Sentences with phrase «run the script from»

Websites have the ability to load content and run scripts from a variety of sources.

Not exact matches

For instance, on - air DJs on the stream (seemingly actors working from scripts) have made reference to «fake news» produced by their universe's state - run Nazi media.

This was a template script from four years ago cut and pasted as a starting point for working on this year's run of show.

«I think he's been convinced that what you need in the run up to the general election is people who will literally read from the script,» she told Sunday Politics on BBC1.

Thirty - second scripts were distilled from the interviews and then recorded by Scott Orr, who runs a psychophysiology lab at the Manchester VA Medical Center in New Hampshire.

From big international companies to the smallest startups running on SkaDate dating script, the month of love helped everyone.

We went through the past controversies and came up with five suitable online dating sites (one of which even runs on our own SkaDate dating script) to find you the alternative escapes from reality, while staying out of sight of the paparazzi.

Rounders Script taken from a transcript of the screenplay and / or the Matt Damon and Edward Norton poker movie Run your own clone sites just like Groupon, Fiverr, Pinterest, Youtube, Facebook, Autoresponder, Paypal and many more.

The people brought into run the studio were not, and Solomon makes it clear that a large part of the problem from 1930 to 1935 is that there was nobody running the studio who understood scripts.

Despite the hour and a half running time, the script manages to fit in a lot of details and backstory from the video game, but it also tries to tie up loose ends from the first film.

Apart from Padilha, 7 Days in Entebbe has promising credentials: a strong cast headed by Daniel Brühl and Rosamund Pike as the German radicals who prove out of their depth running the hijack mission with two Palestinians, and a script by Black Watch playwright Gregory Burke, who also scored a notable Berlin hit in 2014 as writer of the super-tense Northern Ireland drama» 71.

Because she's already been on the run since the last film, and because at the very beginning of this one she offers up a very funny everybody - stay - away - from - me - because - I'm - bad - news speech to her new school's homeroom class, she seems to know very well who she is and, more importantly, seems to lack not one ounce of determination or fortitude on her spooky mission into the most stylized depths of the pointless occult, only trading it in for helpless fear when the script arbitrarily decides she must.

What it doesn't have more of is inspiration, as director Shawn Levy (The Pink Panther, Cheaper by the Dozen), working from a script from Thomas Lennon and Robert Ben Garant (Balls of Fury, Herbie Fully Loaded), is content to just throw everything but the museum's bathroom sink at the screen and watch the live - action performers merely run away from them all.

The screenplay had originally been scripted by Edgar Wright (The World's End, Scott Pilgrim) and Joe Cornish (The Adventures of Tintin, Attack the Block), with Wright, who had cultivated the vision of Ant - Man for years, intending to direct, but creative differences saw a divorce from the project (Marvel became more controlling as they grew to massive popularity — a queen ant that expects its workers to keep the colony running smoothly), leading to rewrites by Adam McKay (Anchorman 2, Talladega Nights), and eventually Rudd himself during filming, while fluff - comedy veteran Peyton Reed had been brought in to mold it more in the shape that Marvel Studios had been seeking.

Mad Men would mark AMC's first foray into original scripted programming since The Lot, a lamentable comedy which ran for two seasons (that nobody watched), and Remember WENN, a critical hit dramedy from Rupert Holmes that aired from 1996 to 1998.

In flashbacks, we see this bitch - on - wheels run over her various victims, and though Midler looks the part — floral - print stretch pants, a face that could stop a Mack truck — the script prevents her from shifting into overdrive.

The strength of that initial thirteen - episode run is crisp writing from the likes of Mike White — late of The Good Girl and Chuck & Buck — and series creator Kevin Williamson, who unfortunately takes the self - referentiality of his Scream script into the realm of self - promotion with pervasive mentions of the Scream films and I Know What You Did Last Summer.

Chloe Grace Moretz can't save a cheesy script, playing a girl who is constantly on the run from an alien attack, as she desperately tries to find her missing brother.

Writer / director David Ayer has had the theme of men doing their duty to varying degrees running through his work, from his script for Training Day to the gritty cop movie End of Watch.

Screenwriters Jay Longino («Bachelor Party 2: The Last Temptation») and BenDavid Grabinski («Cost of Living») concoct a terminally scattershot and contrived script that lazily plays into the regurgitation of Chan's signature Asian crime - buster while remarkably making Knoxville even more grating (if that is possible) as the endangered rogue on the run from the baddies that want him eradicated.

