Sentences with phrase «running time the movie»

Not exact matches

In the movie, the Washington Post has to decide if it wants to remain an also - ran local paper or became a national rival to the Times by doing their own reporting and running afoul of the Nixon administration.

Avnet (whose father, Jon, is a veteran Hollywood director and producer as well as the studio's co-CEO) told Fortune the studio wanted to maintain the film's authenticity — they wanted viewers to think the horror film playing out in real - time might really be happening — so they avoided marketing the movie and, in fact, they did not even run the idea by Snapchat before proceeding.

So while a network may have a successful run, or a movie franchise, over time, there's little to stop a competitor from swooping in (think Fox News disrupting CNN).

Despite it being the fantasy series» shortest season yet, Game of Thrones showrunners D.B. Weiss and David Benioff have promised the final episodes will be on a much more cinematic level with movie - length run times — and Hollywood blockbuster budgets to match at an average of $ 15 million per episode.

«The movie has the same running time, but we lost 20 minutes of material that was in the Sundance cut, and replaced that with 20 minutes of material that is bringing this story together emotionally.

As a 21 - year Warner Bros. veteran who left Time Warner in 1999, he earns kudos for running the movie business, where he was responsible for megahits such as the Lethal Weapon series.

However, from a solo Black Panther movie to a young Han Solo movie, super spies, more superheroes fighting each other, dinosaurs running amok and even a little time travel, 2018 is looking good already.

I've always used a recipe that ran in the paper at the time of the movie's release that very much looks like the «peasant dish» Anton Ego describes.

I am hoping things clam down a bit now and we get some spend to quality festive time together playing games, reading books and watching movies instead of running around so much.

Movie Review: «The Hobbit: The Desolation of Smaug «Rated: PG - 13 Running Time: 2 hours 41 minutes Release Date: Dec. 13, 2013Child - friendly?

Movie review: «Saving Mr. Banks» Rated: PG - 13 Running time: 2 hours 5 minutes Release date: Dec. 20, 2013Child - friendly?

I had this strong feeling that time was literally and dramatically running out, like I'm a minor character in a Coen Brothers movie?

I don't how many times I've seen a felon run to their embassy in movies or television series: more recently in the quacky and skittish British tele - drama By Any Means.

Mirror Online feels it's our civic duty to point out that the complete running time of all of the Star Wars movies, including The Force Awakens, is 15 hours and 40 minutes.

True story, Cool Runnings was one of my favorite movies ever as a kid and I tried to watch it as many times in a row as I could.

I ran some Easter errands, and then we watched some movies, but I was feeling very edgy and anxious and in need of some time out and fresh air.

My hobbies include working with animals and environment, reading, watching a good movie, and spending time with thoughts i love.I am an ex firefighter / EMT, Dept Sheriff and i ran a non-profit exotic animal rescue.

But just because your movie boasts TIME Magazine and Pulitzer - Prize Winning automotive critic Dan Neil run down the 50 worst cars ever produced.

I like to watch movies, bowlnig, play pool, go out with friends, work out and run all the time.

Rather, it is the second half of a single movie, one that for reasons of running time and profitability was separated into two.

There's little doubt that Real Steel's biggest problem is its excessively deliberate pace and unreasonably overlong running time, as filmmaker Shawn Levy, working from John Gatins» screenplay, has infused the movie with an incongruously epic sensibility that all - too - often threatens to negate its positive attributes - with the fairly pointless (and surprisingly unpleasant) robot - vs - bull brawl that opens the picture effectively setting a tone of regrettable sloppiness (ie Charlie goes through two robots before settling on his final fighter).

The lifeless vibe persists for much of the movie's overlong running time, and although the return to Vegas towards the end is kind of amusing, The Hangover: Part III has long - since established itself as a predictably pointless closer to a consistently half - baked franchise (ie it's saying something that this is the least objectionable installment in the series).

Moviemaking geek Quentin Tarantino continues his mission to apparently make at least one movie in every major genre with an expansive Western which can't really pass itself off as a Spaghetti Western despite having the typically bloated running time of one of Leone's epics.

The 187 - minute run time of this movie means that it has been spread over two discs.

The movie lets DiCaprio run on with a skull in hand, gives him too much talk time.

But it's geared to throw the prime screen time in the direction of the guy playing the guy coaching the guy who's supposed to be running the movie.

