If the film never goes
full -
tilt horror until the somewhat
rushed climax, it at least manages to retain a spooky tone, and boasts a few shocks and some exciting scenes.
«After decades of spotty acquisitions, undernourished scholarship and token exhibitions, American museums are rewriting the history of 20th - century art to include black artists in a more visible and meaningful way than ever before, playing historical catch - up at
full tilt, followed by collectors who are
rushing to find the most significant works before they are out of reach,» the New York Times reported last year.