Sentences with phrase «room over the film»

Instead of taking this opportunty to impress his new coach and all the fans with his toughness, Geno instead elected to hit the emergency room over the film room even though a broke jaw is like a concusson they will naturaly both heal themselves in a few days sometimes.

Not exact matches

All productions filmed at Raleigh Studios are required to lease Hollywood Rentals gear; the site also includes a supply store and three screening rooms available to rent for postproduction chores like voice - over services or private viewings.

«And the consequence of that is that the director [of the film], the person responsible, was not coming into the room in a defensive posture knowing that this group could screw him over,» Catmull said.

They eventually were taken over by a Canadian firm (well, the Canadian assets anyway) a few years ago some time after a Veco executive was secretly filmed in a hotel room bribing some Alaska gov» t officials.

Several scenes from Clint Eastwood's «Play Misty for Me» were filmed at the bar and celebrities from all over the world from Julia Child and Rachael Ray to Jim Nantz and Prince Albert II of Monaco have frequented its dining rooms.

In our process, you can form the film evenly down to 20 nanometers because the crystallization at room temperature is much more balanced and occurs immediately over the whole film upon bathing.»

About Blog I began photographing in the age of the dark room and film photography over 15 years ago and have been inspired ever since.

James Woods is embroiled in a Twitter brawl over his criticism of Armie Hammer's new film, and his habit of dating younger women Today's liberated lifestyle has made room for a whole new set of relationships — older women dating younger men.

The elephant in the room is Jennie Livingston's 1990 vogueing documentary, Paris Is Burning, which casts a long shadow over the film.

This wry, wonderfully detailed film catches the enormous imbalance of a morose teen with no life experience other than the thousands of fictional and pop - culture references that fill his head and his room: A sketch of Woody Allen's head hangs over Oliver's bed.

I think we were all pretty skeptical upon hearing the announcement that James Franco would be bringing the story of the making of Tommy Wiseau's The Room to the big screen over three years ago; at least those of us familiar with the wonderfully terrible film of cult infamy.

They were perfectly happy with their small lives, eating in the same tea rooms, watching films in crowded theaters, and going home on their respective evening trains, but just a flicker of hope rose between them over time.

In case you haven't been paying attention to what's been going on over at Relativity Media, I'll give you the short version — they're scrambling to release their slate of films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release -LSB-...]

In case you haven't been paying attention to what's been going on over at Relativity Media, I'll give you the short version — they're scrambling to release their slate of films while in the midst of bankruptcy, now replacing Mike Flanagan's Before I Wake with the D.J. Caruso - directed The Disappointments Room, which was originally going to see a release in November.

Director Jeremy Saulnier's horror - thriller «Green Room» — which Broad Green financed but did not release, selling the movie to A24 — premiered at the 2015 Cannes Film Festival's Directors» Fortnight, but only after a lengthy dispute with Broad Green over sending the film to the festival at all.

From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and old.

Towards the end of the film, the satire scoots over to make room for some pretty sweet action sequences, mostly delivered by Hit - Girl.

«We generate illustration after illustration, every day, hundreds of them over several months, to design every set, every world, every city, every planet, every building and every room the film plays in.

Note that I didn't call The Forbidden Room Maddin's «latest film,» for this isn't so much a film as an encyclopedic compendium of cinematic possibilities, a cauldron bubbling over with highly spiced visual and narrative tropes.

Now take that haunting soundtrack and place it over cinematography that brings out maximum creepiness from every environment of the Swiss Alps located healing center, whether it be recreational spa rooms, hydrotherapy pools, wide - open outdoor areas intended for leisurely sports, or underground catacombs hiding unholy secrets and more nastiness, and the result is what will undoubtedly be one of the most atmospheric and hypnotic films of 2017.

At a little over two hours, the film isn't excessively long for a serious drama, but it feels lengthier due to the brutal subject matter that offers little room for levity and even less hope.

War Room, the faith - based film, dropped just 18 % on its second week of release, grossing around $ 9.3 million over the three - day weekend to take top spot.

What makes Room 237 work so well is that Ascher shows the same Shining clips over and over, with different interpretations, letting only the voices of the theorists and the images from the film (plus a few other relevant movies) tell the story.

Of course, when a film is dealing with the end of the world, there is not a lot of wiggle room and even in this current age of motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the top.

Wiseau's film, The Room, goes over schedule and over budget.

I feel like this race is between that film and James White so if I predict James White then Diary gets First Screenplay over Room.

Over the course of the three acts, the film's context evolves from social satire (set in a public space) to emotional intimacy (confined to the private space of a single room and a single bed) to domestic drama (set in the awkward private - public space of a family apartment).

The scene - building tactic that the film keeps returning to entails the camera hunkering down in a defined space (a frat - house common room, a bar, a dugout) to observe a large group of characters tripping over each other with rapid - fire quips, cutting between them like a little steel ball careening wildly off ramps and spring - loaded slingshots.

