Sentences with phrase «run than the movie»

Not exact matches

We've been seeing quite a few reasons to just wait to send that text message till after you park the car, but perhaps none that sound quite so much like a bad movie plot than this story from Maryland, where a 25 - year - old woman was distracted by texting and ran her car off the road, clipped a tree and was propelled 60 feet into a lake.

This Movie has had more re» - runs than «Gone with the Wind» and «The Wizard of Oz» Combined.

That means the fan runs a little quieter than some other models so there's less chance that it will distract you from the movie dialogue.

«When our hero travels into Arabia Terra it is described as much rockier than Acidalia, but the opposite is generally true: much of Arabia is dust mantled and smooth at the scale of a rover,» NASA helpfully explained in the run - up to the release of the book's movie adaptation.

It's much more fun to run around and play, read a book, play on a Kindle, or watch a movie than sit down at the table at eat.

Rather than simply listing run - out - of - the - mill horror movies due out this year (30, by my count, but I'm positive there's more), I decided to take a look at the ones that I'm preparing myself for.

After a emotional day at work and with no energy left to go out to a pub or a restaurant or even a movie, the cleanest way to run out doors is to go online and visit free dating sites where the possibilities of seeing up with somebody who smashes the right harmonize is more of a chance than ever.

After a hectic day at run and with no vigor left to go out to a pub or a restaurant or even a movie, the cleanest way to movement out doors is to go live and visit free dating sites where the possible actions of playing up with mortal who smashes the right harmonize is more of a chance than ever.

The movie covers a wide swath of his life and, though there doesn't appear to be a book biography of Mr. Spinney, my only complaint is that the filmmaker tried to cram too much material in, so that it felt much longer than its hour and a half run time.

Even though those three ran more than nine hours total, Jackson still needed to drop a lot of material from JRR Tolkien's source; after all, the book filled well over 1000 pages, so even three long movies couldn't cover everything.

The steady cavalcade of cameo appearances, coupled with the inclusion of a few genuinely funny comedic set - pieces, prevents the movie from becoming an all - out bore, admittedly, yet it's worth noting that both Carell and Fey's small - screen work is, by and large, far more entertaining than anything within Date Night's appreciatively short running time.

Fans of Suzanne Collins» hugely successfully series of books have been on the defensive since this adaptation is being referred to as «Twilight meets The Running Man `, whereas those previously unaware of the tween - lit hits are seeing this movie as little more than «Battle Royale with all the violence taken out, and replaced with a love story.»

The affable vibe subsequently persists for the bulk of the movie's 95 minute running time, to be sure, and yet it's increasingly clear that Peter Rabbit has, for the most part, been designed to appeal primarily to small children - with this vibe never more obvious than in its larger - than - life, physical - comedy - heavy midsection.

All are more than competently demonstrated in Rampage, a big - budget action movie about the Rock's race to stop three giant, mutant animals running riot on the streets of Chicago.

It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even at 61 minutes), with the movie's less - than - consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.

The only difference, of course, is that Deadpool provides a running commentary, a few asides, and plenty of pop - culture references (which are more current than the previous movie, at least) throughout the course of the whole thing.

There is, as such, little doubt that the less - than - believable nature of the movie's premise isn't quite as problematic as one might've feared, as Niccol does an effective job of both transforming Timberlake's character into a likeable, compelling protagonist and peppering the proceedings with sequences of an unexpectedly engrossing variety (eg Will frantically attempts to reach his mother before she runs out of time).

It's probably not codified anywhere, but I think one good rule of thumb for movies would point out that it's misleading to refer to an «age» in your title if the movie itself barely spans three years (and spends half its running time dealing with matters of somewhat less than historical import, at that).

Movie extra Peppy Miller (Bérénice Bejo) is a star on the rise who's admiration for George's work runs much deeper than the film's they share.

It's the ship that made the Kessel Run in less than 12 parsecs,» Howard chimes in «Hey, that would make an interesting movie.

During the conversation, Diesel revealed that not only is Justin Lin returning to direct the supposedly - final two sequels in this long - running franchise, but that they will be even «bigger» than the previous movies:

Themes, iconography, running gags, call - backs, there are more aspects that weave throughout the movies than one might expect.

It was both from a practicality standpoint of the actual shooting and from the performers and everything that happens when a movie that's a little bit more run and gun like this one is, it ends up getting shaken during the production and the post ended up skewing more towards the comedy than even the original intent.

This might have a title that grabs your attention and a tad more polish than your typical Syfy original movie, but it is just as much of a wreck as those are, running into creative ceilings and shoestring budget restrictions that add up to something artificial, jumbled, and incoherent.

