George Shaw is a fascinating choice as a resident artist at the National Gallery, his scenes of poisoned landscapes now hanging alongside
rural scenes by Gainsborough and Constable.
Not exact matches
My own sense is that the early - to - mid 60s embrace of R+B dance got overdone — as best exemplified
by the way England's mods turned to amphetamines to keep them engaged in the non-stop-dancin'their
scene championed — and thus eventually provoked a reactive turn to heaviness (hard - rock, art rock), relaxed
rural - ness (country - rock), and even outright mellowness (James Taylor and co.).
Contrasting spectacular vistas, blacks are also appropriately deep and dark in certain interior
scenes, as when a passed - out Oliver is plucked from a
rural road and given soup
by a kindly woman during his journey
by foot to London.
The narrative is partly driven
by the culture shock produced
by Everett's incongruous arrival in the
rural Irish outback, a bit like those recent
scenes of President Obama quaffing Guinness in the Emerald Isle except transplanted to the set of Father Ted, and partly
by the impudent, ambiguous, seemingly indolent figure of Boyle.
The
scenes in the museum are overextended to the point of viewer frustration, and the visuals, which have been touted
by some critics as the most notable aspect of the movie, are nothing to write home about, not even to
rural Minnesota.
In
scenes alive with emotional truth, River, Cross My Heart weighs the effect of Clara's absence on the people she has left behind: her parents, Alice and Willie Bynum, torn between the old world of their
rural North Carolina home and the new world of the city, to which they have moved in search of a better life for themselves and their children; the friends and relatives of the Bynum family in the Georgetown neighborhood they now call home; and, most especially, Clara's sister, twelve - year - old Johnnie Mae, who must come to terms with the powerful and confused emotions sparked
by her sister's death as she struggles to decide and discover the kind of woman she will become.
Hidden from the world, down a faint dirt road, and camouflaged
by trees and earth tone colored tarps in the foothills of
rural Fresno County, CCSPCA Humane Officers discovered a deplorable
scene.
Surrounded
by forest and
rural scenes, Villa Indah Manis is also blessed
by stunning vistas of majestic mounts, not to mention Bali's beautiful beaches.
Surrounded
by forest and
rural scenes, Villa Indah Manis commands breathtaking views spanning the Indian Ocean and the southernmost tip of the island all the way up the west coast past Jimbaran, the airport, Kuta and Canggu, and inland to Bedugul.
Surrounded
by forest and
rural scenes on a spectacular location known as Jimbran southern peninsula of Bali, this peaceful 3 bedrooms Bali villa provides spacious accommodation for 6 guests commanding spectacular views Jimbaran Beach.
Surrounded
by forest and
rural scenes, Villa Indah Manis commands breathtaking views to the Indian Ocean and all the way up the west coast past Jimbaran, the airport, Kuta and Canggu, and inland to the...
Organized
by Laura Valeri, associate curator of European art at GMOA, this show will feature
scenes depicting
rural Georgia dominated
by the cotton industry.
Scenes of the rural South, portraits of industrial workers, familial interior scenes, sporting events and political forums are all included in this snapshot of American life by Richmond Barthé, Romare Bearden, John Biggers, Julius Bloch, James Chapin, Philip Evergood, William Gropper, Chaim Gross, Robert Gwathmey, Palmer Hayden, John Hovannes, Edward Laning, Jacob Lawrence, Jack Levine, Saul Levine, Edmund Lewandowski, Jackson Lee Nesbitt, Thomas LoMedico, Reginald Marsh, Paul Meltsner, Augusta Savage, Raphael Soyer and Warren Whe
Scenes of the
rural South, portraits of industrial workers, familial interior
scenes, sporting events and political forums are all included in this snapshot of American life by Richmond Barthé, Romare Bearden, John Biggers, Julius Bloch, James Chapin, Philip Evergood, William Gropper, Chaim Gross, Robert Gwathmey, Palmer Hayden, John Hovannes, Edward Laning, Jacob Lawrence, Jack Levine, Saul Levine, Edmund Lewandowski, Jackson Lee Nesbitt, Thomas LoMedico, Reginald Marsh, Paul Meltsner, Augusta Savage, Raphael Soyer and Warren Whe
scenes, sporting events and political forums are all included in this snapshot of American life
by Richmond Barthé, Romare Bearden, John Biggers, Julius Bloch, James Chapin, Philip Evergood, William Gropper, Chaim Gross, Robert Gwathmey, Palmer Hayden, John Hovannes, Edward Laning, Jacob Lawrence, Jack Levine, Saul Levine, Edmund Lewandowski, Jackson Lee Nesbitt, Thomas LoMedico, Reginald Marsh, Paul Meltsner, Augusta Savage, Raphael Soyer and Warren Wheelock.
This exhibition includes humorous
scenes designed for Day of the Dead celebrations and ornately carved nativity sets, as well as toys, ceramics, and textiles used every day
by the
rural citizens of Mexico.
Discovered
by Schnabel in a second - hand store in New York City, the original engraved images feature agricultural
scenes that depict the seasonal activities of
rural England for each month.
In the 1930s and 1940s, nationalism resurfaced with the Regionalists, who celebrated the American lifestyle
by depicting
rural scenes in a concise manner, among them, Grant Wood, John Steuart Curry and Thomas Hart Benton.
They were inspired after works
by Auguste Chabaud (1882 - 1955), a French Modern painter who depicted
scenes of
rural life in Provence.
The great Catalan painter and sculptor began
by painting
scenes of
rural peasant life, and went on to become a wayward surrealist, abstractionist and creator of a freeform symbolic world.
She is the editor of Enter
Rural Scene, an anthology of art and writing
by trans, queer and female artists.
Meanwhile, the plain vanilla traditionalist school was represented
by Grandma Moses (1960 - 1961), noted for her idyllic
rural scenes; the sentimental illustrator and portraitist Norman Rockwell (1894 - 1978); and Andrew Wyeth (b. 1917) the watercolour and egg tempera artist, noted for his nostalgic, occasionally symbolic depictions of Pennsylvania and the Maine Coast - such as Christina's World (1948).