Dialing up Arcade Fire, Of Monsters and Men, and The Lumineers (and practically every other contemporary band you can think of that writes
rousing, lighter - raising pop hymns), the two - thirds
mark of the movie is essentially defined by sequences serving as launch pads for yet another life affirming music moment (the
score by Theodore Shapiro also employs the help of autumnal indie pop troubadour Jose Gonzalez to mildly better effect).