With a script featuring contributions from Mangold, Christopher McQuarrie, Mark Bomback and Scott Frank, it's all based on the classic Frank Miller / Chris Claremont comic run, and also stars Will Yun Lee as the Silver Samurai, Hiroyuki Sanada, Hal Yamanouchi, Rila Fukushima, Brian Tee and Svetlana Khodchenkova.

Dax Shepard («Hit & Run,» TV's «Parenthood») and Michael Peña («Ant - Man») star in the action comedy «CHIPS,» directed by Shepard from his own script.

There is so darn much setup that it leaves no room for impulses to run free, so Confetti lacks the outlandish giddiness that comes from great improvisational comedy, but it's also missing the benefits of scripted film - like character development or storylines that are brought to a satisfying conclusion.

Roles are being cast for its entire 2016 — 2017 season, including «Fingersmith» from director Bill Rauch (runs Dec. 14 — Jan. 8, 2017), «Trans Scripts» from director Jo Bonney (runs Jan. 19 — Feb. 5, 2017), and «Arrabal» from director Sergio Trujillo (runs May 18 — June 11, 2017).

San Andreas actually apes The Day After Tomorrow so closely that at times, it feels like Cuse just took the latter film's script, cut - and - replaced all instances of «storm» with «earthquake» and «runs from cold» with «runs from opening fissures,» and called it a day — like Tomorrow, the film centers on a father's unlikely determination to cross a disaster zone to save an adult child, with only a minimal idea of where his kid might be in a city approaching a population of 1 million.

From a screenplay by Academy Award ® - winner Hayao Miyazaki, the English language version is directed by multiple Academy Award ® - winner Gary Rydstrom from a script adaptation by Karey Kirkpatrick (James and the Giant Peach, Chicken Run, Charlotte's Web) and features an all - star English voice cast including Gillian Anderson, Sarah Bolger, Beau Bridges, Jamie Lee Curtis, Bruce Dern, Isabelle Fuhrman, Christina Hendricks, Ron Howard, Chris Noth, Emily Osment, Aubrey Plaza, Charlie Saxton, Alex Wolff and Anton YelcFrom a screenplay by Academy Award ® - winner Hayao Miyazaki, the English language version is directed by multiple Academy Award ® - winner Gary Rydstrom from a script adaptation by Karey Kirkpatrick (James and the Giant Peach, Chicken Run, Charlotte's Web) and features an all - star English voice cast including Gillian Anderson, Sarah Bolger, Beau Bridges, Jamie Lee Curtis, Bruce Dern, Isabelle Fuhrman, Christina Hendricks, Ron Howard, Chris Noth, Emily Osment, Aubrey Plaza, Charlie Saxton, Alex Wolff and Anton Yelcfrom a script adaptation by Karey Kirkpatrick (James and the Giant Peach, Chicken Run, Charlotte's Web) and features an all - star English voice cast including Gillian Anderson, Sarah Bolger, Beau Bridges, Jamie Lee Curtis, Bruce Dern, Isabelle Fuhrman, Christina Hendricks, Ron Howard, Chris Noth, Emily Osment, Aubrey Plaza, Charlie Saxton, Alex Wolff and Anton Yelchin.

Race to Witch Mountain In an attempt to tap into a new audience with an updated script Disney offers this latest remake on the classic tale of two kids with paranormal powers, running from an organization that wants to harness their powers for evil.

Syriana (15) Running time: 128 min *** Oil and America's thirst for it is the subject of Oscar - winning screenwriter Stephen Gaghan's directing debut.Following the success of his script for Traffic, he has obviously decided that choppy, heavily populated political drama is where his talents lie.But Syriana is so busy roaming the world, from the Persian Gulf to CIA -LSB-...]

It's easy to imagine a script supervisor standing off - camera and running down the sports - movie checklist, from the gruff trainer recovering from alcoholism to the unsupportive loved one who just barely changes her mind in time to get to the arena.

Indeed, «The Big Gamble» (16 mins., 480i) makes no bones about the forces that brought the film to life: With Connery's presence as the driving force in the midst of a lawsuit from Cubby Broccoli, Kershner and producer Jack Schwartzman (here represented by his widow, Talia Shire) smashed four scripts together and ran everything past their lawyers to ensure the film never strayed from the parameters of Thunderball.

