The running theme of the film is the relationship between the legacy of Persian / Iranian culture — which, as seen in the quoted passages of these poets, was rife with the celebration of wine, women, and the life of the senses — with Iran in 1999.
Not exact matches
But there's an unexpected religious
theme running through the movie, as the Coens skewer the ways Hollywood tries to put the transcendent onscreen (disclaimer spotted in the credits: «This
film contains no visual depiction
of the Godhead»).
The storytelling either lazes out something awful or tries much too hard, hammering on and on with its
themes, a couple
of which are very problematic, for although the aforementioned
themes about misunderstanding people and trying to find a better path in life are reasonably worthy, there are underlining
themes about the benefits
of taking advantage
of the vulnerable, and about
running away from certain conflicts that are just about offensive, that is, when you look deep enough into this
film to spots its sorry intentions.
In any other
film, such an approach would feel like a massive let - down - and considering Miyazaki's
running theme of pacifism, it seems like an odd thing to build towards.
The primary
theme of the
film, «feeling connected to yourself,» is poorly developed and far too oblique to sustain it for its 160 minute
running time.
Instead it feels like a culmination
of themes that
ran through the Before
films, Tape (2001), Dazed and Confused (1993), and even School
of Rock (2003).
• Angst regarding Big Brother aside, there is a more fundamental
theme of mid-life crisis and ennui
running throughout the
film.
The
film makes little sense and isn't explained in any fashion, it just happens cos it happens basically, director Cox manages to combine an Ed Wood level
of sci - fi with a kind
of urban punk ghetto gang
theme running through it at the same time.
Wild Tales Director: Damián Szifron
Running time: 122 minutes Certificate: R A collection
of darkly funny tales from Argentina, revolving around
themes of anger and revenge, which was nominated for the best foreign language
film Oscar.
Variations on a
theme running through this year's strongest five
films in the Best Director category — Gravity, American Hustle, 12 Years a Slave, Nebraska and The Wolf
of Wall Street — all spring from the notion that the main...
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 23, 2007 BIG BUDGET
FILMS August Rush (PG for slight violence, mild profanity and mature
themes) Freddie Highmore stars as the title character in this escapist fantasy about a promising musical prodigy who
runs away from an orphanage to New York City to find his parents (Keri Russell and Jonathan Rhys Myers) only to end up living with a Fagin - like wizard (Robin Williams) and lots
of other kids in a makeshift shelter in an abandoned theater which was once the Fillmore East.
Alice and Simon represent different interactions teachers can have with their pupils, highlighting a major story current
running beneath the
film's grander
themes of loss and immigration, modern teaching.
So he was there to represent not only the movie but also movies in theatres, a
running theme to CinemaCon as the industry tries to deal with the encroachment
of streaming services on the
film business.
In spite
of its lengthy
running time and the darkness
of its
themes, the
film is frequently very funny.
Stars: Liam Hemsworth, Jeff Goldblum, Bill Pullman, Maika Monroe, Travis Tope, William Fichtner, Charlotte Gainsbourg, Judd Hirsch, Nicolas Wright (also a co-writer
of the script), Jessie Usher, Brent Spiner, Vivica A. Fox, Angelababy, Chin Han, Deobia Oparei and Sela Ward Director: Roland Emmerich Scriptwriters: Nicolas Wright (one
of the stars in the
film) and James A. Woods Composers: Harold Kloser and Thomas Wanker Cinematographer: Markus Forderer 20th Century Fox Rating: PG 13 with fantasy / science fiction violence and
themed material
Running Length: 120 minutes
On the one hand, these remakes speak to the fact
of Hitchcock's timeless
themes in his
films, while on the other hand it points out that Hollywood has perhaps
run out
of ideas when even a remake
of a middling Hitchcock
film is one
of the better thrillers to come out in recent years.
The Blu - ray and DVD editions both feature a new interview with
film critic David Thomson, who offers a crash course introduction to the art and
themes of Hawks (it
runs about 17 minutes), the new 20 - minute program «Howard Hawks and His Aviation Movies» with
film scholars Craig Barron and Ben Burtt, and excerpts from Peter Bogdanovich's 1972 interviews with Howard Hawks (audio only, about 19 minutes), plus the 1939 «Lux radio Theatre» adaptation
of the
film with stars Cary Grant, Jean Arthur, Rita Hayworth, Richard Barthelmess, and Thomas Mitchell all reprising their roles, and the trailer.
In Tom Stoppard «s spectacularly good script (I suspect the quality
of which has been overlooked because so few
film critics have actually read the book), it has a jumping off point that more than any previous take, digs into the
themes of the novel — the many forms that love takes, artificial metropolitan life vs. simple pastoral life — and allows the peripheral characters their moment in the sun, while still keeping the
running time at around a brisk two hours.
Sexual awkwardness among people bonded in holy matrimony is the
running theme of this recent Sundance fave, written and directed by Patrick Brice (Creep) and produced by discomfort - loving indie filmmaker Mark Duplass (who's been down this road many times in
films he and his brother, Jay, have directed).
Looking back over my reviews
of Kevin Smith (Zack and Miri, Clerks II)
films in the past, one common
theme runs throughout: Kevin Smith is a much better writer than he is a director.
We do get the quite familiar shots
of bystanders
running down the street, glancing back in fear — a must for any monster movie, and it should be noted that Godzilla
films have a legacy
of multiple creatures, as well as the man versus nature
theme.
The
film does not dramatize or analyze; it's simply a reflection on its
themes, which
run as simple as the uniting power
of music to the deeper implications
of love — lost and never realized.
One
of the city's most historic cinemas is Le Champo, which
runs regular retrospectives and is famous for «Les nuits du Champo»; a midnight session where $ 15 gets you three
themed films on the trot and breakfast in the morning.
Season four
of Fortnite has a
running movie
theme throughout, and plenty
of sets and props have appeared throughout the map, including 10
film cameras in different locations.
the «First
Run Limited Edition» version that comes with a copy
of the game, a 120 minute UMD with outtakes, 420 minute making -
of and «fashion collection» (that's code for video
of the girls in their bikinis) DVD set, a set
of pics, a Team 4 special DVD (because there are some many
of them the girls are divided up into «teams»), 48 small posters, a download code for 48 different custom
themes, and a Blu - ray
film of all cut - scenes from the first game.
The connection between raw material and its consumption by the immaterial systems
of global capitalism is the main
theme running through Metal, a group show
of five artists at Middlesbrough Institute
of Modern Art, which forms part
of the AV Festival, a biennial programme
of art,
film and music in the northeast
of England, now in its sixth iteration.
Among his most significant
themes are: the relationship between art and language (as in the
film La Pluie, in which water
runs down pages erasing the text written by the artist); the status
of the work
of art and
of criticism in the museum (il Musée d'art moderne — Département des Aigles
of 1968 is a museum in which some
of the works exhibited are accompanied by the warning «This is not a work
of art»); and the play between reality and fiction.
The
theme of sacrifice
runs throughout the
film.
FilmStruck, one
of the best streaming services around, has a new set
of films with a
running theme — cops undercover.