The image short - circuits the traditional separation between the reductive language of cartoons and
the roots of modern abstraction.
Not exact matches
Whether one considers these bold innovations or gimmicks by which to impress the art market, they had nothing to do with
abstraction as such, with that ruthless subtractive process
of whittling images down to their
roots which so obsessed critics like Greenberg that they put it at the center
of their story
of what
modern art even is.
Iva Gueorguieva adapts the visual language
of modern abstraction to create tumultuous, energetic spaces on canvas; her process
of building up paintings by layering torn cloth with pigment and color washes produces spontaneous, dynamic compositions
rooted in personal stories.
In their accompanying essays, Cesar Paternosto focuses on the emergence
of an
abstraction rooted on the indigenous arts
of the Americas; Lucy R. Lippard writes on her experiences while researching the rock art
of New Mexico; Mary Frame discusses the cultural resonance
of textile structural forms in the ancient Andes; Cecilia de Torres narrates the story
of the pioneering trecks to pre-Columbian sites by Torres - Garcia's disciples; and Valentin Ferdinan discusses the formative aspects
of modern culture in Latin America.