Like most third world or disadvantaged artists, Piňero acquisitioned the art of the
ruling class: Of the three poems recited in their entirety
over the course of Leon Ichaso's scattershot biopic Piňero, the first of them hijacks Percy Shelley's 1819 «Ode to the West Wind» (in its shift from Shelley's «withered leaves to quicken a new birth» to Piňero's «
candy wrappers in the wind») and the last of them Longfellow's «My Lost Youth.»