Sentences with phrase «room for black artists»

Not exact matches

Actor and director Bill Paxton visited the CBR Tiki Room during his first New York Comic Con to discuss his first comic book project, a digital - first original graphic novel entitled «Seven Holes For Air» by writer John J. McLaughlin («Youngblood,» «Black Swan») and fine artist Mick Reinman.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

As a part of «The Waiting Room,» her solo exhibition that was on view this summer, Leigh invited more than 100 black women artists to take over the New Museum for an evening.

Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil, synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken

The first room creates a physical experience, pushing the view to the periphery with an imposing bulbous sculpture, while the second creates safe places for the artist as a young boy, evoking Bradford's mother's hair salon in large paintings created from purple - black end papers used for permanent waves and a paper sculpture representing Medusa's head as a hiding place.

Black women artists stood up for Black Lives Matter, an initiative that grew out of Simone Leigh's «The Waiting Room» exhibition at the New Museum.

Sponsored by the Wiesenfeld Visiting Artist Lecture Series, The Black Room, the English Department, and the Townsend Center for the Humanities at UC Berkeley.

The nominees for the 2017 PULSE PRIZE included artists JoAnne Carson (Black & White Gallery / Project Space), Cristobal (WHITECONCEPTS), Andy Dixon (BEERS LONDON), Alejandro Hernandez (CEDE GALERIA), Amy Hill (Front Room Gallery), Sky Kim (Carrie Able Gallery), Todd Lanam (Mark Wolfe Contemporary), Diane Landry (VIVIANEART), Raquel Maulwurf (Livingstone Gallery), Mariu Palacios (Ginsberg Galeria), Lissa Rivera (ClampArt), Donna Ruff (Rick Wester Fine Art), Devan Shimoyama (Samuel Freeman Gallery), Deborah Tarr (LPH), and Lisa Wright (COATES & SCARRY).

«The Freedom Principle» also featured more conventional black - box screening rooms for works by both the Canadian artist Stan Douglas and Britain's Otolith Group.

Another artist making a new painting for my black - and - white room is Christian Marclay, creator of the 24 - hour video piece The Clock, winner of the Golden Lion at the 2011 Venice Biennale.

Press Room» Pressroom Archives» VMFA Showcases African - American Artists for Black History Month

Although this room has been specially created for the Miro show, a very similar yellow and black dotted pumpkin chamber was first shown in Europe when Kusama represented Japan at the 1993 Venice Biennale, with the elderly artist parading around the Giardini in matching spotted robes and a pointed, polka - dot witches» hat.

As part of Simone Leigh's The Waiting Room, the Black Women Artists for Black Lives Matter collective unites against «institutionalized violence that continues to plague black communities.&rBlack Women Artists for Black Lives Matter collective unites against «institutionalized violence that continues to plague black communities.&rBlack Lives Matter collective unites against «institutionalized violence that continues to plague black communities.&rblack communities.»

Painted in 1958 when Rothko was engaged with the creation of the series of famous murals for the Four Seasons Restaurant in the Seagram building in Manhattan (now known as the famous The Rothko Room at the Tate Modern in London)-- No. 36 (Black Stripe) exemplifies this extraordinary moment in the artist's life and career.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

2006 Black Alphabet (Contexts In Contemporary African American Art), Zacheta National Gallery Of Art, Warsaw, Poland Peekskil Project, Hudson Valley Center For Contemporary Art, Peekskill, NY E7, Aljira Center for Art, Newark, NJ Harlem Art Project, Saatchi and Saatchi, New York, Curators Choice, Scope Art Fair, curated by Franklin Sirmans, NY Performance Art Fair, curated by Dean Dedirko First Open, Christies, New York, NY When Artists Say We, Artist Space, New York, NY This Strangest Of Theatres, Roebling Hall, New York, NY Artificial Afrika, Gigantic Art Space, New York, NY From The Living Room, curated by Franklin Sirmans, Art Basel, MiFor Contemporary Art, Peekskill, NY E7, Aljira Center for Art, Newark, NJ Harlem Art Project, Saatchi and Saatchi, New York, Curators Choice, Scope Art Fair, curated by Franklin Sirmans, NY Performance Art Fair, curated by Dean Dedirko First Open, Christies, New York, NY When Artists Say We, Artist Space, New York, NY This Strangest Of Theatres, Roebling Hall, New York, NY Artificial Afrika, Gigantic Art Space, New York, NY From The Living Room, curated by Franklin Sirmans, Art Basel, Mifor Art, Newark, NJ Harlem Art Project, Saatchi and Saatchi, New York, Curators Choice, Scope Art Fair, curated by Franklin Sirmans, NY Performance Art Fair, curated by Dean Dedirko First Open, Christies, New York, NY When Artists Say We, Artist Space, New York, NY This Strangest Of Theatres, Roebling Hall, New York, NY Artificial Afrika, Gigantic Art Space, New York, NY From The Living Room, curated by Franklin Sirmans, Art Basel, Miami

This colorful room, for example, was inspired by a Roy Lichtenstein painting, with the colors outlined in black electrical tape to capture the effect of the artist's 1990s «Interiors» series.