There are 63 artists in the Whitney Biennial this time around, and while individual results may vary, some of my personal favorites would include Pope L's «Claim (Whitney Version),» a giant cube covered inside and out with meticulously - spaced slices of
rotting bologna, each one of which is embedded with a bleary, photocopied portrait.
Best known for absurdist public performances, William Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of
rotting bologna slices meant to represent the percentage of Jews in New York City.
Best known for absurdist public performances, Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of
rotting bologna slices meant to represent the percentage of Jews in New York City.