,
whose romantic landscape painting reflected so much of the German soul.
Youngsuk Suh's stunning photographs magnify the complex interdependency of our relationship with the natural world through contemporary rural landscapes using the smoke created by wildfires as a reference of the luminous effects of 19th
Century Romantic landscape paintings.
Please join us for the Solo presentation of Armando Marino at VOLTA NY «Marino is a romantic painter — his nature has the seductive abundance often found in
traditional romantic landscape painting, as Tree of Life, 2012 makes clear — but he is an ironical romanticist, one might say a disappointed romanticist, as The Revolutionary, 2013 strongly suggests» Donald Kuspit.
By this time married with a large family, Butts tried hard to generate extra income through commissions
for romantic landscape paintings and other figurative works.
This exhibition features several recent paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered views of iconic modernist buildings on top of a band of gridded abstract motifs inspired by classic modernist paintings and beneath ominously lit skies that
invoke Romantic landscape painting.
In 19th - century
Romantic landscape paintings, a volcano's fierceness would have been depicted from a distance, the danger implied but out of reach.
Like Edmund Burke's sublime landscape, [1] which informed 18th - and 19th - century
romantic landscape painting and writing, [2] Kjartansson positions human beings as solitary and commanding against the vast and sometimes chaotic natural world.
This lecture begins by exploring the roots of northern
Romantic landscape painting (as outlined by Robert Rosenblum in Modern painting and the Northern Romantic Tradition) and its influence on later modernist abstract painting.
In his 1961 article «The Abstract Sublime», originally published in ARTnews, the art historian Robert Rosenblum drew comparisons between
the Romantic landscape paintings of both Friedrich and Turner with the Abstract Expressionist paintings of Mark Rothko.
Standing before a Rothko canvas, the viewer is a surrogate for the minuscule figures that appear in
romantic landscape painting....
Artist Statement My work shifts between the zones of abstraction and narrative, applying the language of
romantic landscape painting.
This work takes its inspiration from a combination of sources, including reports,
Romantic landscape paintings, and digital collages of my own photographs from multiple hikes and camping trips.
Potentially cosy option, make - believe, the soft - core porn of
Romantic landscape painting, Nature in the knickers of Notion.
Conscious of the nineteenth - century German tradition of
romantic landscape painting, Hütte depends upon compositional and structural devices, whilst refuting its tradition of emotional excess and self - conscious pathos.
Invoking the tradition of
Romantic landscape painting, Simonson's new series of mammoth canvases transport viewers to this sublime, barely - explored, and thrillingly inhospitable world.
Many of the works harked back to the tradition of
Romantic landscape painting.
Conscious of the nineteenth - century German tradition of
romantic landscape painting, Hütte inevitably introduces affect into otherwise clinically composed photographs.
Kristoffer Zetterstrand's works draw equally from old - school computer graphics and
Romantic landscape paintings.
Referencing precedents such as 19th century
romantic landscape painting, as well as more recent artistic endeavours in the natural environment, these works playfully critique our ambitions to take on the world and the spaces beyond.
In art, it is traditionally associated with late -
romantic landscape painting and gothic imagery.