What vibrancy there is comes not from the script but from Posey's crackling slyness, Phoenix's lunkish solemnity as Abe (he puts a muscular spin on that perennial Allen figure, the clueless intellectual), the tender glow of Darius Khondji's photography, and the Ramsey Trio Lewis instrumental of «The In Crowd,» which runs throughout, pepping things up nicely.

The film will be directed by Brad Ingelsby (Run All Night) from a script by Jake Scott (Welcome -LSB-...]

In places there are some exciting sequences, but overall its thinly - veiled, pro-American foreign policy script and bloated 154 mins running time are enough to sap the energy from any audience.

Please Stand By — Dakota Fanning plays a young woman with autism, who runs away from her group home in order to submit her Star Trek movie script to a contest before the deadline in this charming dramedy.

Yet instead of keeping this a tightly wound yarn of imprisonment and escape, Verbinski — working from a script by Justin Haythe («The Lone Ranger,» «Revolutionary Road»)-- opts for something bigger, grander and more operatic, sending the film wildly off the rails over the course of its far - too - long 146 - minute running time.

Please Stand By (PG - 13 for brief profanity) Dakota Fanning stars in this character - driven dramedy about an autistic woman who runs away from her group home in San Francisco to enter her 500 - page script in a Star Trek competition being staged in Hollywood.

As with Bourne, car chases and hand - to - hand fights are heavily edited, and quite exciting visually, though there is a curious lack of white - knuckle tension that should have resulted from the scenes had the script by first - time feature film scribe David Guggenheim spent more time with the characters to get us to care about their situations before throwing them on the run.

Oren Moverman is adapting the script from the chilling novel that was published in 2009 in Holland and in February in the U.S. Set at a dinner in Amsterdam, the story revolves around two brothers, one running for prime minister of the Netherlands, who must deal with one of their teenage sons who has committed an unspeakable crime.

Under Al - Mansour's direction, from a script by Emma Jensen, the drama explores how Mary (played by the talented Elle Fanning), the daughter of two great thinkers — liberal political philosopher William Godwin (Stephen Dillane) and the godmother feminism, Mary Wollstonecraft — learned to find her own voice after running away with a married Percy Bysshe Shelley (played by arguably Britain's prettiest actor, Douglas Booth).

How about they just translate the ORIGINAL script into english and run from there?

Directed by Paul McGuigan (of «Lucky Number Slevin,» which should have tipped me off a little) from a screen story and script by Max Landis (of whom it can be said, at the very least, that horror appreciation runs in his family, what with his father having made «An American Werewolf In London»), «Victor Frankenstein» is, despite bravura performances from committed young leads Daniel Radcliffe and James McAvoy, all kinds of obnoxious and pointless.

And if the expected pressure to be bigger and better than its predecessors wasn't enough, production on the film also ran into plenty of problems along the way, including numerous directors leaving the project (both David Fincher and Joe Carnahan were previously attached) and several actors (like Carrie - Anne Moss, Scarlett Johansson and Ricky Gervais) either being recast or having their roles cut from the script.

David Koepp's script is also repetitive in a way the other two films weren't; while the comparative paring down of the plot into a largely straightforward chase narrative is admirable, the non-stop sequence of «Leads run from bad guys to place > find next clue and explain it to each other > bad guys come back and shoot at them, so leads run while continuing to explain» becomes incredibly tiresome as the film goes on.

But state - run Florida Virtual School (FLVS), a decade - old public education experiment, departs from this conventional script.

Broadly speaking, charters were envisioned as a way to free educators from following tightly scripted tradition and common practice in education, and that includes running a campus without unions.

For example, a user agent could have a development mode that isolates a particular top - level browsing context from all other pages, and scripts in that development mode could be blocked from connecting to shared workers running in the normal browser mode.

Do you run other InDesign scripts when creating ePUBs from InDesign?

Chris Meadows ran a couple of insightful pieces on how The Martian went from self - published surprise hit to Ridley Scott movie script.

In fact, that's how I read about 30 Japanese novels; I wrote a suite of scripts to grab the text from a Japanese Kindle book, ran them through a morphological analysis tool, generated custom vocabulary lists with translation, inserted pronunciation guides into the text, and generated PDFs that could be read side - by - side on two Kindles.

If the script doesn't auto - update when you open the spreadsheet, run it from the Finance menu drop - down.