Although Room resembles the real life case of Austrian abuser Josef Fritzl, who imprisoned his daughter in a basement and fathered seven children with her over a period of twenty - four years, it's not the claustrophobic horror film audiences might expect.

From the gut - wrenching, step - by - step chronology of the raid on Osama bin Laden's compound in Abbottabad to seafaring cultists practicing Scientology - like rituals in the wake of World War II to the 16th president twisting arms over the passing of the 13th Amendment, the best films of 2012 brought history to life with an extraordinary scrupulousness that still left room for vivid artistic expression.

Over the ensuing years, however, a small coterie of film geeks, hipsters and Hollywood insiders discovered «The Room» and became fascinated with the film.

Sally Potter's 71 - minute film The Party is a short, sharp, funny shock of a movie; a theatrical drawing - room comedy which plays out in real time with elegance and dispatch, cantering up to a cheeky punchline twist which leaves you laughing over the final credits.

Though a more rigorous investigation would not necessarily have improved the film (the trampling roughshod over the thin scrim between documentary and fiction is too irritating when undertaken with what seems a cavalier disregard for both), it might have taken some of the weight off its broken, load - bearing metaphor leg, and maybe not left room for an essentially stupid, interminable, out - of - place dream sequence in the process.

Fortunately, with over a year to go until the film's release, there's plenty of room to get your bearings, and with our help you'll be caught up in no time at all.

Style definitely wins over substance in Panic Room, and it's difficult to imagine the film being as enjoyable an entertainment if that were not the case.

Written, directed, and produced by its star, Tommy Wiseau — an enigmatic figure about whom little more is known now than when the film came out over a decade ago — The Room is regularly celebrated with midnight screenings at indie movie theaters around the world, by a rabid fan base that upholds such sacred traditions as hurling plastic spoons at the screen during one key scene.

Octogenarian James Ivory, the acclaimed filmmaker of A Room with a View and Howards End, whose 1987 film Maurice was a landmark in gay cinema, was slated to direct Call Me, but he ended up writing the script and co-producing, handing over the reins to Guadagnino mainly as a result of financial pragmatism (Guadagnino refers to his production as «micro-budget»).

On the one hand, Kinski's attitude sent the film over schedule and over budget, squeezing any breathing room out of the already - confined artistic space in which the director was working.

Despite spanning some thirty - five years and running well over two hours, the film's lean storytelling has room for just four main characters beyond the remarkable protagonist.

But it's true that Wiseau and Sestero really did bond over the Rebel Without a Cause actor — in fact, one of The Room's most famous lines is an homage to that very film.

At one point, the number 237 is mentioned over the P.A. system in one of the film's scenes, a direct reference to the terrifying hotel room in Stanley Kubrick's masterpiece.

Where to start... there is a diverse array of new films from a long list of interesting, acclaimed directors from all over the world, including Sion Sono (Love and Peace), Yorgos Lanthimos (The Lobster), Ben Wheatley (High - Rise), Jeremy Saulnier (Green Room), Takashi Miike (Yakuza Apocalypse), Lee Sang - Woo (Dirty Romance, Speed), Mikkel Nørgaard (Klown Forever), and Ridley Scott (The Martian), among others.

The other appeared in all but the final three or four minutes of her film (when an older actress took over the role for a «30 years later» - style coda), but admittedly spent significant chunks of that running time making room for her male costar's grizzled, drunken antics; her handlers pushed her for a Supporting Actress berth.

They offer a choice of 19 fully flat beds in Upper Class, 46 extra leg room economy seats, and 222 economy seats — all offering award - winning inflight entertainment showing over 400 hours of films, TV shows, music, and games.

The centre is spread over four hectares and includes covered observation decks, a projection room (screening a film on the history of the canal), a restaurant, a coffee shop, a gift shop, a kids» playground and a short nature trail.

About Blog I began photographing in the age of the dark room and film photography over 15 years ago and have been inspired ever since.

In years» past, E3 was about shoving people out of your way because they were dumbly idling, but now everyone is making room for a small production crew to pull over and film their 5 - minute segment for a YouTube channel or webisode.

Players must collect specific numbers of certain symbols to unlock these for use within their current film, but gamers have the final say over what is added to the picture, and what's left on the cutting room floor.

Art Basel Film Library In a dedicated film viewing room within the Miami Beach Convention Center's exhibition halls, an extended selection of over 120 selected works, also curated by Gryn, will be presented for individual, viewer - directed private screening.

Next up is the «Gateway of Realism,» two 6 - by -11-foot, high - resolution mountain landscape images featured in the same room as three vertical screens playing an original, silent video piece called «Harmonium Mountain I.» The short film is a festive, balletic, and at times meditative celebration of the same landscape, reproduced 65 times over in various colors and scattered like sentient confetti.