The plot, like allot of Eastern movies, its confusing, with lots of odd names, sorcerers, magic and creatures running around, you lose it big time.

By the time the meta - movie and cute - dog subplots collide in the desert, this high - concept vehicle has run out of gas.

The movie covers a wide swath of his life and, though there doesn't appear to be a book biography of Mr. Spinney, my only complaint is that the filmmaker tried to cram too much material in, so that it felt much longer than its hour and a half run time.

Serving as the primary cinematographer, he employs a run - and - gun style for much of the movie, using a lightweight digital camera that at times lurches so dramatically that you can visualize the body attached to it.

Following Gilligan, Wells accepted parts in a string of B - movies such as Winterhawk (1975), The Town that Dreaded Sundown (1976), and Return to Boggy Creek (1977), and joined most of the Gilligan series cast for several reunion movies and specials, but devoted much of her time to founding and running the Wishing Wells Collection, a clothing line designed especially for the elderly and disabled.

The steady cavalcade of cameo appearances, coupled with the inclusion of a few genuinely funny comedic set - pieces, prevents the movie from becoming an all - out bore, admittedly, yet it's worth noting that both Carell and Fey's small - screen work is, by and large, far more entertaining than anything within Date Night's appreciatively short running time.

Though it generally suffers from a pervasive vibe of familiarity, Night at the Museum: Secret of the Tomb remains relatively watchable for the duration of its brisk running time - with the movie clearly faring better in its action - packed, fast - paced second half.

[Director] Orr pulls out all the stops, even when he should leave them in, and the result is a joke that can't quite sustain the movie's running time.

The movie's massively overlong running time only exacerbates its often interminable atmosphere, and it's finally impossible not to wonder just what Kubrick originally set out to accomplish with this mess.

The movie runs out of time with it too though.

It's just as clear, however, that Kubrick's decidedly avant - garde approach often prevents the viewer from wholeheartedly connecting to either the material or the characters, and it subsequently goes without saying that the movie, which is never boring, certainly, generally does struggle to justify its 146 minute running time (ie there are too many stretches here that just go on and on and on).

The movie's all - too - deliberate pace holds the viewer at arms length for much of its overlong running time, however, as Foley's rough - cut sensibilities result in a surfeit of palpably padded - out and entirely needless sequences - with the ensuing lack of momentum ensuring that certain moments aren't able to pack the visceral punch that Foley has intended.

Any time you see the words «human spirit» attached to a movie, run for the hills.

just like all the rest of these types of movies, but this one would be running near the top for «Worst Movies of All Time», along with «Open Water&rmovies, but this one would be running near the top for «Worst Movies of All Time», along with «Open Water&rMovies of All Time», along with «Open Water».

The affable vibe subsequently persists for the bulk of the movie's 95 minute running time, to be sure, and yet it's increasingly clear that Peter Rabbit has, for the most part, been designed to appeal primarily to small children - with this vibe never more obvious than in its larger - than - life, physical - comedy - heavy midsection.

Most superhero movies take (a majority) of running time on American soil.

The film tries to pack in a little bit too much in its running time, and there isn't a comedic moment until well into the film, a strange choice in a movie for kids, but The Wild Life has its moments of charm, hilarity, and slapstick that worked really well.

If one of the most successful and long - running franchises in movie history wants to keep pumping, it's once again time to change the formula.

Considered on its own, as a single, nearly 2 - hour -40-minute movie, «Avengers: Infinity War» makes very little sense, apart from the near convergence of its title and its running time.

It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even at 61 minutes), with the movie's less - than - consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.

Runs only at 64 minutes, which is a good run time as the movie does become a little boring mid way through.

The movie's overall impact is ultimately heightened by its extremely memorable (and extremely Kubrickian) atmosphere, which does, in the end, compensate for the various flaws contained within Eyes Wide Shut's 159 minute running time.

There is, as such, little doubt that the less - than - believable nature of the movie's premise isn't quite as problematic as one might've feared, as Niccol does an effective job of both transforming Timberlake's character into a likeable, compelling protagonist and peppering the proceedings with sequences of an unexpectedly engrossing variety (eg Will frantically attempts to reach his mother before she runs out of time).

Although I usually run as fast as I can from films like this, I'm pleased to say The Hangover ends up being one of the funniest movies I've seen in a long time.