Run by veteran co-presidents Nancy Utley and Stephen Gilula (with production co-heads Matthew Greenfield and David Greenbaum, and acquisition executives Ray Strache and Megan O'Brien), Fox Searchlight makes movies designed to cost less than $ 15 million, but are backed by a worldwide machine.

At a running time of close to two hours, Trading Places inevitably winds up feeling like too much of a good thing - with the movie's less - than - enthralling third act the most obvious victim of its overtly flabby sensibilities.

To its credit, Warner Brothers knew it was a stinker and invested little in the promotional efforts.The trailers didn't exactly say «go see this movie,» but screamed «run in the other direction» and in this case, the trailers provided more than adequate warning.

Rather than holing up at Hogwarts, Harry, Hermione, and Ron spend the majority of the movie on the run, and the sexual tension that builds among the three of them recalls — in a good way — the hothouse adolescent passions of the Twilight movies.

It's a pretty good movie and it definitely makes you question your realationships but the 2 and a half hour run time are felt, and at times it is more awkward than enjoyable.

The movie runs in place for nearly two hours before limping to a half - hearted conclusion, and when the credits roll it's hard not to feel more than a little cheated.

And predictable — the movie then consists of little more than scene - after - scene of characters running, stumbling and screaming until it's time for the credits to roll.

The movie feels like it belongs on a stage rather than the screen, and if it ever got a cast like this on Broadway or the West End, it would be a smash, unlike it's small box office draw it received in it's theatrical run.

After a more than respectable five - week run as the No. 1 movie in America, this weekend the Marvel superhero adventure fell to No. 2, replaced by a different sort of nerd bait: The giant monsters vs. giant robots smash - «em - up...

Although marketed as an action movie, Max Payne runs surprisingly action - free during most scenes, playing more like a brooding potboiler than the exhilarating, pulse - pounding shoot - em - up you'd gather it would be from the video game.

The fact that Lynch hasn't made a movie since 2006's «Inland Empire» and likely never will again all but ensures his fate as an Oscar also - ran, which reflects more poorly on the Academy than it does on him.

This is a different kind of underdog sports movie, one where percentages and balance sheets and backroom trades are bigger drama than home runs and double plays.

And since the movie runs with a pace far more frantic than Fox, it shows in the jerky, jumpy action captured in the «Scope» widescreen ratio by rarely mobile cameras.

This movie is very character driven, with more than half the films run time taking place with our main characters just sitting in detention and talking with each other.

Though Wiseau had four - walled two Los Angeles screens to give «The Room» an Oscar - qualifying run, fewer than 200 people paid to see the movie on opening weekend.

However, from the arrival of Rey onwards, the film attempts to juxtapose into this dark universe something of the buddy movie, albeit, in a much less frivolous manner than in pictures such as Midnight Run and 48 Hours.

It is a lot more enjoyable than your run - of - the - mill bad movie and the more easily found mediocre one.

Though it runs longer than it has to, all movies should be so lucky as to get such a substantial making - of documentary, which Lionsgate - Summit usually reserves for their big teen - oriented fantasy franchises.

- The original title of the movie was «Tomorrow Never Comes» - Anthony Hopkins was cast as Elliott Carver and joined the production, but dropped out after three days because filming was disorganized and chaotic and there was no completed shooting script - First Bond film since Diamonds Are Forever to have a running time of less than two hours.

Without the Zack Snyder - hosted «In Movie Experience,» a promising interactive mélange of storyboards, trivia, behind - the - scenes footage, and plain old commentary, Blu - ray users are left to peruse a series of HiDef «Focus Points» — running 3 - 5 minutes apiece and numbering fewer than usual (there are 10 in total)-- all too cursory in their alleged «focus.»

The problem is that the movie becomes more focused on diagnosis than character, and so what eventually unfolds is a meandering picture that only too late in the game leans toward highlighting any kind of thematic undercurrent while introducing romantic interests for the leads that do little but pad out an already too long running time.

It is a symptom of Marvel's oppressive world - building that so much of the film's run time is devoted to new characters like the twins, or Vision (Paul Bettany, actually having a face on screen for the first time in the franchise), or Ulysses Klaw (Andy Serkis, a villain for a movie that will not see the light of day for three more years), squeezing the interstitial moments down to little more than an afterthought.

What better to do, then, than to look beyond awards season and run down our most anticipated movies of 2016?

The doughy movie runs 23 minutes longer than 1961's version and it would benefit greatly from losing at least that much.

There are few sights in a movie more poignant than inmates in an institution — a prison, or a mental hospital — mooching around in tracksuits, because you know they're not going to be running anywhere anytime soon.

The movie doesn't go so far that its redemption plot can not be taken seriously, but at 116 minutes, it runs a lot longer than expected or needed and some trims of the less funny gross - out material would have certainly sharpened it.