Columbian artist Fernando Botero created «Lovers,» two
rotund nudes of highly disproportionate size, which were modeled in the smooth, rounded bronze masses we instantly recognize as the artist's signature style.
The term brings to mind Cézanne's pixelated paintings of Mt. St. Victoire, or Monet's delirious Giverny paintings, or Renoir's last paintings of splendidly
rotund nudes luxuriating in lush vegetation.